{"id":104223,"date":"2026-10-01T11:51:07","date_gmt":"2026-10-01T09:51:07","guid":{"rendered":"https:\/\/woordfees.co.za\/uncategorized\/onderhoud-jeanne-marie-koekemoer\/"},"modified":"2026-10-04T11:22:13","modified_gmt":"2026-10-04T09:22:13","slug":"onderhoud-jeanne-marie-koekemoer","status":"publish","type":"post","link":"https:\/\/woordfees.co.za\/en\/ink-feeskoerant-2026\/onderhoud-jeanne-marie-koekemoer\/","title":{"rendered":"Onderhoud: Jeanne-Mari\u00e9 Koekemoer"},"content":{"rendered":"\t\t
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SPIER THEATRE<\/h6>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Onderhoud: Toe die toneel-towerstaf haar eers paljas\u2026<\/span><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Produksie: Vlindervry<\/strong>
Deur: Dianne Albertze<\/strong>
Foto\u2019s: Nardus Engelbrecht<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Jeanne-Mari\u00e9 Koekemoer<\/strong><\/span> is vanjaar as akteur, regisseur, vervaardiger en skrywer by nie minder nie as drie produksies by die Toyota Stellenbosch Woordfees betrokke. Dianne Albertze<\/strong><\/span> het haar telefonies uitgevra oor haar pad tot hier.<\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Jeanne-Mari\u00e9 Koekemoer beskryf haarself as \u201ctwenty-two and never been kissed\u201d. \u2019n Jong vrou met \u2019n glinster in haar groot o\u0451 en \u2019n lag wat nes branders breek. In 2003 gebore. \u201cDieselfde jaar as waarvoor Charlize haar Oscar [vir Monster<\/em>] gewen het,\u201d voeg sy skertsend by. <\/p>

Ons gesels op Zoom want Jeanne-Mari\u00e9 is reeds in Potchefstroom besig met Vlindervry<\/em> by Momentum Aardklop. Sy loop oor van opwinding om deel van die produksie te wees. <\/p>

Maar eers wil ek by die begin van haar eie storie uitkom, die openingstoneel van haar drama.<\/p>

In die skaduwee van Stellenbosch se akkerbome het sy grootgeword. Sy was nog altyd \u201ckunstig\u201d, maar voor sy di\u00e9 woord daarvoor kon kry, het sy altyd maar \u201cweird en anders\u201d gevoel en soms uitgelewer aan die geniepsigheid van boelies. Tot sy op laerskool in juffrou Winnie Nel se klas beland het. Di\u00e9 opvoeder het, net soos haar dramajuffrou op ho\u0451rskool, Andrea Staude, vir haar \u2019n plek gebied waar sy gevoel het sy behoort. Dis mense wat haar in magic laat glo het, s\u00ea sy, verby die banaliteit van die alledaagse. En toe die towerstaf van toneel haar eers paljas, was daar geen keer meer nie: sy het haar doel gevind. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Terwyl ons gesels, waai sy aan die ander kant van die selfoonkamera vir lede van die Vlindervry<\/em>-geselskap.<\/p>

\u201cWessel [Pretorius] het my laasjaar in The Old Man Who Thought He Had a Dog<\/em> gesien en gevra of ek wil deel wil wees van sy vertaling en verwerking van Leonard Gershe se komedie Butterflies are Free<\/em>. Ek het onmiddellik ja ges\u00ea!\u201d <\/p>

Sy praat oor Griet, die karakter was sy vertolk, asof dit \u2019n ou vriendin is: \u201c \u2019n Ditzy blonde met \u2019n moerse hart.\u201d<\/p>

Jeanne-Mari\u00e9 erken sy en Griet het dalk baie in gemeen, maar daar is ook iets wat hulle onderskei van mekaar: \u201cGriet hardloop weg van commitment en dis iets waarvoor ek nie skrik nie.\u201d<\/p>

Sy glo aan lojaliteit en harde werk. \u2019n Passievolle mens wat lewe vir die verhoog. <\/p>

N\u00e1 skool gaan studeer sy drama aan die Universiteit Stellenbosch. \u2019n Metanoia-koshuisgirl met haar kop reg aangeskroef. G\u2019n tyd vir clubs en pubs nie. Sy wil net stories skep en vertel. As student was sy by drie van die Premi\u0450re-teaterfees se wenproduksies betrokke \u2013 The Old Man Who Thought He Had a Dog, Die koning en sy bruid<\/em> en die mees onlangse Kenan ennie Klopse<\/em>. Sy speel, skryf en regisseer. <\/p>

Wanneer rus sy dan?<\/p>

Weer volg daai warm skaterlag van haar. \u201cEk vind my balans in die natuur. Met my ma en my sussie en vriende wat altyd daar is. Veral op universiteit het ek pelle gemaak met like-minded mense wat vir mekaar \u2019n lig kan wees.\u201d <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Wessel [Pretorius] het my laasjaar in The Old Man Who Thought He Had a Dog<\/em> gesien en gevra of ek wil deel wil wees van sy vertaling en verwerking van Leonard Gershe se komedie Butterflies are Free<\/em>. Ek het onmiddellik ja ges\u00ea! <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Die gesprek spoel terug na Moeder Aarde. Sy praat passievol oor \u201cpost-progress\u201d en s\u00ea dit maak nie saak hoe mense die aarde opfoeter nie, dit sal altyd daar wees en help om haar kreatiwiteit aan te wakker. Sy het vanjaar haar eerste besoek as toneelskrywer by Teksmark gemaak met Ontaard, <\/em>\u2019n soort sprokie wat in die Karoo afspeel vol vlie\u0451nde planke uit die vloer en toorgoed, maar niks te morbied of swartgallig nie. Steeds in \u2019n sagte, teer stem, wat dalk nog in vorming is, maar al meer klinkend word. \u2019n Stem wat gehoor wil word met stories vol hart en integriteit. <\/p>

Sy is nie van plan om binnekort rustiger te raak nie en is vanjaar as regisseur by twee ander produksies betrokke.<\/p>

Tandepasta en sigarette<\/em>, \u2019n Afrikaanse vertaling van Toothpaste and Cigars<\/em> deur Rinaldi, Michael en TJ Dawe. Sy beskryf dit as \u2019n \u201c2000\u2019s romcom met skerp wit<\/em> wat kyk na die fyn lyn tussen liefde en vriendskap\u201d en s\u00ea dit is \u2019n absolute vreugde om met die twee akteurs in die stuk, Nichola Viviers en Conradie van Heerden, te werk. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Ek vind my balans in die natuur. Met my ma en my sussie en vriende wat altyd daar is. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Die kinderproduksie Kaskenades! <\/em>is iets heeltemal anders wat sy beskryf as \u201c \u2019n reis vol kleur en borrels deur \u2019n fabelagtige kasw\u00eareld wat kommentaar lewer op consumption\u201d. <\/p>

Die Zoom-tydlimiet is bereik en ons skakel weer oor na \u2019n WhatsApp-video-oproep. Di\u00e9 keer is die gesprek stil water, maar nie sonder woorde nie. Sy vertel van die lirieke \u201cDie kleinste kers se liggie kan die diepste donker breek\u201d uit Amandra Strydom se \u201cDie Liggie\u201d wat haar pa vir haar geleer het. \u2019n Motto teen die skemerte aan die binnekant, \u2019n wapenrusting teen die wreedheid van die w\u00eareld. <\/p>

Haar liefste pa, Jan-Albert, wat eens \u2018n lid van die Kanaries was en Bach op die orrel gespeel het, is \u2019n jaar terug oorlede. Haar ma, Marlene, en sy en haar sussie, Jana, het agtergebly. Tog is daar geen tekort aan liefde nie. Haar ma kom kyk elke show. \u201cDis lekker dat my ma my kuns verstaan en dit kan waardeer.\u201d <\/p>

Ons foonbatterye dreig om die gees te gee en ons groet, maar ek bly na die selfoonskerm staar, soos na \u2019n halwe kers in die sieldonkerste middernag. Ek stuur toe maar \u2019n skietgebed boontoe voor die skaduwees kop uitsteek: Oom Jan-Albert, daar waar jy is, kan jy met \u2019n geruste hart weet: Jou Jeanne-Mari\u00e9 maak mooi. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Vlindervry <\/strong><\/a>
6 OKT 13:00 | 7 OKT 16:00 | 9 OKT 19:30 | 10 OKT 13:00 | 11 OKT 13:00
kykNET Idasvallei Prim\u00ear
R250-R320 | R280-R350 by die deur<\/p>

Tandepasta en sigarette <\/strong><\/a>
6 OKT 16:00 | 9 OKT 21:00 | 11 OKT 17:00
HMS Bloemhof-skoolsaal
R120 | R150 by die deur<\/p>

Kaskenades!<\/strong><\/a>
9 OKT 15:00 | 10 OKT 09:30 & 11:00
HMS Bloemhof-skoolsaal
R80 | R110 by die deur<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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<\/i>Dianne Albertze<\/p>\n","protected":false},"author":3799,"featured_media":103811,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[400,819,823],"tags":[817],"class_list":["post-104223","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-theatre","category-ink-feeskoerant-2026","category-neelsie-cinema-filmfees","tag-woordfees-2026"],"yoast_head":"\nOnderhoud: Jeanne-Mari\u00e9 Koekemoer - Toyota Stellenbosch Woordfees<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/woordfees.co.za\/en\/ink-feeskoerant-2026\/onderhoud-jeanne-marie-koekemoer\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Onderhoud: Jeanne-Mari\u00e9 Koekemoer - 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