{"id":104238,"date":"2026-10-02T15:27:32","date_gmt":"2026-10-02T13:27:32","guid":{"rendered":"https:\/\/woordfees.co.za\/uncategorized\/daneel-deins-nie-weg-van-die-dubbeldoor\/"},"modified":"2026-10-04T11:25:21","modified_gmt":"2026-10-04T09:25:21","slug":"daneel-deins-nie-weg-van-die-dubbeldoor","status":"publish","type":"post","link":"https:\/\/woordfees.co.za\/en\/ink-feeskoerant-2026\/daneel-deins-nie-weg-van-die-dubbeldoor\/","title":{"rendered":"Onderhoud: Daneel van der Walt"},"content":{"rendered":"\t\t
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SPIER TONEEL<\/h6>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Daneel deins nie weg van di\u00e9 dubbeldoor<\/span><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Produksies: ge-gebergtes en Grootmeisie<\/strong>
Deur: Diane de Beer<\/strong>
Foto\u2019s: Nardus Engelbrecht, Gys Loubser, Hans van der Veen<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Daneel van der Walt <\/strong><\/span> saal \u2019n wilde perd op en speel die vroulike hoofrol in twee belangrike stukke by vanjaar se Toyota Stellenbosch Woordfees: Rachelle Greef se Grootmeisie<\/em> wat met die Reinet Nagtegaal-teksprys bekroon is, en Saartjie Botha se ge-gebergtes. <\/em>Gelukkig, het sy aan Diane de Beer<\/strong><\/span> ges\u00ea, is daar mense agter die skerms wat \u2019n mens mooi oppas.<\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Om in twee stukke deur twee uiteenlopende maar uitmuntende skrywers te speel \u2013 Rachelle Greef se Grootmeisie<\/em> en Saartjie Botha se ge-gebergtes<\/em> \u2013 kan uitdagend en selfs skrikwekkend wees, maar Daneel van der Walt sien vir baie kans.<\/p>

Saartjie se manier van skryf is heeltemal anders as Rachelle s\u2019n, s\u00ea sy. \u201cAlbei van hulle het om baie uiteenlopende redes hulle stukke geskryf. Saartjie het geskryf uit wat sy ervaar noudat haar ma in die ouetehuis is en die stories wat sy daar gehoor het, terwyl Rachelle s\u00ea die stuk gaan nie oor haar nie, maar dalk tog \u2019n bietjie oor haar verlede.<\/p>

\u201cSaartjie het dus meer uit haar hede geskryf en Rachelle uit haar verlede. Die stukke kom as\u2019t ware uit verskillende plekke van jou lyf, hart en psige, en dit raak jou ook op verskillende maniere. Die feit dat albei vroue is, is net \u2019n bonus. Dis vir my baie mooi dat ek twee vroue se stemme verder kan vat op die verhoog.\u201d<\/p>

Grootmeisie<\/em> met Lee-Ann van Rooi as regisseur en Jefferson J. Dirks-Korkee, Wian Taljaard en Ren\u00e9 Cloete in die rolverdeling is die nuwer stuk. Rachelle skryf nie so dikwels vir die verhoog nie, s\u00ea Daneel, maar wanneer sy \u2019n drama aanpak, weet \u2019n mens hier kom \u2019n ding.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Dis g\u2019n verrassing dat sy met die teks van Grootmeisie<\/em> haar tweede Reinet Nagtegaal-teksprys gewen het nie.<\/p>

Daneel speel die rol van die vrou om wie die stuk draai, en jy kan maar weet die poppe gaan dans met Lee-Ann wat gereeld vir Daneel s\u00ea sy \u201ckan maar gooi\u201d. \u201cDit is net die aanmoediging wat ek wil h\u00ea. Ek is so bederf met hierdie voortreflike span en vergaap my aan die talent op die verhoog,\u201d s\u00ea sy. \u201cEk het ook lanklaas met \u2019n teks gewerk wat vr\u00e1 jy moet gooi \u2013 boonop met die ondersteuning van die regisseur.<\/p>

\u201cBaie mense sal s\u00ea menopouse gaan oor hot flushes en estrogeen, maar dit gaan ook nie net oor die gewig wat jy aansit of die veranderinge in jou liggaam nie, want die proses verloop anders vir elke vrou. Vir party is dit hormonaal, ander ervaar dit weer totaal anders. Die vroulike liggaam is baie meer kompleks as di\u00e9 van mans op wie alles getoets word. Die mediese veld is so agter as dit by die vroulike liggaam kom, ons leer maar bymekaar.\u201d<\/p>

Wat in Grootmeisie<\/em> gebeur, is dat Daneel Merwe, beter bekend as Danny, vanwe\u00eb al die verskuiwings in haar liggaam terugduik in haar verlede, en met die terugblik val sy uitmekaar.<\/p>

\u201cDit is \u2019n complete en utter undoing, maar in daai uitmekaarval, vind sy weer haarself en keer terug as \u2019n mens wat baie meer gegrond is. Sy begin soos \u2019n warrelwind en eindig soos \u2019n boom,\u201d verduidelik Daneel.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Dit is \u2019n complete en utter undoing, maar in daai uitmekaarval, vind sy weer haarself en keer terug as \u2019n mens wat baie meer gegrond is. Sy begin soos \u2019n warrelwind en eindig soos \u2019n boom.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Vir haar is dit \u2019n \u201cmooi en mal\u201d stuk, presies soos sy daarvan hou. \u201cOns doen dit op Brechtiaanse manier van weer terugval na jouself, as dit sin maak? Maak ek sin? Dit is \u2019n lyn uit die stuk,\u201d gesels sy voort.<\/p>

\u201cDit is lekker om op die verhoog iets aan te spreek wat nie juis aangespreek word nie. Eintlik moet ons skaam kry hieroor, soos wat ons veronderstel is om skaam te kry vir ons maandstonde of moet stilbly oor die vroueliggaam. Die w\u00eareld is vol falliese simbole, maar praat oor vrouegoed? O nee, ons kan nie daaroor praat nie, ook nie oor depressie nie, want dit maak mense ongemaklik. Depressie gebeur ook met vroue en dis nie \u2019n skande nie, dis die lewe.\u201d<\/p>

Daneel s\u00ea sy is mal oor toneelstukke waar sy aan die einde totaal p\u00ea voel. \u201cEk hou daarvan om fisiek en psigies kl\u00e1\u00e1r te wees aan die einde van \u2019n stuk \u2013 en dis presies wat Grootmeisie <\/em>doen.\u201d<\/p>

Saartjie se ge-gebergtes<\/em> met Wessel Pretorius as regisseur is weer iets gans anders. Dit gaan oor \u2019n man, prof. Herman Delport, wat n\u00e1 die dood van sy dogter en die moeilikheid om haar lyk van oorsee af terug te bring, \u2019n kombinasie van eensaamheid, frustrasie en absolute hartseer ervaar.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u201c\u00a0\u2019n Deel van die probleem is ook die moeilikheid wat \u2019n mens ervaar met tegnologie, wat ons almal uiteindelik ongelooflik isoleer. Oom Herman oorleef \u2019n selfdoodpoging en keer terug na die aftreeoord waar mense sukkel om dit te hanteer omdat hulle nie opgelei is om met psigo-sosiale stresfaktore te werk nie.\u201d<\/p>

Daneel speel die psigiater wat \u2019n bietjie moed verloor en afgetakel word deur die gebroke mense wat sy elke dag sien. Oom Herman se vermo\u00eb om sy verlatenheid te verwoord in sy gesprekke met die psigiater, maak haar \u2019n bietjie sagter.<\/p>

Om nou teenoor \u2019n nuwe oom Herman te speel \u2013 Carel Trichardt het die rol by Nic de Jager oorgeneem \u2013 verander ook dinge. \u201cAlmal het hulle eie pas, \u2019n manier van doen en speel, en dis interessant om te sien hoe dit ook die ritme van die stuk be\u00efnvloed,\u201d verduidelik sy.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Dit is lekker om op die verhoog iets aan te spreek wat nie juis aangespreek word nie. Eintlik moet ons skaam kry hieroor, soos wat ons ons veronderstel is om skaam te kry vir ons maandstonde of moet stilbly oor die vroueliggaam.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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By hulle laaste repetisie het hulle gesels oor hoe lekker dit is om deel te wees van \u2019n geselskap met mense wat so lief en wonderlik is soos Birrie le Roux (stel- en kostuumontwerper), Sylvaine Strike (choreograaf) en Charl-Johan Lingenvelder (komponis en musikale verwerker) wat so goed is met wat hulle doen.<\/p>

\u201cDis \u2019n voorreg vir die spelers om vasgehou te word deur so \u2019n groot span wat Saartjie en Wessel Pretorius, die regisseur, insluit, en natuurlik Lulu Kieser, die verhoogbestuurder, wat altyd vir almal instaan en regstaan.<\/p>

\u201cHoe gaan ek cope met tw\u00e9\u00e9 stukke? Wel, ek doen dit mos nie alleen nie. Ons akteurs word goed ondersteun deur die mense agter die skerms wat ons baie mooi oppas. Maar hoe ek gaan cope, sal ons moet sien!\u201d<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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ge-gebergtes <\/strong><\/a>
3 & 4 OKT 10:00 | 5 OKT 19:30 | 6 OKT 10:30
Open Window-kampus
R210-R350 | R240-R380 by die deur
Geen 0.14<\/p>

Grootmeisie <\/strong><\/a>
5 OKT 10:00 | 6 OKT 17:00 | 9 OKT 20:00 | 10 OKT 13:00 & 16:00
Open Window-kampus
R210-R350 | R240-R380 by die deur
Geen 0.14<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

<\/i>Diane de Beer<\/p>\n","protected":false},"author":3799,"featured_media":104239,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[400,819,823],"tags":[817],"class_list":["post-104238","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-theatre","category-ink-feeskoerant-2026","category-neelsie-cinema-filmfees","tag-woordfees-2026"],"yoast_head":"\nOnderhoud: Daneel van der Walt - Toyota Stellenbosch Woordfees<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/woordfees.co.za\/en\/ink-feeskoerant-2026\/daneel-deins-nie-weg-van-die-dubbeldoor\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Onderhoud: Daneel van der Walt - 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