{"id":104272,"date":"2026-10-03T17:44:04","date_gmt":"2026-10-03T15:44:04","guid":{"rendered":"https:\/\/woordfees.co.za\/uncategorized\/resensie-ons-is-nog-hier\/"},"modified":"2026-10-04T11:25:52","modified_gmt":"2026-10-04T09:25:52","slug":"resensie-ons-is-nog-hier","status":"publish","type":"post","link":"https:\/\/woordfees.co.za\/en\/ink-feeskoerant-2026\/resensie-ons-is-nog-hier\/","title":{"rendered":"Resensie: Ons is nog hier"},"content":{"rendered":"\t\t
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SPIER TONEEL: FRINGE<\/h6>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Op soek na die pad uit die sirkels<\/span><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Produksie: Ons is nog hier<\/strong>
Deur: Maliza Adendorff<\/strong>
Foto’s: Verskaf<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Aanvanklik weet die gehoor nie hoe en waarom die trio hulle hier bevind nie. Jy wonder ook wat jou rol in die storie is, veral as die spelers die gehoor vra om belangrike stukke te help soek wat die prentjie kan voltooi.<\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Simone (Franka Kirby), Layla (Adri-Jo Waterboer) en Shanice (Cara Rossouw) se eerste \u201ceen, twee, drie, vier\u201d push-ups, hulle voetjie-voor-voetjie-balanseer op die bedraam, high knees tot by die hopscotch, en die terugrol in die push-up-posisie sal selfs die sterkste gestel moeg maak. Dit beklemtoon nie net die drie se ingeperktheid nie, maar ook hoe uitputtend dit is om te probeer sin maak van hoe hulle in die situasie beland het \u00e9n hoe hulle weer daaruit gaan kom.<\/p>

Aanvanklik weet die gehoor nie hoe en waarom die trio hulle hier bevind nie. Jy wonder ook wat jou rol in die storie is, veral as die spelers die gehoor vra om belangrike stukke te help soek wat die prentjie kan voltooi. Dit is asof die storie die spelers dryf eerder as andersom. Die gehoor snap wel die drie is nie regtig in beheer nie en dat iets groters aan die gang is. Dit voel of selfs jy deur iemand bekyk word wat elke beweging dophou.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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As jou verhaal in \u2019n donker vertrek afspeel, gaan lig een van jou karakters wees \u2013 of dit nou fisiek deur die slim gebruik van beligting is, of dalk \u2019n karakter is wat die regte vrae op die regte tyd vra. In die donker vertel elke \u201clig\u201d \u2019n storie. Hier help die beligting om jou aandag te fokus: Groen LED\u2019s dui die binnelyne van die vertrek aan, rooi word gebruik vir iemand wat jou dophou, en wit vir ventilasie \u2013 en die waarheid.<\/p>

Ons is nog hier <\/em>is een van vyf produksies wat vir die NATi Jong Sterre-projek gekeur is en raak temas aan soos hoop, wanhoop, geslagsgeweld, trauma, familie, toestemming en triggers. Om as gehoorlid te hoor dat \u201cnee\u201d steeds \u201cnee\u201d beteken, selfs wanneer jy bang is, of dat h\u00e1\u00e1r stilgemaakte liggaam steeds aan h\u00e1\u00e1r behoort, moet jou o\u00eb op die een of ander manier oopmaak \u2013 vir jouself, jou huismaat, \u2019n drawwer of die 16-jarige wat haarself vir die huwelik hou. En as dit jou soos \u2019n hou in die maag tref, dan vat jy dit \u201csoos \u2019n man\u201d, want meisiekinders vat genoeg.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\tElke beweging en stemtoon is presies waar dit hoort, maar kom tog natuurlik oor \u2013 met egte vrees en egte wanhoop wat die gehoor duidelik saam met die akteurs ervaar, amper soos \u2019n muis wat in \u2019n hok na \u2019n slang staar.<\/span>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Wat die stuk so treffend maak, veral met die ontknoping, is dat ons almal \u2019n baasspelerige Shanice ken of \u2019n Simone wat in haar vrye tyd honger magies kos gee. Die toneelspel deur al drie akteurs is eg en outentiek. Elke beweging en stemtoon is presies waar dit hoort, maar kom tog natuurlik oor \u2013 met egte vrees en egte wanhoop wat die gehoor duidelik saam met die akteurs ervaar, amper soos \u2019n muis wat in \u2019n hok na \u2019n slang staar. Die dialoog is spitsvondig en kol-kol regtig snaaks totdat jy agterkom dat jy al hoe meer angstig lag.\u00a0<\/em><\/p>

Die stuk nooi jou uit om narratiewe te ondersoek waarvan jy self deel is, of die speletjies waarvan jy deel word of jy nou wil of nie, en stories wat aan jou vertel word om jou aandag van die waarheid af te trek. Ons is ook nog hier. Ons soek ook \u2019n pad uit \u2013 en as jy nie die pad soek nie, is jy dalk die een wat die mure bou.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Ons is nog hier <\/strong><\/a>
5 OKT 17:30 | 10 OKT 17:00
HMS Bloemhof Skoolsaal
R120 | R150 by die deur
Geen o.14 (T)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

<\/i>Maliza Adendorff<\/p>\n","protected":false},"author":3799,"featured_media":104274,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[613,819],"tags":[817],"class_list":["post-104272","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-spier-theatre","category-ink-feeskoerant-2026","tag-woordfees-2026"],"yoast_head":"\nResensie: Ons is nog hier - Toyota Stellenbosch Woordfees<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/woordfees.co.za\/en\/ink-feeskoerant-2026\/resensie-ons-is-nog-hier\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Resensie: Ons is nog hier - Toyota Stellenbosch Woordfees\" \/>\n<meta property=\"og:description\" content=\"Maliza Adendorff\" \/>\n<meta property=\"og:url\" content=\"https:\/\/woordfees.co.za\/en\/ink-feeskoerant-2026\/resensie-ons-is-nog-hier\/\" \/>\n<meta property=\"og:site_name\" content=\"Toyota Stellenbosch Woordfees\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/woordfees\/\" \/>\n<meta property=\"article:published_time\" content=\"2026-10-03T15:44:04+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-10-04T09:25:52+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/woordfees.co.za\/wp-content\/uploads\/2026\/10\/INK-banner10.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2400\" \/>\n\t<meta property=\"og:image:height\" content=\"1200\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"INK Redaksie\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@Woordfees\" \/>\n<meta name=\"twitter:site\" content=\"@Woordfees\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"INK Redaksie\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-ons-is-nog-hier\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-ons-is-nog-hier\\\/\"},\"author\":{\"name\":\"INK Redaksie\",\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/#\\\/schema\\\/person\\\/4fa89144f1f64e8103a71de1d4d44c47\"},\"headline\":\"Resensie: Ons is nog hier\",\"datePublished\":\"2026-10-03T15:44:04+00:00\",\"dateModified\":\"2026-10-04T09:25:52+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-ons-is-nog-hier\\\/\"},\"wordCount\":642,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-ons-is-nog-hier\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/woordfees.co.za\\\/wp-content\\\/uploads\\\/2026\\\/10\\\/INK-banner10.jpg\",\"keywords\":[\"Woordfees 2026\"],\"articleSection\":[\"Spier Theatre\",\"INK Feeskoerant 2026\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-ons-is-nog-hier\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-ons-is-nog-hier\\\/\",\"url\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-ons-is-nog-hier\\\/\",\"name\":\"Resensie: Ons is nog hier - 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