{"id":104279,"date":"2026-10-03T18:06:37","date_gmt":"2026-10-03T16:06:37","guid":{"rendered":"https:\/\/woordfees.co.za\/uncategorized\/resensie-wie-call-die-shots\/"},"modified":"2026-10-03T18:06:37","modified_gmt":"2026-10-03T16:06:37","slug":"resensie-wie-call-die-shots","status":"publish","type":"post","link":"https:\/\/woordfees.co.za\/en\/ink-feeskoerant-2026\/resensie-wie-call-die-shots\/","title":{"rendered":"Resensie: Wie call die shots?"},"content":{"rendered":"\t\t
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SPIER TONEEL<\/h6>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Klaaglied vannie kjeeners<\/span><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Produksie: Wie call die shots?<\/strong>
Deur: Dianne Albertze<\/strong>
Foto: Nardus Engelbrecht<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Wie call die shots? <\/em>is \u2019n aanklag teen wapenmisbruik, misdaad en die tekort aan beskerming vir ons kjeeners. Dis \u2019n rouklag uit die mond van die suigeling. By tye voel dit of die stuk Russian roulette met die kyker speel en \u2019n mens voel of jy wil koes, skryf Dianne Albertze<\/strong>.<\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Ses seuns staan met hulle rug na die gehoor. Ses seuns draai hulle rug op \u2019n land wat hulle nie kan beskerm nie. Saggies begin hulle neurie. Die deuntjie sit reeds in ons onthou as \u2019n nasie. Die woorde raak \u00e1l meer herkenbaar soos \u2019n vergete vriend uit die verlede.<\/p>

Swerwers sonder rigting<\/em><\/p>

Soekers wat nooit vind<\/em><\/p>

S\u00f3 word die ses seuns dan ook kjeeners vannie wind.<\/p>

In alle rigtings waai die seuns soos stofwolke op soek na \u2019n plek om te hoort en \u2019n oor om te luister. Fisieke taal wat vloek en tjank. Stoele word geslat met pote wat soos gunshots dreun. Hier \u2019n nommerbende-teken, daar hanne wat wil keer. En heel agter \u2019n klein laaitie met \u2019n rooi tas aan\u2019t bewe. Soms kry hulle nie teruggebaklei nie. Dan word die lyf soutpilaar, of erger: \u2019n grafsteen.<\/p>

Een vir een kom die wenners van die Proscenium-dramakompetisie na vore met hulle stories. Elkeen in skakerings van vaalbruin, grys en kakie geklee. Die kleur van die grond. Die plek waarna \u00e1l meer vroue en kjeeners op pad is. \u2019n Kolskoot-lyn tref die gehoor wanneer een van die spelers lostrek en s\u00ea: \u201cIn die grond is ons almal dieselfde kleur.\u201d<\/p>

Hierrie kjeeners wil gehoor word. Soms met min woorde. Tonele waar daar slegs met lywe gepraat word. Skaduwees van boeliegedrag en groepsdruk skakeer van die interaksies. Jong mans wat probeer uitvind waar hulle inpas. Ook wanneer hulle van die vloer af mag opstaan, want jy moet maak of daar geskiet word, verduidelik een van die spelers vir ons.<\/p>

Juis met die storie van klein Ashwin leer ons hiervan. Die laaitie se eerste geskenk van Vader Krismis was \u2019n gun. \u2019n Speelgun wat water skiet. Sy ma-goed het bly skel, maar hoor is min. Die kjeent wil mos speel en skiet alles en almal. Tot hy by die spazashop met die werklikheid gekonfronteer word.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Die ritme van Wie call die shots?<\/em> is \u2019n mengelmoes van energieke dans en fisieke teater wat op jou neerdaal soos \u2019n re\u0451nstorm van koe\u0451ls en ander kere weer \u2019n skietstilstand van aria-agtige, digterlike vertellings.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Of \u2019n stem uit die donker, s\u00f3 moeg dat dit desensitised is. Hy vra wie van ons in di\u00e9 begraafplaas sal oorleef (hy bedoel sy woonbuurt). \u2019n Plek waar kjeeners tot laat toe nog speel in die strate, met of sonder toesig. Hy is \u2019n kjeent wat nie meer een kan wees nie. Wat word dan van ons as ons onskuld van ons geroof word? Onvoltooide grootmense? Lywe wat met \u2019n leemte saamleef?<\/p>

En moenie dat ek van die ma\u2019s vergeet nie. In een fragment transformeer die spelers in ouer vroue, moontlik tekeninge van hulle eie moeders. Die\u2019s wat nie meer uitkyk-anties kan wees nie, want daar is net te veel plekke en mense om voor uit te kyk. Met karikatuuragtige gebare kleur die klomp die swaar storie in met humor (tot die humor is galbitter). Die ma\u2019s hou van die skel, skertsend tog met meegevoel oor wie dan nou moet pa staan vir al die kwessies: die gebrekkige bystand van die goewerment, misdaad in die gemeenskappe en o, die drugs, wat een bieg, \u201cdie kinnes so skeel lat kyk dat hulle nie eens die bullet kan raaksien wat hulle tref nie\u201d.<\/p>

Monolo\u00eb en beweging word nes \u2019n skewe bolla saamgebind. Albei elemente \u2013 choreografie en teks \u2013 is beeldryk en veelvlakkig, maar sukkel soms om deur die rekkie van die drama vasgebind te word. Die ritme van Wie call die shots? <\/em>is \u2019n mengelmoes van energieke dans en fisieke teater wat op jou neerdaal soos \u2019n re\u0451nstorm van koe\u0451ls en ander kere weer \u2019n skietstilstand van aria-agtige, digterlike vertellings.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Mich\u00e9 van Wyk en Byron Klassen is egter twee teaterskeppers wat al met Gat<\/em> bewys het dat hulle veral saam \u2019n gedugte span maak. Met hulle kan jy as gehoorlid maar tekstuur, aardsheid en sterk storievertelling verwag.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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As gehoorlid kan jy later die struktuur voorspel, nes \u2019n rit op \u2019n rollercoaster, want n\u00e1 elke teer oomblik kom daar weer chaos. Hierdie resensent wou meer verras word met \u2019n verbreking van konvensie tussendeur die rigiede struktuur. Sodoende sou die verloop net so rou en ontroerend soos die inhoud kon wees.<\/p>

Tog verras die tematiek en kwessies wat aangeroer word \u2019n mens nie. En dinge het nog glad nie verander in ons land nie. Moontlik selfs erger geraak, nes die eerste woorde van Laurika se \u201cKinders van die wind\u201d: \u201cEk ken \u2019n ou, ou liedjie\u2026\u201d Dis \u2019n liedjie wat nooit verander nie.<\/p>

Mich\u00e9 van Wyk en Byron Klassen is egter twee teaterskeppers wat al met Gat <\/em>bewys het dat hulle veral saam \u2019n gedugte span maak. Met hulle kan jy as gehoorlid maar tekstuur, aardsheid en sterk storievertelling verwag.<\/p>

Die stel bestaan uit ses stoele met ses tasse as props<\/em>. Verder hang daar blou skooltasse uit die dak. Dit roep Billie Holiday se \u201cStrange Fruit\u201d by my op. In die donker beligting lyk dit as\u2019t ware nes klein lyfies wat aan galgtoue hang.<\/p>

Die klankbaan bestaan uit songs soos die polities gelaaide \u201cWeeping\u201d van Bright Blue as \u2019n soort temalied en dan weer liedjies soos A.P. Carter se \u201cWhen I\u2019m Gone\u201d, wat nes Rauch se lied deur die akteurs gesing word.<\/p>

Wie call die shots? <\/em>is \u2018n aanklag teen wapenmisbruik, misdaad en die tekort aan beskerming van ons kjeeners. Dis \u2019n rouklag uit die mond van die suigeling. By tye voel dit of die stuk Russian roulette met die kyker speel en \u2019n mens voel of jy wil koes.<\/p>

Maar hierdie drama vra dat jy die geweer reguit in die gesig moet kyk. En luister. Teenwoordig moet wees. Moet saamvoel. Moet besef: Ons moet ophou rugdraai, want as ons as \u2019n land nie nou gaan begin luister na onse kjeeners nie, dan gaan die wind hulle een-een kom wegwaai.\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Wie call die shots? <\/strong><\/a>
4 OKT 15:30 |\u00a0 5 OKT 14:00
kykNET Idasvallei Prim\u00ear
R150-R220 | R180-R250 by die deur<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

<\/i>Dianne Albertze<\/p>\n","protected":false},"author":3799,"featured_media":104280,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[613,819],"tags":[817],"class_list":["post-104279","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-spier-theatre","category-ink-feeskoerant-2026","tag-woordfees-2026"],"yoast_head":"\nResensie: Wie call die shots? - Toyota Stellenbosch Woordfees<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/woordfees.co.za\/en\/ink-feeskoerant-2026\/resensie-wie-call-die-shots\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Resensie: Wie call die shots? - Toyota Stellenbosch Woordfees\" \/>\n<meta property=\"og:description\" content=\"Dianne Albertze\" \/>\n<meta property=\"og:url\" content=\"https:\/\/woordfees.co.za\/en\/ink-feeskoerant-2026\/resensie-wie-call-die-shots\/\" \/>\n<meta property=\"og:site_name\" content=\"Toyota Stellenbosch Woordfees\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/woordfees\/\" \/>\n<meta property=\"article:published_time\" content=\"2026-10-03T16:06:37+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/woordfees.co.za\/wp-content\/uploads\/2026\/10\/quote1-peach-150x150.png\" \/>\n<meta name=\"author\" content=\"INK Redaksie\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@Woordfees\" \/>\n<meta name=\"twitter:site\" content=\"@Woordfees\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"INK Redaksie\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-wie-call-die-shots\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-wie-call-die-shots\\\/\"},\"author\":{\"name\":\"INK Redaksie\",\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/#\\\/schema\\\/person\\\/4fa89144f1f64e8103a71de1d4d44c47\"},\"headline\":\"Resensie: Wie call die shots?\",\"datePublished\":\"2026-10-03T16:06:37+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-wie-call-die-shots\\\/\"},\"wordCount\":1061,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-wie-call-die-shots\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/woordfees.co.za\\\/wp-content\\\/uploads\\\/2026\\\/10\\\/INK-banner11.jpg\",\"keywords\":[\"Woordfees 2026\"],\"articleSection\":[\"Spier Theatre\",\"INK Feeskoerant 2026\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-wie-call-die-shots\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-wie-call-die-shots\\\/\",\"url\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-wie-call-die-shots\\\/\",\"name\":\"Resensie: Wie call die shots? 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