{"id":104496,"date":"2026-10-04T14:43:17","date_gmt":"2026-10-04T12:43:17","guid":{"rendered":"https:\/\/woordfees.co.za\/uncategorized\/resensie-maurice-ravel-se-lenfant-et-les-sortileges\/"},"modified":"2026-10-04T17:01:35","modified_gmt":"2026-10-04T15:01:35","slug":"resensie-maurice-ravel-se-lenfant-et-les-sortileges","status":"publish","type":"post","link":"https:\/\/woordfees.co.za\/en\/ink-feeskoerant-2026\/resensie-maurice-ravel-se-lenfant-et-les-sortileges\/","title":{"rendered":"Resensie: Maurice Ravel se L\u2019enfant et les sortil\u00e8ges"},"content":{"rendered":"\t\t
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CLASSICAL MUSIC<\/h6>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Ravel-opera hou jou op \u2019n musikale mespunt<\/span><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Produksie: Maurice Ravel se L\u2019enfant et les sortil\u00e8ges<\/em><\/strong>
Deur: Wayne Muller<\/strong>
Foto\u2019s: Verskaf <\/strong> <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Wat \u2019n aangename ervaring om in di\u00e9 studenteproduksie kennis te maak met Maurice Ravel se uurlange opera L\u2019enfant et les sortil\u00e8ges<\/em> (Die kind en die towery), wat jou op \u2019n musikale mespunt hou en terselfdertyd wegvoer na \u2019n towerw\u00eareld, skryf Wayne Muller<\/strong><\/span>.<\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Kinderkarakters in opera is nie volop nie. Maar as hulle wel hulle verskyning maak, kan jy misterie en verbeeldingsvlugte verwag. Neem maar Miles en Flora in Britten se The turn of the screw<\/em> \u2013 vreemde kinderkarakters verborge in \u2019n donkerte. Selfs Hansie en Grietjie in Humperdinck se operaweergawe van die sprokie het \u2019n aweregsheid aan hulle. <\/p>

In Maurice Ravel se L\u2019enfant et les sortil\u00e8ges<\/em> (Die kind en die towery), wat Saterdagaand in die Fismersaal opgevoer is, leer ons \u2019n stoute, nukkerige dogtertjie ken wat darem uiteindelik tot groter insigte kom.<\/p>

L\u2019enfant et les sortil\u00e8ges<\/em> het ek nog nie voorheen gehoor nie \u2013 dit was \u2019n aangename ontdekkingsreis deur Ravel se boeiende musiek. Die komponis se musikale inkleding neem jou soos \u2019n kind op \u2019n verbeeldingstog, en dis prikkelend hoe hy beide die spannende verhaallyn en hordes uiteenlopende karakters musikaal skets. <\/p>

Amper soos in \u2019n Reza de Wet-toneelstuk omring die mistieke ook hierdie kinderkarakter wat net bekend is as Die Kind. Sy sit verveeld en lui rond en word deur haar ma berispe. \u2019n Rebelsheid vlam in haar op en sy gooi \u2019n vloermoer \u2013 haar speelgoed en meubels word rondgegooi en selfs die kat ly daaronder. Maar dan kry al haar goeters lewe en baklei \u00e1l komies terug. Dit ontsenu die kind en bring haar tot nuwe insigte. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Die komponis se musikale inkleding neem jou soos \u2019n kind op \u2019n verbeeldingstog, en dis prikkelend hoe hy beide die spannende verhaallyn en hordes uiteenlopende karakters musikaal skets.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Sangstudente van die Universiteit Stellenbosch se musiekdepartement vertolk die tiental karakters \u2013 van \u2019n storieboekprinses en Chinese teekoppie tot \u2019n uil, \u2019n stoel en self vlamme.<\/p>

Vir so \u2019n groot groep studente is hierdie \u2019n perfekte opera om aan te pak, want dit bied groot \u00e9n klein solorolle en koorstukke. Deurgaans het die studente \u2013 daar is 23 van hulle op die verhoog \u2013 \u2019n mens verbaas met hulle prettige vertolkings in beide toneelspel en sang. <\/p>

Chlo\u00eb Loggenberg in die hoofrol as die kind het met \u2019n rykheid en warmte in haar stem gesing. Maar elkeen van die studente verdien eintlik vermelding \u2013 nie net vir hulle sang nie, maar omdat hulle as ensemble \u2019n gefokusde eenheid gebly het met elkeen wat 100% sy bydrae lewer, hoe klein ook al die rol. <\/p>

Dis nie enige hierjy-pianis wat \u2019n opera-partituur (orkesverwerking) op klavier kan aanpak nie, maar Jos\u00e9 Dias het beslis die talent om van agter die klavier die musikale leiding te neem en die sangers goed te ondersteun.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Vir so \u2019n groot groep studente is hierdie \u2019n perfekte opera om aan te pak, want dit bied groot \u00e9n klein solorolle en koorstukke. Deurgaans het die studente \u2013 daar is 23 van hulle op die verhoog \u2013 \u2019n mens verbaas met hulle prettige vertolkings in beide toneelspel en sang. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Jack\u00ef Job, meestal bekend as choreograaf, het die regie behartig. Uiteraard is haar styl vol dans en fisieke teater, wat haar in hierdie geval \u2019n goeie keuse as regisseur maak. Die studente spring, swaai, hang en klouter oor, op en onderdeur tafels en steierwerk. Alles vlot, al lyk hulle gesigte soms angstig vir die akrobatiese bewegings. <\/p>

Daarby het die gestroopte verhoog met slegs noodsaaklike rekwisiete en kostuums (deur die sangdosent Minette du Toit-Pearce) en goeie beligting (deur Wessel Steenkamp) goed gewerk in hierdie konsertsaal-ruimte.<\/p>

Wat \u2019n aangename ervaring om so kennis te maak met Ravel se uurlange opera wat jou op \u2019n musikale mespunt hou terwyl die studente jou na \u2019n towerw\u00eareld wegvoer. Beslis \u2019n studenteproduksie wat die moeite werd is. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Maurice Ravel se L\u2019enfant et les sortil\u00e8ges<\/em><\/strong><\/a>
4 OKT 15:00 & 18:00
Fismer
R140-R200 | R170-R230 by die deur<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

<\/i> Wayne Muller <\/p>\n","protected":false},"author":3799,"featured_media":104494,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[511,819,824],"tags":[817],"class_list":["post-104496","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-classical-music","category-ink-feeskoerant-2026","category-fringe","tag-woordfees-2026"],"yoast_head":"\nResensie: Maurice Ravel se L\u2019enfant et les sortil\u00e8ges - Toyota Stellenbosch Woordfees<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/woordfees.co.za\/en\/ink-feeskoerant-2026\/resensie-maurice-ravel-se-lenfant-et-les-sortileges\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Resensie: Maurice Ravel se L\u2019enfant et les sortil\u00e8ges - 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