{"id":104935,"date":"2026-10-05T11:51:19","date_gmt":"2026-10-05T09:51:19","guid":{"rendered":"https:\/\/woordfees.co.za\/uncategorized\/resensie-notes-from-the-underground\/"},"modified":"2026-10-05T13:20:42","modified_gmt":"2026-10-05T11:20:42","slug":"resensie-notes-from-the-underground","status":"publish","type":"post","link":"https:\/\/woordfees.co.za\/en\/ink-feeskoerant-2026\/resensie-notes-from-the-underground\/","title":{"rendered":"Resensie: Notes from the Underground"},"content":{"rendered":"\t\t
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NEELSIE CINEMA FILMFEES<\/h6>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Hiphop se hart word ontbloot<\/span><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Produksie: Notes from the Underground<\/strong>
<\/strong>Deur: Dianne Albertze<\/strong>
Foto\u2019s: Verskaf<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Notes from the Underground<\/em> deur die regisseurs Adrian van Wyk en Chris Kets is \u2019n monumentale rolprent wat die hartklop van hiphop in Suid-Afrika vasvang, skryf Dianne Albertze<\/strong><\/span>.<\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Wat dokument\u00eare rolprente so kosbaar maak, is die feit dat dit \u2019n argief van lewens is. Geskiedenisboeke kan nie altyd egte ervarings van gebeure weergee nie \u2013 soms moet \u2019n mens eers met jou eie o\u0451 die sweet, stilte en trane van ander mense sien om die regte kant van \u2019n storie waarlik te verstaan <\/p>

Notes from the Underground<\/em> deur die regisseurs Adrian van Wyk en Chris Kets is \u2019n monumentale rolprent wat die hartklop van hiphop in Suid-Afrika vasvang.<\/p>

Die hiphop-legende Afrika Bambaataa het die term hiphop in 1977 gecoin en klem gel\u00ea op vier elemente, naamlik om te DJ, kletsrym, break-dans en graffiti. Daar het ook \u2019n vyfde been bygekom: kennis. Die film ondersoek al hierdie aspekte, vlek dit oop en wys die kloppende hart daaragter. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Duidelik het hulle ook \u2019n spesiale aanslag met die mense voor die kamera gevolg, want elke liewe kunstenaar op die silwerdoek is sonder pretensie en met die grootste gemak vasgevang.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Ons leer hiphop is uit aktivisme gebore in kweltydperke soos die gedwonge verskuiwings in Distrik Ses en die Soweto-opstande van 1976. Dit het veral jong mense aangevuur om hulle stem dik te maak oor die twisted denke agter apartheid en kolonialisme. Ons kry \u2019n kykie in die lewe van verskeie kunstenaars en hoe hulle omgaan met die kunsvorm. Hier is \u2019n paar van die hoogtepunte: <\/p>

Isaac Mutant, \u2019n pionier van die bedryf, lig kykers in oor die vroe\u0451re dae van kletsrym in die lokasies met mics en speakers in die woonbuurte wat later tot op groot verho\u0451 gevorder het. Hy bieg kortliks maar met skrynende weerloosheid oor hoe hy die taal van gangerism gegroet het toe hy volwaardig begin kletsrym het. Nie net sy reis word net ondersoek nie, maar ook di\u00e9 van sy dogter Lyrix wat self \u2018n kletsrymer is. Ons word ingenooi in Lyrix se huis in Houtbaai en word \u2019n vlieg teen die muur terwyl sy en haar pa saamwerk aan haar lirieke. Die onderwerpe \u2013 van selfdood tot humble beginnings \u2013 is heavy vir so \u2019n jong vrou, maar daar is duidelik \u2019n instinktiewe aanvoeling vir ritme en rym. <\/p>

Dope Saint Jude plaas weer \u2019n kollig op die kweer gemeenskap met filtse van die Kewpie Ball waar transgender mense en drag queens deelneem en die vogue-dansvorm beoefen. Dis \u2019n ruimte vir radikale selfaanvaarding en die kleurvolle uitdrukking daarvan. Saint Jude het self eers as \u2019n drag king begin toe sy begin kletsrym het. Daarna het sy die persona eenkant gesit en haarself aan die w\u00eareld voorgestel. Sy belig ook hoe die #FeesMustFall- en #RhodesMustFall-bewegings haar gemotiveer het om musiek te maak. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Die lirieke van kragtige musikante en woordmakers soos Emile XY?, SIEP, Hakkiesdraad Hartman, Eavesdrop, Driemanskap, Niko10long en Jethrow Louw word regdeur die fliek saamgevleg om vir ons die reikwydte en ongelooflike gehalte van hiphop in ons land te wys.<\/p>

Die regisseurs maak gebruik van verskeie skote, veral die bird\u2019s eye view, om die landskap van elke woongebied vir ons te wys, of dit nou mooi of rof is. Plekke soos Houtbaai, Parkwood en Gugulethu word met \u2019n vars oog uitgebeeld. Duidelik het hulle ook \u2019n spesiale aanslag met die mense voor die kamera gevolg, want elke liewe kunstenaar op die silwerdoek is sonder pretensie en met die grootste gemak vasgevang. Die look, klank en gevoel van die dokument\u00ear is toeganklik, eerlik en informatief. <\/p>

Notes from the Underground<\/em> is nie net \u2019n rolprent nie, dis \u2019n diamant in die kroon van ons land se rolprentgeskiedenis wat nog vir jare ondersoek en waardeer sal word, want hiphop is nie net \u2019n musiekgenre nie \u2013 dis \u2019n geskiedenis wat nie durf uitsterf nie.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Notes from the Underground<\/strong> het slegs op 4 Oktober as deel van die Filmfees by die Road House Cinema in die Neelsie gewys.<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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<\/i> Dianne Albertze<\/p>\n","protected":false},"author":3799,"featured_media":104934,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[819,823,824],"tags":[817],"class_list":["post-104935","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ink-feeskoerant-2026","category-neelsie-cinema-filmfees","category-fringe","tag-woordfees-2026"],"yoast_head":"\nResensie: Notes from the Underground - Toyota Stellenbosch Woordfees<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/woordfees.co.za\/en\/ink-feeskoerant-2026\/resensie-notes-from-the-underground\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Resensie: Notes from the Underground - 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