{"id":104958,"date":"2026-10-04T18:29:01","date_gmt":"2026-10-04T16:29:01","guid":{"rendered":"https:\/\/woordfees.co.za\/uncategorized\/resensie-poetry-crawl\/"},"modified":"2026-10-06T11:09:57","modified_gmt":"2026-10-06T09:09:57","slug":"resensie-poetry-crawl","status":"publish","type":"post","link":"https:\/\/woordfees.co.za\/en\/ink-feeskoerant-2026\/resensie-poetry-crawl\/","title":{"rendered":"Resensie: Poetry Crawl"},"content":{"rendered":"\t\t
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EASYEQUITIES SKRYWERSFEES<\/h6>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\u2019n Nag van re\u00efnkarnasie<\/span><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Produksie: Poetry Crawl<\/strong>
Met: Shane van der Hoven, Kirsten Deane, Paul Kammies, Fourie Botha en DJ Assigned MILF At Birth.<\/strong>
Deur: Dianne Albertze<\/strong>
Foto\u2019s: Dianne Albertze, Paul Kammies<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Vanjaar het die Easy Equities Skrywerfees vir ons ‘n dierlike blik deur hul digkuns aangebied. Van ons mees opwindende nuwe digters het hul harte en verbeeldings vir ons los getorring. Dianne Albertze<\/strong><\/span> skryf oor die kafka-eske rit waarop die poetry trip kykers gevat het. <\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Seisoen een: \u2019n Lappop in die parking lot <\/strong><\/p>

In die Erfurthuis se parking lot het \u2019n spul misfits vergader met die belofte van \u2019n onheilige aand van verse. Die sakkende son gooi nog \u2019n laaste vuilgeel flits tussen die bome en karre deur. Die nag wil kom kuier. <\/p>

Eenkant sit die digter Kirsten Deane (Disabled, But<\/em>, uHlanga Press) op \u2019n babakombers omring deur verweerde lappoppe en teddiebere. Nagrok, lang kouse en los hare wat met \u2019n \u00e1l sterker wind begin dans. Sy haal \u2019n Dr. Seuss-<\/em>kinderboek uit, maar lees allesbehalwe \u2019n kleuterstorie voor. Sy steek haar gedigte daaragter weg. Re\u0451ls wat geheime bieg. Tjankwoorde van grootword, vrouwees in die skaduwee van differently-abled stigmas, die lyflike inbrake wat al aan haar gepleeg is, soeke na sexual vryheid, die innerlike letsels van self-mutilasie asook die soektog na emosionele verlossing. <\/p>

Die wind wil nie meer net dans nie, maar begin vir ons, soos Kirsten se verse, nugter klap en heen en weer van haar strofes tot die emosies wat dit in ons as kyker wek, rond te wapper.<\/p>

Die digteres embrace dit egter. Die warrelwinde wat die lewe haar kant toe waai. Sy neem op random tye tussen haar voorlesing verskillende speelgoed, troosgoed van lap en wol in haar arms met \u2019n unnerving soundtrack; een spesifieke song verbloem as \u2019n kleintyd-lullaby met \u2019n somber ondertoon. <\/p>

Sonder enige trigger warnings neem Kirsten ons na die doringtonnel van childhood trauma. En I mean, niemand is geforce om enige verduideliking van hul werk te gee nie, maar dit kan nogal onverwagte trauma juis by kykers ontketen. Gevoelens en memories waarvoor nie almal gereed is nie. In true confessional poetry style pluk sy pleisters af en staan weerloos en vol waagmoed met haar wonde in die wind. <\/p>

Kirsten het \u2019n goeie houvas op taal en narratief, maar haar skryfstem bewe nog met \u2019n soms ongebalanseerde samevloei van gelaaide subteks met \u2019n ekonomiese gebruik van woorde tot \u2019n radbraak van rou gevoelens.<\/p>

Tog bly die prentjie van die vrou op die babakombersie omring deur lappoppe en teddiebere in jou onthou agter. Die wounded child binne elkeen van ons is \u2013 al was dit net vir \u2019n tydjie \u2013 \u2019n stem gegee. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Party van ons veerspesies het n\u00e1 die tyd gewonder of dit nie is hoe ons kontempor\u00eare Sestigers moet lyk nie? Om nie soos ons liter\u00eare voorgangers met gestrykte pakke in die strate verse van verset te verkondig nie. Maar met stripperpale en balaklavas. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Seisoen twee: In die mond van die see <\/strong><\/p>

Die aand lei ons op \u2019n dwarrelspoor na binne-in die EasyEquities Skrywerskamer. Ons klouter die vertrek binne. Desperaat, soos krappe op pad na die see om skuiling te kry teen die nag se koue. <\/p>

Die tweede digter, Fourie Botha (Donkerkamer<\/em>, Queillerie 2011; Krap uit die see<\/em>, Protea Boekhuis 2017; Kolam<\/em>, Wordsworth Books 2025), wag ons reeds binne. Hy is omring deur lampe wat nes jellievisse lyk. Fourie maak hom gemaklik en begin te lees, onopgesmuk en sonder performance. Net die woorde en storie maak hier in die digter se onderwater-woordw\u00eareld saak. <\/p>

Sy poetry trek jou soos \u2019n sterk stroom in, laat jou deur die branders donner en spoeg jou dan weer op die kus van introspeksie uit. Van erotiese po\u0451sie wat vroetel-avontureb by Sandy Bay skets, dan weer deur die voue in sy pa se hart tot by \u2019n maan wat bly blom. <\/p>

Die gehoor van krappe het kort-kort n\u00e1 elke tweede poem hanne geklap in plaas daarvan om te wag tot die einde. Nie omdat krappe nie teateretiket het nie. Maar net omdat die beelde so herkenbaar is, so naby aan die bodem van ons menslikheid geskryf is. <\/p>

Voor Fourie ons uitspoel, sluit hy met die volgende woorde af:<\/p>

ons sal ons broers bly haat <\/em><\/p>

en ons ma\u2019s bly liefh\u00ea<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Seisoen drie: Dancing at the Red Iguana<\/strong><\/p>

Buite die water, in die nag se swart begin ons krapskubbe van ons af te kraak en sprei daar vlerke uit ons skouers uit. As \u2019n swerm van vere vlieg ons na die US Museum agter iets aan wat skitter in die donker. Eers toe ons nader kom, sien ek dis \u2019n stripperpaal. <\/p>

Die swerm van vlerke koer al om die derde digter, Paul Kammies, met \u2019n balaklava van wol oor sy kop getrek. \u2019n Moontlike alter ego? Drag persona? <\/p>

Hy sit musiek op en begin dans. Elegant, amper flamingo-agtig, en wanneer die tempo van die lied optel, vaar hy die vo\u0451ls in. En die gemaskerde Paul is nie bang om teen enigiemand wat lyk of hulle wil vlerksleep, se skoot te twerk nie. <\/p>

Toe die vere van kekkel en aanmoediging begin waai, het hy terug op die verhoog gespring en begin om Kaaps en Engels te vervleg nes sy bene om die paal knoop.<\/p>

Paul dig met \u2019n selfversekerde stem oor kweerheid, manlikheid en seks. En met \u2019n skaamtelose flair. Nes sy bewegings is sy woorde ook sterk geartikuleerd en stylvol. Dan kan die girl ook rou wees, soos wanneer hy al hygend herhaal dat hy mans versoek om vir hom te huil, tot snakkend, dog sensueel, op die vloer aan\u2019t verse skryf met sy lyf. <\/p>

Party van ons veerspesies het n\u00e1 die tyd gewonder of dit nie is hoe ons kontempor\u00eare Sestigers moet lyk nie? Om nie soos ons liter\u00eare voorgangers met gestrykte pakke in die strate verse van verset te verkondig nie. Maar met stripperpale en balaklavas. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u2019n Web van enjambamente, ryk personifikasies, metafore en woorde styf in hulself toegesluit word al oor die vertrek gespin. Van een hoek tot die volgende. Soos die gedigte van boek tot bek tot ons binnestes vlieg, word die gefluister van bosluise al hoe harder. Tot die vibrasie van \u2019n creepy crawler. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Seisoen vier: \u2019n Web van woorde en \u2019n hergeboorte<\/strong><\/p>

Toe ons weer by die skrywerskamer instap, was ons nie weer in Kafka-creatures getransformeer nie. Hierdie keer het \u2019n groot knopiespinnekop in \u2019n tweedbaadjie vir ons ingewag. Hulle lyk anners as gewone spinnekoppe. Die een het tatoe\u00ebermerke, piercings en \u2019n krulbos hare bo hul kop. Die spinnekop maak hul mond oop en ek wil my amper verbeel dis Shane van der Hoven (Kruiper\/Crawler<\/em>, uHlanga Press, 2025). <\/p>

\u2019n Web van enjambamente, ryk personifikasies, metafore en woorde styf in hulself toegesluit word al oor die vertrek gespin. Van een hoek tot die volgende. Soos die gedigte van boek tot bek tot ons binnestes vlieg, word die gefluister van bosluise al hoe harder. Tot die vibrasie van \u2019n creepy crawler. <\/p>

Die gogga-digter vat hul tyd om ons deur die tog van hul gedigte te neem. Met \u2019n sassy kombinasie van deernis en waagmoed word daar oor rassisme, taal, pa\u2019s en identiteit gedig. Toe die kruiper klaar is, was elkeen in die vertrek toegespin in die web van hul woorde. <\/p>

Die laaste seisoen: \u2019n Hergeboorte<\/strong><\/p>

Die laaste seisoen was een sonder \u2019n getal. Meer soos \u2019n epiloog. DJ Assigned MILF at Birth het ons die aand op \u2019n hoogtepunt laat afsluit. Met Kylie Minogue tot Janet Jackson kon ons ons lywe weer na normaal terugdans. Of tot ons soos slange ons ou vel kon afskud. Maak nie saak hoe nie, elkeen wat die kruipreis aangepak het, was weer mens gemaak. Opnuut herinner aan die stofwinde, stormwater, pale in die pad en webbe wat ons wil vasvang. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Di\u00e9 woordkunsvertoning het as deel van die EasyEquities Skrywersfees op 3 Oktober om 19:00 rondom die Erfurthuis plaasgevind.<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

<\/i> Dianne Albertze <\/p>\n","protected":false},"author":3799,"featured_media":104957,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[431,819,824],"tags":[817],"class_list":["post-104958","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-easyequities-writers-festival-news","category-ink-feeskoerant-2026","category-fringe","tag-woordfees-2026"],"yoast_head":"\nResensie: Poetry Crawl - Toyota Stellenbosch Woordfees<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/woordfees.co.za\/en\/ink-feeskoerant-2026\/resensie-poetry-crawl\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Resensie: Poetry Crawl - Toyota Stellenbosch Woordfees\" \/>\n<meta property=\"og:description\" content=\"Dianne Albertze\" \/>\n<meta property=\"og:url\" content=\"https:\/\/woordfees.co.za\/en\/ink-feeskoerant-2026\/resensie-poetry-crawl\/\" \/>\n<meta property=\"og:site_name\" content=\"Toyota Stellenbosch Woordfees\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/woordfees\/\" \/>\n<meta property=\"article:published_time\" content=\"2026-10-04T16:29:01+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-10-06T09:09:57+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/woordfees.co.za\/wp-content\/uploads\/2026\/10\/INK-banner23.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2400\" \/>\n\t<meta property=\"og:image:height\" content=\"1200\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"INK Redaksie\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@Woordfees\" \/>\n<meta name=\"twitter:site\" content=\"@Woordfees\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"INK Redaksie\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"6 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-poetry-crawl\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-poetry-crawl\\\/\"},\"author\":{\"name\":\"INK Redaksie\",\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/#\\\/schema\\\/person\\\/4fa89144f1f64e8103a71de1d4d44c47\"},\"headline\":\"Resensie: Poetry Crawl\",\"datePublished\":\"2026-10-04T16:29:01+00:00\",\"dateModified\":\"2026-10-06T09:09:57+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-poetry-crawl\\\/\"},\"wordCount\":1307,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-poetry-crawl\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/woordfees.co.za\\\/wp-content\\\/uploads\\\/2026\\\/10\\\/INK-banner23.jpg\",\"keywords\":[\"Woordfees 2026\"],\"articleSection\":[\"EasyEquities Writers' Festival\",\"INK Feeskoerant 2026\",\"Fringe\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-poetry-crawl\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-poetry-crawl\\\/\",\"url\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-poetry-crawl\\\/\",\"name\":\"Resensie: Poetry Crawl - 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