{"id":104983,"date":"2026-10-05T14:05:36","date_gmt":"2026-10-05T12:05:36","guid":{"rendered":"https:\/\/woordfees.co.za\/uncategorized\/resensie-dag-van-poesie\/"},"modified":"2026-10-05T14:39:44","modified_gmt":"2026-10-05T12:39:44","slug":"resensie-dag-van-poesie","status":"publish","type":"post","link":"https:\/\/woordfees.co.za\/en\/ink-feeskoerant-2026\/resensie-dag-van-poesie\/","title":{"rendered":"Resensie: Dag van Po\u00ebsie"},"content":{"rendered":"\t\t
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EASYEQUITIES SKRYWERSFEES<\/h6>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Om \u2019n lift met die digkuns te vang<\/span><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Produksie: Dag van Po\u00ebsie<\/strong>
<\/strong>Deur: Nadine Petrick<\/strong>
Foto\u2019s: Nadine Petrick<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u2019n Mens is nooit te oud om te leer nie, en nooit te oud om weer en weer van plan te verander nie. Ook nie oor die digkuns nie. Want afvalliges soos Nadine Petrick<\/strong><\/span> kry altyd nog \u2019n kans en nog \u2019n saamrygeleentheid. Maar gaan jy inklim en saamry? <\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Joan Hambidge noem prof. Karen de Wet van die Universiteit van Johannesburg een van die mees gerekende bloemlesers wat tans in Afrikaans werk. Ek glo haar, want ek sal nie sommer oor enigiets met Joan Hambidge verskil nie. Selfs al dreig jy om my met \u2019n Groot Verseboek<\/em> teen die sagte slaap by te kom. Ek hou baie van Joan, maar as ek eerlik moet wees, is ek tog ook \u2019n bietjie bang vir haar, s\u00e9lfs al soen sy immer galant die rugkant van my hand as ek haar raakloop. <\/p>\n

Wat \u00e9k wel van Karen de Wet weet, is dat sy baie, baie jare gelede Afrikaanse po\u00ebsie vir my oopgesluit en verstaanbaar gemaak het. Ek was bevoorreg dat sy in die middel \u201990\u2019s\u2019 di\u00e9 vak by Tukkies vir my aangebied het. <\/p>\n

Maar ek is helaas \u2019n afvallige. Ek het lank gelede \u2018nee, dankie\u2019 ges\u00ea vir daai saamrygeleentheid. Vir jare en jare het ek die digkuns soos \u2019n slaggat vermy, want sosiale media. Almal met \u2019n seepkis en \u2019n password was skielik die volgende Eybers en Opperman, maar die pretensie het my verveel en die onverteerbare vrye vers het my koud gelaat. Elke druppende Facebook-kwatryn het my met groeiende weersin laat wegkyk. \u201cGeduggies\u201d, soos wat Gerda Taljaard dit noem, was my nie meer beskore nie. Almal kan ni\u00e9 po\u00ebsie pleeg nie. Ek beslis ook nie, en dit het ek gelukkig vroegdag al besef. Daarom het ek al hoe wyer draaie om digbundels begin ry, eerder as om met slegte middernaggedigte vol geforseerde rym en afskuwelike vergelykings oor verlore drome gekonfronteer te word. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Ek het myself natuurlik \u2019n groot onguns aangedoen. Want soos wat die jare verbygetik het, en die verwondering van Karen de Wet se lesings in die truspie\u00ebltjie verdwyn het, het digters aanhou dig. R\u00e9gte, propperse digters. Nie sosialemediadigters nie. Ryan Pedro, Herman Wasserman en Ronelda Kamfer het verskyn sonder dat dit op my radar geflikker het. Einste Joan en onse Antjie en vele ander het aanhou skryf, en ek het nie eintlik \u2019n moer omgegee nie. Sonder dat ek dit weet, het my binnew\u00eareld se tenk le\u00ebr en le\u00ebr begin lek. <\/p>\n

Gelukkig word \u2019n mens ouer, en soms wyser, en vind jy weer jou weg. Jy lees weer iets raak wat jou onverhoeds betrap soos \u2019n rooi remliggie wat skielik op \u2019n donker verbypad voor jou opdoem. Jy gaan kyk Ek is nie Danie<\/em> en sit snikkend in jou stoel en wonder hoekom jy dan nou so hard huil oor \u2019n bevoorregte wit man se lamentasies. Lynthia Julius knak jou rugstring net bokant jou stuitjie oor goed wat jy nooit sal verstaan nie. Bibi Slippers verruk jou met verse oor honde en Taylor Swift en Jennifer Pape laat jou verlang na jou ouma en die Vrystaat. Jy wil \u201cpoes\u201d van \u2019n verhoog af skree saam met Antjie, selfs al weet jy dit sit ongemaklik op soveel levels. Juis daarom is \u2019n hele dag van digters en gedigte soos \u2019n drom vol gruisklippies om \u2019n afvallige se pothole-pad weer met die mooiste woorde te teer. Sondag 4 Oktober was s\u00f3 \u2019n dag. Bibi Slippers het op haar eiesoortige en aweregse manier \u2019n besonderse program vir die tweede Dag van Po\u00ebsie saamgestel, wat verskeie geslagte digters in sewe heilige segmente gehuldig en laat praat het. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Met Van Wyk Louw, Danie Marais se \u201cbevlekte held\u201d wat heel per ongeluk soos \u2019n sperstreep deur al die gesprekke geloop het, is \u2019n hele dag gevul met duur unleaded petrol vir almal wat kom luister het. Daar is hulde gebring aan die belangrikes; gedigte deur senuagtige debutante voorgelees en maagskoppe uitgedeel deur meisies van Springbok en pryswenners van Stellenbosch wat skryf oor hulle ma\u2019s en Leonard Cohen en die grootste van alles, die liefde. <\/p>\n

Odes en huldigings vir die onwrikbare Lina Spies wat so graag oor musiek \u00e9n stilte, en natuurlik katte, gedig het. Grethe Fox wat in Frans van Breyten se gedigte voorlees. Joan en Johan Myburg wat soos veteraan trokdrywers op die highway die pas aangee \u2013 siele op wiele met baie myle agter hulle, maar met die eindbestemming nog v\u00e9r in die verskiet. Ho\u00eb Bome kry pak slae by onder andere Loftus Marais en Andries Bezuidenhout. Albert Pretorius en Danie Marais praat oor die ontstaan van Ek is nie Danie<\/em>, d\u00e1\u00e1i produksie wat fees na fees vol sale in ververvoering het en die o, so ontoeganklike digkuns \u2019n rock & roll-soundtrack vir die langpad gee. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Die Hertzogpryswenner en feesdigter, Tom Dreyer, wat sy vriende nooi om saam met Toast Coetzer se The Buckfever Underground \u2019n propperse jamsessie te hou, en die saal sit v\u00f3l. (Terloops, \u2019n ontstoke wit en waarskynlik bevoorregte man het uitgestap oor Lynthia Julius daai een keer te veel na sy smaak \u201ckont\u201d ges\u00ea het. Job done, Lynthia. Job well done.) Di\u00e9 segment ruik na desjare se Anton en Vrinne-konserte waar Anton Goosen se muskiekvriende hulle eie unieke klank aan sy liedjies verleen het, maar hierdie Vrinne-konsert kruie voort in \u2019n heel ander baan, en hier skyn die flikkerligte op elkeen se eie persoonlike werk \u2013 Alfred Schaeffer (\u201cNiemand van ons is so belangrik soos hy nie,\u201d \u00e0 la Tom) lees stadig in Hollands voor, sodat almal kan verstaan. Ander digters soos Slippers en Pape tag team tematies met Tom, en Churchil Naud\u00e9, Alwyn Roux en Lynthia ry alleen die kortpad na droefheid en dood. Digkuns en respek in \u2019n Volkswagen Beetle, op pad Hermanus toe na \u2019n lang en moeilike jaar. <\/p>\n

Ek weet steeds te min van die digkuns. Ek het lankal vergeet wat prof. De Wet my oor sonnette en vyfvoetige jambes geleer het. Ek kan steeds nie dig nie, en ek sal waarskynlik nooit probeer nie. Maar ek is gelukkig nie meer afvallig nie. I hitched a ride en ek ry saam in daai Volkswagen Beetle, heel gemaklik ingedruk tussen heimwee en bloukraanvo\u00ebls. En ons ry in die hoogste rat. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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<\/i> Nadine Petrick<\/p>\n","protected":false},"author":3799,"featured_media":104982,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[431,819,824],"tags":[817],"class_list":["post-104983","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-easyequities-writers-festival-news","category-ink-feeskoerant-2026","category-fringe","tag-woordfees-2026"],"yoast_head":"\nResensie: Dag van Po\u00ebsie - Toyota Stellenbosch Woordfees<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/woordfees.co.za\/en\/ink-feeskoerant-2026\/resensie-dag-van-poesie\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Resensie: Dag van Po\u00ebsie - 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