{"id":105082,"date":"2026-10-05T16:08:22","date_gmt":"2026-10-05T14:08:22","guid":{"rendered":"https:\/\/woordfees.co.za\/uncategorized\/resensie-an-iliad\/"},"modified":"2026-10-05T16:35:22","modified_gmt":"2026-10-05T14:35:22","slug":"resensie-an-iliad","status":"publish","type":"post","link":"https:\/\/woordfees.co.za\/en\/ink-feeskoerant-2026\/resensie-an-iliad\/","title":{"rendered":"Resensie: An Iliad"},"content":{"rendered":"\t\t
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SPIER THEATRE<\/h6>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Di\u00e9 \u2018Ilias\u2019 is gelyk tydloos en eietyds<\/span><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Produksie: An Iliad<\/strong>
Deur: Willem Bester<\/strong>
Foto\u2019s: Verskaf<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Gode sy dank vir \u2019n produksie soos An Iliad<\/em>, geskoei op Homerus se epiese gedig Die<\/em> Ilias<\/em>, wat narratiewe kuns in sy suiwerste vorm is met die fokus ferm op die gesproke woord, skryf Willem Bester<\/strong><\/span> nadat hy vir Alan Committie in aksie gesien het op die verhoog.<\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Skaars drie dae terug lees ek \u2019n rubriek in The Guardian<\/em> waarin die skrywer, \u2019n geskiedkundige wat spesialiseer in storievertelling, bespiegel oor KI-gedrewe verarming in luistervaardigheid. Sy verwys na \u2019n onlangse studie wat toon mense praat \u00e1l minder en minder, wat impliseer dat hulle ook al hoe minder woorde hoor. \u2019n Kerndeel van menswees is juis om na verskillende oogpunte te luister en ander w\u00earelde te betree, meen sy. <\/p>

Gode sy dank dan vir \u2019n produksie soos An Iliad<\/em>, geskoei op Homerus se epiese gedig Die<\/em> Ilias<\/em>, wat aanvanklik geskep is deur die dramaturg en regisseur Lisa Peterson in samewerking met die akteur Denis O\u2019Hare. Dit is narratiewe kuns in sy suiwerste vorm, met die fokus ferm op die gesproke woord. In die regisseur, Geoffrey Hyland, se hande, reik dit ook terug na die moontlike evolusie van die oorspronklik epos: die werk van \u2019n wandelende digter wat die gedig sou voordra, met improvisasie om by die plaaslike gehoor aan te pas. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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In di\u00e9 konteks kan \u2019n mens jou kwalik meer plaaslik indink as Alan Committie. Wanneer hy amper onverwags die speelvlak in flenters betree, blyk dit vinnig di\u00e9 is nie \u2019n dor klassieke aanbieding nie. Ons het hier \u2019n Ilias<\/em> wat terselfdertyd tydloos en eietyds is. Daar is min sprake van \u2019n vierde muur, want die digter is direk in gesprek met sy gehoor. Hy probeer uitwerk watter metafore ons tot in die beendere sal verstaan, probeer ons oortuig van die narratief se blywende relevansie, so amper asof hy ons goedkeuring soek. \u2019n Rapsodis van toeka sou immers van brood en botter ontdaan wees as hy nie sy gehoor kon behaag nie. <\/p>

In die rol van die digter spreek Committie soms in verse, ja, maar ook heel dikwels in moderne beelde. Die soldate op die plein voor Troje word vergelyk met boytjies van Hermanus, en Achilles se hardkoppige toorn met padwoede. Die oorwegende strekking van die verhaal mog ernstig en tragies wees, maar daar is ook tyd vir humor, soos wanneer Committie hom uitstrek as Helena van Troje, haar karakter versinnebeeld in die gebaar van \u2019n druiwekorrel wat in die mond gedruk word. Committie lewer indrukwekkende fisieke spel en hiervoor moet \u2019n mens erkenning gee aan Sylvaine Strike as bewegingskonsultant. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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In die rol van die digter spreek Committie soms in verse, ja, maar ook heel dikwels in moderne beelde. Die soldate op die plein voor Troje word vergelyk met boytjies van Hermanus, en Achilles se hardkoppige toorn met padwoede. Die oorwegende strekking van die verhaal mog ernstig en tragies wees, maar daar is ook tyd vir humor. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Gegewe die onlangse lokettreffer is dit dalk nie verbasend dat Committie aanvanklik vergesel word deur \u2019n Christopher Nolan-agtige dreuning oor die luidsprekers nie. Die bron van die dreuning word onthul wanneer Charl-Johan Lingenfelder met sy musiekfabriek skielik op \u2019n stellasie agter in die spelruimte in rooi belig word\u2026 soos Zeus op Olimpus. Lingenfelder bly nie net in die agtergrond nie \u2013 hy word deel van die rolverdeling, sy musiek en klankbaan \u2019n integrale deel van die narratief. Hy onderstreep, hits aan, trek terug en vermaan. Sy spesifieke keuses van hier akoesties, daar elektronies, oortuig. \u2019n Mens is ook terde\u00eb bewus van hoe fyn Committie en Lingenfelder deurgaans op mekaar ingestel is. <\/p>

Die universaliteit van die Ilias<\/em> word tuisgebring in \u2019n besonderse spelmoment: die aftelling van konflikte deur die millennia. Enigiemand wat geskiedenis lees, sal dit ken: daardie vuis-in-die-maag gevoel van Laurika Rauch se \u201cHot Gates\u201d; lank terug die Grieke en Trojane, die Middeleeue, die Ottomaanse en Bisantynse ryke; \u2019n ruk terug die Boere- en twee w\u00eareldoorlo\u00eb; tans Oekra\u00efne en Rusland, Palestina en Israel, Iran en die VSA. <\/p>

Dit is dan miskien die boodskap waaraan \u2019n mens herkou: Al is daar ander w\u00earelde in ander lande, is dit die ooreenkomste eerder as die verskille wat ons deel van die mensdom maak. Wou meer van die magshebbers dit maar insien. Maar dit is mos makliker om te monoleer as om te luister, dan nie? <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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An Iliad<\/strong><\/a>
8 OKT 16:00
Open Window-kampus
R220-R320 | R250-R350 by die deur<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

<\/i> Willem Bester<\/p>\n","protected":false},"author":3799,"featured_media":105081,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[613,819,824],"tags":[817],"class_list":["post-105082","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-spier-theatre","category-ink-feeskoerant-2026","category-fringe","tag-woordfees-2026"],"yoast_head":"\nResensie: An Iliad - Toyota Stellenbosch Woordfees<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/woordfees.co.za\/en\/ink-feeskoerant-2026\/resensie-an-iliad\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Resensie: An Iliad - Toyota Stellenbosch Woordfees\" \/>\n<meta property=\"og:description\" content=\"Willem Bester\" \/>\n<meta property=\"og:url\" content=\"https:\/\/woordfees.co.za\/en\/ink-feeskoerant-2026\/resensie-an-iliad\/\" \/>\n<meta property=\"og:site_name\" content=\"Toyota Stellenbosch Woordfees\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/woordfees\/\" \/>\n<meta property=\"article:published_time\" content=\"2026-10-05T14:08:22+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-10-05T14:35:22+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/woordfees.co.za\/wp-content\/uploads\/2026\/10\/INK-banner35.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2400\" \/>\n\t<meta property=\"og:image:height\" content=\"1200\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"INK Redaksie\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@Woordfees\" \/>\n<meta name=\"twitter:site\" content=\"@Woordfees\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"INK Redaksie\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-an-iliad\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-an-iliad\\\/\"},\"author\":{\"name\":\"INK Redaksie\",\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/#\\\/schema\\\/person\\\/4fa89144f1f64e8103a71de1d4d44c47\"},\"headline\":\"Resensie: An Iliad\",\"datePublished\":\"2026-10-05T14:08:22+00:00\",\"dateModified\":\"2026-10-05T14:35:22+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-an-iliad\\\/\"},\"wordCount\":743,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-an-iliad\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/woordfees.co.za\\\/wp-content\\\/uploads\\\/2026\\\/10\\\/INK-banner35.jpg\",\"keywords\":[\"Woordfees 2026\"],\"articleSection\":[\"Spier Theatre\",\"INK Feeskoerant 2026\",\"Fringe\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-an-iliad\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-an-iliad\\\/\",\"url\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-an-iliad\\\/\",\"name\":\"Resensie: An Iliad - 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