{"id":105207,"date":"2026-10-06T09:33:15","date_gmt":"2026-10-06T07:33:15","guid":{"rendered":"https:\/\/woordfees.co.za\/uncategorized\/resensie-n-middel\/"},"modified":"2026-10-06T09:33:15","modified_gmt":"2026-10-06T07:33:15","slug":"resensie-n-middel","status":"publish","type":"post","link":"https:\/\/woordfees.co.za\/en\/ink-feeskoerant-2026\/resensie-n-middel\/","title":{"rendered":"Resensie: \u2019n Middel"},"content":{"rendered":"\t\t
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SPIER TONEEL<\/h6>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Wanneer daar \u2019n treinspoor deur jou huwelik loop<\/span><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Produksie: \u2019n Middel<\/strong>
Deur: Ilza Roggeband<\/strong>
Foto\u2019s: Nardus Engelbrecht<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Is dit vergesog om te s\u00ea in elke huwelik kom \u2019n tyd waar iemand wonder: Wat nou? In \u2019n Middel<\/em> beleef \u2019n mens hierdie skermutseling eerstehands met Tinarie van Wyk Loots en Stian Bam wat die gehoor deurgaans in die palm van hulle hand hou, skryf Ilza Roggeband<\/strong><\/span>.<\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Die horlosie teen die kombuismuur wys dis net n\u00e1 vier. Dis donker buite. \u2019n Vrou staan by die stoof. Haar kamerjas hang los aan haar lyf en daar is \u2019n frons op haar voorkop. \u2019n Man stap in en vir die volgende 90 minute word die gehoor ooggetuies van \u2019n paartjie wat by \u2019n kruispad in hulle huwelik is.<\/p>

\u2019n Middel<\/em>, \u2019n vertaling van die Britse dramaturg David Eldridge se Middle<\/em>, speel in sy geheel in Maggie en Gerhard se kombuis af. Hulle is dertien jaar getroud, hulle dogtertjie is agt. Gerhard dink dis \u2019n gelukkige huwelik, maar dan trek Maggie die mat onder sy voete uit: Sy is nie meer lief vir hom nie.<\/p>

Wanneer ontspoor \u2019n huwelik? Is daar een oomblik, of is dit iets wat met tyd kom? Hoogdrawend kan ek verklaar die huwelik was my nie beskore nie, maar in gewone taal kan ek maar net s\u00ea ek was nog nooit getroud nie. Maar selfs al het ek nie getrou nie, het ek al om my gesien hoe ander mense se huwelike begin wankel. Soms is daar \u2019n derde party, ander kere neem kinders oor, gereeld begin mense net verby mekaar lewe.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Dan dink ek ook aan \u2019n vrou wat eendag ges\u00ea het: Ek was min my eie mens. Die oomblik toe ek trou, was ek my man se vrou. Toe word ek my kinders se ma en later my kleinkinders se ouma.<\/p>

Maggie en Gerhard se gesprek wys die slaggate in hulle huwelik uit. Jy het simpatie met al twee. Beide begin vra of dit dan nou is wat die lewe hulle gaan bied. Moet daar nie meer wees nie? Wat van al die drome en aspirasies wat hulle gehad het, die passie toe hulle nog jonggetroudes was? Het hulle agtergrond \u2013 hy uit \u2019n werkersklasgesin, sy wat \u2019n kar vir haar eerste jaar op universiteit gekry het \u2013 iets daarmee te doen? Op \u2019n kol vra Gerhard vir Maggie wanneer laas sy hom gevra het hoe dit werklik met hom gaan. Hulle is nie meer twee mense wat bymekaar is tot die dood hulle gaan skei nie, hulle is twee mense wat vir mekaar instruksies gee.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Gerhard en Maggie is nie meer twee mense wat bymekaar is tot die dood hulle gaan skei nie, hulle is twee mense wat vir mekaar instruksies gee.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Teen die tyd wat die horlosie op die kombuismuur halfses wys en die hadeda roep, is albei vuisvoos. Die skermutseling het gesorg vir woorde wat nooit teruggetrek kan word nie; gebreekte koppies wat nooit weer gelap kan word nie.<\/p>

Tinarie van Wyk Loots en Stian Bam het elke minuut die gehoor net daar in die palm van hulle hand gehad. Die teks, wat deur Wessel Pretorius vertaal en na die noordelike voorstede van Kaapstad verplaas is, asook Cintaine Schutte se regie verdien lof. (Cintaine en Carel Nel was verlede jaar te sien in \u2019n Begin<\/em>, die eerste stuk in David Eldridge se trilogie wat ook End<\/em> insluit.)<\/p>

Nell van der Merwe se stel vir \u2019n Middel<\/em> werk nie net prakties uitstekend nie, die fyn detail soos die horlosie teen die muur wat die minute soos \u2019n tydbom aftik, dra by tot die geheelbeeld van twee mense wat soek na d\u00edt wat hulle aanvanklik bymekaargebring het.<\/p>

Wanneer \u2019n gehoor hoorbaar hulle asem intrek en met tye kliphard lag, weet jy jy beleef teater wat met die hart praat. Gaan kyk. Gaan kyk veral as jou huwelik of verhouding op \u2019n plek is waar jy vergeet het hoekom jy daar is. Vat jou man saam. Vat jou vrou saam. Gaan teater toe en raak wys.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u2019n Middel<\/a>
<\/strong>6 OKT 19:30 | 7 OKT 19:00 | 8 OKT 16:30 | 11 OKT 16:30
kykNET Idasvallei Prim\u00ear
R230-R290 | R260-R320<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

<\/i> Ilza Roggeband<\/p>\n","protected":false},"author":3799,"featured_media":105208,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[613,819,824],"tags":[817],"class_list":["post-105207","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-spier-theatre","category-ink-feeskoerant-2026","category-fringe","tag-woordfees-2026"],"yoast_head":"\nResensie: \u2019n Middel - Toyota Stellenbosch Woordfees<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/woordfees.co.za\/en\/ink-feeskoerant-2026\/resensie-n-middel\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Resensie: \u2019n Middel - Toyota Stellenbosch Woordfees\" \/>\n<meta property=\"og:description\" content=\"Ilza Roggeband\" \/>\n<meta property=\"og:url\" content=\"https:\/\/woordfees.co.za\/en\/ink-feeskoerant-2026\/resensie-n-middel\/\" \/>\n<meta property=\"og:site_name\" content=\"Toyota Stellenbosch Woordfees\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/woordfees\/\" \/>\n<meta property=\"article:published_time\" content=\"2026-10-06T07:33:15+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/woordfees.co.za\/wp-content\/uploads\/2026\/10\/nMiddelFotoNardusEngelbrecht18Large-682x1024.jpeg\" \/>\n<meta name=\"author\" content=\"INK Redaksie\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@Woordfees\" \/>\n<meta name=\"twitter:site\" content=\"@Woordfees\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"INK Redaksie\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-n-middel\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-n-middel\\\/\"},\"author\":{\"name\":\"INK Redaksie\",\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/#\\\/schema\\\/person\\\/4fa89144f1f64e8103a71de1d4d44c47\"},\"headline\":\"Resensie: \u2019n Middel\",\"datePublished\":\"2026-10-06T07:33:15+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-n-middel\\\/\"},\"wordCount\":684,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-n-middel\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/woordfees.co.za\\\/wp-content\\\/uploads\\\/2026\\\/10\\\/INK-banner38.jpg\",\"keywords\":[\"Woordfees 2026\"],\"articleSection\":[\"Spier Theatre\",\"INK Feeskoerant 2026\",\"Fringe\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-n-middel\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-n-middel\\\/\",\"url\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-n-middel\\\/\",\"name\":\"Resensie: \u2019n Middel - 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