{"id":105280,"date":"2022-10-10T18:09:41","date_gmt":"2022-10-10T16:09:41","guid":{"rendered":"https:\/\/woordfees.co.za\/uncategorized\/concerning-the-life-of-babyboy-kleintjies\/"},"modified":"2022-10-10T18:09:41","modified_gmt":"2022-10-10T16:09:41","slug":"concerning-the-life-of-babyboy-kleintjies","status":"publish","type":"post","link":"https:\/\/woordfees.co.za\/en\/theatre\/concerning-the-life-of-babyboy-kleintjies\/","title":{"rendered":"Concerning the Life of Babyboy Kleintjies"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"105280\" class=\"elementor elementor-105280 elementor-32637\" data-elementor-post-type=\"post\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-33166f6 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"33166f6\" data-element_type=\"section\" data-e-type=\"section\" data-settings=\"{&quot;jet_parallax_layout_list&quot;:[]}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-9a09582\" data-id=\"9a09582\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-a933955 elementor-widget elementor-widget-text-editor\" data-id=\"a933955\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<h6>ONDERHOUD<\/h6>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-9eeba8f elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"9eeba8f\" data-element_type=\"section\" data-e-type=\"section\" data-settings=\"{&quot;jet_parallax_layout_list&quot;:[]}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-80ca74d\" data-id=\"80ca74d\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-8d251e6 elementor-widget elementor-widget-heading\" data-id=\"8d251e6\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Fugard groet met laaste wekroep<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-72c3ebb elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"72c3ebb\" data-element_type=\"section\" data-e-type=\"section\" data-settings=\"{&quot;jet_parallax_layout_list&quot;:[]}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-82ec7bc\" data-id=\"82ec7bc\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-60528a9 elementor-widget elementor-widget-text-editor\" data-id=\"60528a9\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<h5>Marina Griebenow<\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-f4633c6 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"f4633c6\" data-element_type=\"section\" data-e-type=\"section\" data-settings=\"{&quot;jet_parallax_layout_list&quot;:[]}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-c061669\" data-id=\"c061669\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-5f12c38 elementor-blockquote--skin-border elementor-widget elementor-widget-blockquote\" data-id=\"5f12c38\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"blockquote.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<blockquote class=\"elementor-blockquote\">\n\t\t\t<p class=\"elementor-blockquote__content\">\n\t\t\t\t\"Athol is \u2019n reus op die kontinent van Afrika. Hy bly die baken van morele verantwoordbaarheid, eerlikheid en waarheid in \u2019n woesterny van menslike swakheid. Niemand het meer gedoen vir drama in Suid-Afrika nie. Hy is werklik een van die w\u00eareld se grootste lewende dramaturge.\"\t\t\t<\/p>\n\t\t\t\t\t\t\t<div class=\"e-q-footer\">\n\t\t\t\t\t\t\t\t\t\t\t<cite class=\"elementor-blockquote__author\">Eric Abraham, oud-hoof van die Fugard-teater, met Athol Fugard se 90ste verjaarsdag vroe\u00ebr vanjaar<\/cite>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-dfdb85e elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"dfdb85e\" data-element_type=\"section\" data-e-type=\"section\" data-settings=\"{&quot;jet_parallax_layout_list&quot;:[]}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-27a788f\" data-id=\"27a788f\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-af2ea38 elementor-widget elementor-widget-spacer\" data-id=\"af2ea38\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-cef21e6 elementor-widget elementor-widget-text-editor\" data-id=\"cef21e6\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><span style=\"font-weight: 400;\">Die tyd om die verhoog te groet het aangebreek vir die gerekende dramaturg, akteur en regisseur Athol Fugard. Dekades lank was hy die gewete van Suid-Afrikaners wat die onreg en wandade van die verlede en die hede aan ons voorgehou het deur toneelstukke soos <\/span><i><span style=\"font-weight: 400;\">Blood Knot<\/span><\/i><span style=\"font-weight: 400;\">, <\/span><i><span style=\"font-weight: 400;\">Hello and Goodbye<\/span><\/i><span style=\"font-weight: 400;\">, <\/span><i><span style=\"font-weight: 400;\">Boesman and Lena<\/span><\/i><span style=\"font-weight: 400;\">, <\/span><i><span style=\"font-weight: 400;\">People are Living There<\/span><\/i><span style=\"font-weight: 400;\">, <\/span><i><span style=\"font-weight: 400;\">Statements After an Arrest under the Immorality Act <\/span><\/i><span style=\"font-weight: 400;\">en vele ander.<\/span><\/p><p><span style=\"font-weight: 400;\">\u201cDis vir my \u2019n absolute voorreg om op 90 jaar \u2018n (laaste) toneelstuk na die verhoog te bring en vir oulaas my hoed as regisseur op te sit,\u201d s\u00ea hy. Vir sy jongste toneelstuk keer hy terug na sowat 60 jaar gelede toe \u2019n ander plaaslike teaterreus, wyle Barney Simon, hom gevra het om \u2019n openbare voorlesing te doen van die Duitse dramaturg en digter Bertolt Brecht se gedig \u201cConcerning the Infanticide Marie Farrar\u201d<\/span><\/p><p><span style=\"font-weight: 400;\">\u201cBarney het daarin die werklikheid van Suid-Afrika gesien wat na ons teruggekaats word. Ek het natuurlik drooggemaak met die voorlesing, maar die gedig het my bygebly tot vandag toe,\u201d verduidelik Fugard.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-64d912a elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"64d912a\" data-element_type=\"section\" data-e-type=\"section\" data-settings=\"{&quot;jet_parallax_layout_list&quot;:[]}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-335acb9\" data-id=\"335acb9\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-inner-section elementor-element elementor-element-5e7c961 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"5e7c961\" data-element_type=\"section\" data-e-type=\"section\" data-settings=\"{&quot;jet_parallax_layout_list&quot;:[]}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-inner-column elementor-element elementor-element-bcb147a\" data-id=\"bcb147a\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-e083fe0 elementor-widget elementor-widget-image\" data-id=\"e083fe0\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img fetchpriority=\"high\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/woordfees.co.za\/wp-content\/uploads\/2022\/10\/quote1-300x300.png\" class=\"attachment-medium size-medium wp-image-32495\" alt=\"\" srcset=\"https:\/\/woordfees.co.za\/wp-content\/uploads\/2022\/10\/quote1-300x300.png 300w, https:\/\/woordfees.co.za\/wp-content\/uploads\/2022\/10\/quote1-150x150.png 150w, https:\/\/woordfees.co.za\/wp-content\/uploads\/2022\/10\/quote1.png 400w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-inner-column elementor-element elementor-element-8f1a7ba\" data-id=\"8f1a7ba\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-27d25c9 elementor-widget elementor-widget-text-editor\" data-id=\"27d25c9\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<h4><span style=\"font-weight: 400;\">Die oorwegende kenmerk van sy werk, en glo ook die rede waarom sy dramas so moeilik is om te vertaal, is die presisie waarmee hy woorde inspan en die gebrek aan versiering en lang didaktiese verduidelikings.<\/span><\/h4>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-89836b7 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"89836b7\" data-element_type=\"section\" data-e-type=\"section\" data-settings=\"{&quot;jet_parallax_layout_list&quot;:[]}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-1e16793\" data-id=\"1e16793\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-accdffa elementor-widget elementor-widget-text-editor\" data-id=\"accdffa\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><span style=\"font-weight: 400;\">In haar resensie van Brecht se versamelde gedigte vir <\/span><i><span style=\"font-weight: 400;\">The New York Times<\/span><\/i><span style=\"font-weight: 400;\"> herinner Corinna de Fonseca-Wolheim \u2019n mens aan die ooreenkomste tussen Brecht en Fugard wat styl sowel as lewensoortuiging betref. \u201cBy the time he writes from exile\u2026 he begins to develop a style devoid, <\/span><span style=\"font-weight: 400;\">as\u00a0<\/span><a href=\"https:\/\/www.theartstory.org\/movement-bauhaus.htm\"><span style=\"font-weight: 400;\">the Bauhaus aesthetic<\/span><\/a><span style=\"font-weight: 400;\">\u00a0would have it, of the crime of ornament,\u201d verklaar sy oor Brecht.\u00a0<\/span><\/p><p><span style=\"font-weight: 400;\">Fugard se styl kan ook s\u00f3 beskryf word. Die oorwegende kenmerk van sy werk, en glo ook die rede waarom sy dramas so moeilik is om te vertaal, is die presisie waarmee hy woorde inspan en die gebrek aan versiering en lang didaktiese verduidelikings. Brecht het volgens De Fonseca-Wolheim hom in daardie tyd daarop toegespits om \u2019n w\u00eareld bloot te l\u00ea waarin die lyding mensgemaak is en d\u00edt wat mense toekom, onvervuld bly. Fugard doen dieselfde al sedert die eerste woorde wat hy geskryf het omtrent die ongeregtigheid en wreedaardigheid van die apartheidstelsel.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-5d85142 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"5d85142\" data-element_type=\"section\" data-e-type=\"section\" data-settings=\"{&quot;jet_parallax_layout_list&quot;:[]}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-no\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-45bee18\" data-id=\"45bee18\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-inner-section elementor-element elementor-element-0a94ff4 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"0a94ff4\" data-element_type=\"section\" data-e-type=\"section\" data-settings=\"{&quot;jet_parallax_layout_list&quot;:[]}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-inner-column elementor-element elementor-element-bfc0edb\" data-id=\"bfc0edb\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-a20d0bc elementor-widget elementor-widget-image\" data-id=\"a20d0bc\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"640\" height=\"428\" src=\"https:\/\/woordfees.co.za\/wp-content\/uploads\/2022\/10\/Athol-and-Paula-1.jpg\" class=\"attachment-large size-large wp-image-32647\" alt=\"\" srcset=\"https:\/\/woordfees.co.za\/wp-content\/uploads\/2022\/10\/Athol-and-Paula-1.jpg 640w, https:\/\/woordfees.co.za\/wp-content\/uploads\/2022\/10\/Athol-and-Paula-1-300x201.jpg 300w\" sizes=\"(max-width: 640px) 100vw, 640px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-inner-column elementor-element elementor-element-dfddeb6\" data-id=\"dfddeb6\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-b43707d elementor-widget elementor-widget-text-editor\" data-id=\"b43707d\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><span style=\"font-weight: 400;\">Volgens Fugard is <\/span><i><span style=\"font-weight: 400;\">Concerning the Life of Babyboy Kleintjies<\/span><\/i> <span style=\"font-weight: 400;\">\u23af<\/span><span style=\"font-weight: 400;\"> geskryf in samewerking met en aangespoor deur sy vrou, Paula Fourie <\/span><span style=\"font-weight: 400;\">\u23af<\/span><span style=\"font-weight: 400;\"> sy tweede poging om reg te laat geskied aan die uitdaging wat Brecht se gedig bied.<\/span><\/p><p><span style=\"font-weight: 400;\">&#8220;Ek het so ses jaar gelede aan die toneelstuk begin werk<\/span><i><span style=\"font-weight: 400;\">, <\/span><\/i><span style=\"font-weight: 400;\">maar vasgehaak by die vrouekarakter. Ek kon haar net nie \u2018sien\u2019 nie en uiteindelik het die toneelstuk in die onderste laai van my lessenaar beland. Paula het dit geneem en Marie Kleintjies laat gestalte kry deur grootliks die tweede deel van die stuk op haar eie te skryf. Dit het my weer daarna laat kyk met nuwe o\u00eb. Sedertdien het ons natuurlik as medeskrywers verdere moontlikhede in die teks ondersoek en dit saam voltooi.&#8221;<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-63bfa63 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"63bfa63\" data-element_type=\"section\" data-e-type=\"section\" data-settings=\"{&quot;jet_parallax_layout_list&quot;:[]}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-dd62a4c\" data-id=\"dd62a4c\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-2f8cce2 elementor-widget elementor-widget-text-editor\" data-id=\"2f8cce2\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><span style=\"font-weight: 400;\">Fugard en Fourie verplaas die toneelstuk na Stellenbosch. Op \u2018n koue aand langs die Eersterivier probeer drie hawelose mans <\/span><span style=\"font-weight: 400;\">\u2013 <\/span><span style=\"font-weight: 400;\">Lappies, Riempie en Vink (Carlo Daniels, Elton Landrew en Marlon Swarts) <\/span><span style=\"font-weight: 400;\">\u2013<\/span><span style=\"font-weight: 400;\"> warm bly. \u2018n Vrou genaamd Marie (Loren Loubser) sluit haar by hulle aan. Sy bevind haar in dieselfde bootjie, maar het boonop \u2018n kind en dra dus \u2018n swaarder las, letterlik en figuurlik.<\/span><\/p><p><span style=\"font-weight: 400;\">\u201c<\/span><span style=\"font-weight: 400;\">Die karakters se aand rondom \u2018n sukkelende vuurtjie stuur af op \u2018n uiteinde waar die haweloses \u2013 asook die akteurs en die gehoor \u2013 gekonfronteer word met die harde werklikheid omtrent hulself en die gemeenskap waarin ons lewe,\u201d verduidelik Fourie.<\/span><\/p><p><span style=\"font-weight: 400;\">\u201cHuis en haweloosheid was deurgaans temas in my werk,\u201d s\u00ea Fugard. \u201cNog nie veel daaromtrent het verander in die Suid-Afrikaanse konteks nie. Wat my betref, het ek nog altyd probeer om op \u2019n verbeeldingryke manier saam met die karakters in my toneelstukke \u2018huis toe\u2019 te gaan en om te deel in wat hulle ervaar. Hierdie keer sluit Paula haar by my aan. Ek kan maar net hoop ons het reg laat geskied aan die stories van die drie hawelose mans en Marie.\u201d<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-22e661e elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"22e661e\" data-element_type=\"section\" data-e-type=\"section\" data-settings=\"{&quot;jet_parallax_layout_list&quot;:[]}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-c10990e\" data-id=\"c10990e\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-inner-section elementor-element elementor-element-79db368 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"79db368\" data-element_type=\"section\" data-e-type=\"section\" data-settings=\"{&quot;jet_parallax_layout_list&quot;:[]}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-inner-column elementor-element elementor-element-d3fd75a\" data-id=\"d3fd75a\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-60e579a elementor-widget elementor-widget-image\" data-id=\"60e579a\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/woordfees.co.za\/wp-content\/uploads\/2022\/10\/quote1-150x150.png\" class=\"attachment-thumbnail size-thumbnail wp-image-32495\" alt=\"\" srcset=\"https:\/\/woordfees.co.za\/wp-content\/uploads\/2022\/10\/quote1-150x150.png 150w, https:\/\/woordfees.co.za\/wp-content\/uploads\/2022\/10\/quote1-300x300.png 300w, https:\/\/woordfees.co.za\/wp-content\/uploads\/2022\/10\/quote1.png 400w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-inner-column elementor-element elementor-element-aece97a\" data-id=\"aece97a\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-093a060 elementor-widget elementor-widget-text-editor\" data-id=\"093a060\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<h4>In Fugard en Fourie se geval resoneer die toneelstuk en Brecht se oproep eintlik m\u00e9\u00e9r, want hulle het op 11 Augustus 2022 die ouers geword het van \u2019n dogtertjie, Halle Fugard Fourie.<\/h4>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-83fb74f elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"83fb74f\" data-element_type=\"section\" data-e-type=\"section\" data-settings=\"{&quot;jet_parallax_layout_list&quot;:[]}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-6ff0b5f\" data-id=\"6ff0b5f\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-9d978f4 elementor-widget elementor-widget-text-editor\" data-id=\"9d978f4\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>&#8220;Concerning the Infanticide Marie Farrar&#8221; handel oor \u2019n jong huishulp wat probeer om \u2019n ongewenste swangerskap te be\u00ebindig. Sy word egter gedwing om die kind tot op die laaste te dra en om dwarsdeur die geboortepyne te werk. Nadat sy in \u2018n buitekamer geboorte gegee het, kan sy die kind skaars vashou weens die koue. As die kind begin huil, slaan sy hom dood.<\/p><p>In die oorspronklike Duits eindig elke vers met \u2019n rymende koeplet, byna soos kerkgangers die woorde van \u2019n priester sal beaam. Die Engelse vertaling lui soos volg:<\/p><p><em>&#8220;But you I beg, make not your anger manifest<br \/>For all that lives needs help from all the rest.&#8221;<\/em><\/p><p>Dis seker nie te vergesog om te s\u00ea dat di\u00e9 twee re\u00ebls al jare lank die <i>raison d\u2019\u00eatre<\/i> agter Fugard se werk is nie en die oproep \u201cmake not your anger manifest\u201d is vandag meer noodsaaklik as ooit tevore.<\/p><p>In Fugard en Fourie se geval resoneer die toneelstuk en Brecht se oproep eintlik m\u00e9\u00e9r, want hulle het op 11 Augustus 2022 die ouers geword het van \u2019n dogtertjie, Halle Fugard Fourie. \u201cHaar teenwoordigheid het beslis \u2019n verrykende invloed op die toneelstuk, maar natuurlik ook \u2019n uitdagende een, want een van ons is 90 jaar oud en die ander is \u2019n nuwe ma,\u201d kloek Fugard. \u201cOns is dus dankbaar dat die talentvolle jong Jason Jacobs hom by ons kon aansluit as hulp-regisseur.\u201d<\/p><p>Fugard sluit af: \u201cN\u00e1 twee jaar sonder teater voel die verwelkoming terug in die ruimte wat gevorm word tussen teks, stemme en lywe tegelykertyd soos \u2019n wekroep en \u2019n omhelsing.\u201d<\/p><p>Ons groet hom en sy nalatenskap aan die Suid-Afrikaanse teater met \u2019n omhelsing vol dankbaarheid en agting. Ons sien daarna uit om <i><span style=\"font-weight: 400;\">Concerning the Life of Babyboy Kleintjies<\/span><\/i><span style=\"font-weight: 400;\"> by die Woordfees saam met hom, sy vrou en hul hele span te ervaar.\u00a0<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-cadba10 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"cadba10\" data-element_type=\"section\" data-e-type=\"section\" data-settings=\"{&quot;jet_parallax_layout_list&quot;:[]}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-54f51d5\" data-id=\"54f51d5\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-369d12d elementor-widget elementor-widget-text-editor\" data-id=\"369d12d\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<ul><li style=\"font-weight: 400;\" aria-level=\"1\"><i><span style=\"font-weight: 400;\">Concerning the Life of Babyboy Kleintjies<\/span><\/i><span style=\"font-weight: 400;\"> is te sien op 10 Oktober om 20:00, 11 Oktober om 20:00, 12 Oktober om 11:00, 13 Oktober om 11:00, 14 Oktober om 11:00, 15 Oktober om 12:00 en 20:00 en 16 Oktober om 16:00 in die PJ Olivier-saal. Bespreek by <\/span><a href=\"https:\/\/www.webtickets.co.za\/v2\/event.aspx?itemid=1518125458\"><span style=\"font-weight: 400;\">Webtickets<\/span><\/a><span style=\"font-weight: 400;\">.<\/span><\/li><\/ul>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-334a539 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"334a539\" data-element_type=\"section\" data-e-type=\"section\" data-settings=\"{&quot;jet_parallax_layout_list&quot;:[]}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-865832f\" data-id=\"865832f\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-046dd3c elementor-widget elementor-widget-global elementor-global-31984 elementor-widget-image\" data-id=\"046dd3c\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/woordfees.co.za\/wp-content\/uploads\/2022\/09\/1400x300-Starlet-BannerArtboard-1.jpg\" title=\"1400\u00d7300 Starlet BannerArtboard 1\" alt=\"1400x300 Starlet BannerArtboard 1\" loading=\"lazy\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>ONDERHOUD Fugard groet met laaste wekroep Marina Griebenow &#8220;Athol is \u2019n reus op die kontinent van Afrika. Hy bly die baken van morele verantwoordbaarheid, eerlikheid en waarheid in \u2019n woesterny van menslike swakheid. Niemand het meer gedoen vir drama in Suid-Afrika nie. Hy is werklik een van die w\u00eareld se grootste lewende dramaturge.&#8221; Eric Abraham, [&hellip;]<\/p>\n","protected":false},"author":3799,"featured_media":33012,"comment_status":"open","ping_status":"closed","sticky":false,"template":"elementor_theme","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[400],"tags":[],"class_list":["post-105280","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-theatre"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Concerning the Life of Babyboy Kleintjies - Toyota Stellenbosch Woordfees<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/woordfees.co.za\/en\/theatre\/concerning-the-life-of-babyboy-kleintjies\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Concerning the Life of Babyboy Kleintjies - Toyota Stellenbosch Woordfees\" \/>\n<meta property=\"og:description\" content=\"ONDERHOUD Fugard groet met laaste wekroep Marina Griebenow &#8220;Athol is \u2019n reus op die kontinent van Afrika. Hy bly die baken van morele verantwoordbaarheid, eerlikheid en waarheid in \u2019n woesterny van menslike swakheid. Niemand het meer gedoen vir drama in Suid-Afrika nie. 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