{"id":105312,"date":"2022-10-14T11:22:27","date_gmt":"2022-10-14T09:22:27","guid":{"rendered":"https:\/\/woordfees.co.za\/uncategorized\/koos-prinsloo-oor-begeerte-en-slagting\/"},"modified":"2022-10-14T11:22:27","modified_gmt":"2022-10-14T09:22:27","slug":"koos-prinsloo-oor-begeerte-en-slagting","status":"publish","type":"post","link":"https:\/\/woordfees.co.za\/en\/easyequities-writers-festival-news\/koos-prinsloo-oor-begeerte-en-slagting\/","title":{"rendered":"Koos Prinsloo oor begeerte en slagting"},"content":{"rendered":"\t\t
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BOEKGESPREK<\/h6>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Gay pionier steeds \u2018helder ligsuil\u2019 28 jaar n\u00e1 sy dood<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Jan-Jan Joubert
Koos Prinsloo oor begeerte en slagting
Oude Leeskamer
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Koos Prinsloo is op baie vlakke die baanbreker van robuuste gay-letterkunde in Afrikaans en bly vir baie mense die voorste eksponent daarvan. Byna dertig jaar n\u00e1 sy vroe\u00eb afsterwe in \u2019n tyd toe MIV-vigs \u2019n doodsvonnis was, het Gerrit Olivier Prinsloo se skryfwerk uiteindelik ook in Engels toeganklik gemaak deur dit te vertaal in die pasverskene teks <\/span>Koos Prinsloo: Place of slaughter and other stories<\/span><\/i>. Charl-Johan Lingenfelder het hom uitgevra.<\/span><\/p>

Allereers: Wat \u2019n voorreg vir die gehoor om blootgestel te word aan die taalbeheersing en vakkennis van die twee gespreksgenote. Ekself het die gelyke daarvan nog nooit beleef nie. Daarom dan ook \u2019n belydenis: Hoewel \u2019n mens deurgaans geboeid kon volg en by die gedagtegang kon bly, kan \u2019n mens in \u2019n verslag soos di\u00e9 nie aan daardie taalbeheersing en vakmanskap reg laat geskied nie. Iemand moes \u2019n video gemaak het.<\/span><\/p>

Dus, vir die rekord, enkele fragmentariese hoogtepunte. Eerstens, Olivier, voormalige departementshoof van Afrikaans aan Wits en later dekaan van lettere daar, se opmerking dat Prinsloo se werk telkens in opstand is teen manlike mag, net om hartverskeurend omgekeer te word in die verhaal oor sy telefoongesprek met sy pa. Dit vat Prinsloo se werk bondig saam.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Ja, daardie mense was wie hulle was, maar dit het nie gegaan oor wie hulle was nie, want in die verhalende opset was hulle mos nie wie en wat hulle was nie.<\/span><\/h4>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Tweedens, Prinsloo se opstand teen die wyse waarop die gay-belewingsw\u00eareld oor geslagte heen deur voorgangerskrywers soos Hennie Aucamp, Ernst van Heerden en I.D. du Plessis alte esteties en versuiker verwoord is. Gaywees gaan tog maar in \u2019n groot mate om die lyflike en om wellus, weliswaar in verskillende grade van voorkeur en wildheid. Daaroor was Prinsloo, so weet ons, voorwaar nie beskroomd nie, maar \u2019n pionier.<\/span><\/p>

\u2019n Eie kantaantekening: Prinsloo se kritiek op Aucamp vind amusant weerklank in Herman Lategan se onlangs gepubliseerde outobiografiese vertelling <\/span>Hoerkind<\/span><\/i> waarin hy by geleentheid waarneem hoe Aucamp \u2019n baie rowwe manlike prostituut, op die oog af \u2019n pas vrygelate tronkvo\u00ebl, suksesvol benader en wegvoer van die Seepuntse promenade, net om die onwaarskynlike tweemanskap enkele ure later uit die Labia-teater in Oranjestraat te sien kom waar hulle pas \u2019n Sweedse kunsrolprent gekyk het. Lategan wonder tereg wat Aucamp se metgesel daarvan moes dink.\u00a0<\/span><\/p>

\u2019n Derde hoogtepunt uit Olivier en Lingenfelder se gesprek: Prinsloo se veelbewo\u00eb en veelbesproke \u201cgeskryfdes\u201d. Olivier het die punt duidelik gemaak dat Prinsloo se letterkunde daardie destydse bedompige geskinder oor wie nou eintlik wie was \u2013 watter regte mense as karakters in sy kortverhale herkenbaar was \u2013 oorleef en oortref het. Ja, daardie mense was wie hulle was, maar dit het nie gegaan oor wie hulle was nie, want in die verhalende opset was hulle mos nie wie en wat hulle was nie. Hulle was meer, want hulle was karakters en nie mense nie. Kuns is tog suiwerder, sterker getregter, as alledaagse belewing en werklikheid \u2013 dit put daaruit, maar transendeer dit dan. Dit is tydloos en waar dit ruimtelik gewortel is, is dit nie ruimtelik gebonde nie.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Vierdens was Olivier en Lingenfelder se gesprek \u2019n verduideliking van en \u2019n ode aan Prinsloo se dapperheid. In \u2019n tyd van oordeel, gevaar en liefdelose hardvogtigheid waarna sommige van ons mense tans \u00e1l dolerend wil terugkeer, het Koos Prinsloo homself blootgestel soos min mense ooit sal. Hy het die prys daarvoor betaal op baie vlakke. Maar 28 jaar n\u00e1 sy dood wys hierdie vertalingswerk opnuut Koos Prinsloo se letterkunde staan verwond, maar onoorwonne as \u2019n helder ligsuil in ons taal en in die w\u00eareldletterkunde.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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BOEKGESPREK Gay pionier steeds \u2018helder ligsuil\u2019 28 jaar n\u00e1 sy dood Jan-Jan JoubertKoos Prinsloo oor begeerte en slagtingOude Leeskamer Koos Prinsloo is op baie vlakke die baanbreker van robuuste gay-letterkunde in Afrikaans en bly vir baie mense die voorste eksponent daarvan. Byna dertig jaar n\u00e1 sy vroe\u00eb afsterwe in \u2019n tyd toe MIV-vigs \u2019n doodsvonnis […]<\/p>\n","protected":false},"author":3799,"featured_media":33817,"comment_status":"open","ping_status":"closed","sticky":false,"template":"elementor_theme","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[431],"tags":[],"class_list":["post-105312","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-easyequities-writers-festival-news"],"yoast_head":"\nKoos Prinsloo oor begeerte en slagting - Toyota Stellenbosch Woordfees<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/woordfees.co.za\/en\/easyequities-writers-festival-news\/koos-prinsloo-oor-begeerte-en-slagting\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Koos Prinsloo oor begeerte en slagting - Toyota Stellenbosch Woordfees\" \/>\n<meta property=\"og:description\" content=\"BOEKGESPREK Gay pionier steeds \u2018helder ligsuil\u2019 28 jaar n\u00e1 sy dood Jan-Jan JoubertKoos Prinsloo oor begeerte en slagtingOude Leeskamer Koos Prinsloo is op baie vlakke die baanbreker van robuuste gay-letterkunde in Afrikaans en bly vir baie mense die voorste eksponent daarvan. 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