{"id":105330,"date":"2022-10-16T19:31:41","date_gmt":"2022-10-16T17:31:41","guid":{"rendered":"https:\/\/woordfees.co.za\/uncategorized\/die-ongetemde-stem-en-kerkorrel\/"},"modified":"2022-10-16T19:31:41","modified_gmt":"2022-10-16T17:31:41","slug":"die-ongetemde-stem-en-kerkorrel","status":"publish","type":"post","link":"https:\/\/woordfees.co.za\/en\/neelsie-cinema-filmfees\/die-ongetemde-stem-en-kerkorrel\/","title":{"rendered":"Die ongetemde stem en Kerkorrel"},"content":{"rendered":"\t\t
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RESENSIE<\/h6>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Musiekdokkies kyk terug, nie vorentoe<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Susan Booyens
Die ongetemde stem: \u2019n Herontdekking van Afrikaanse musiek
Kerkorrel: \u2019n Dokument\u00eare film
Neelsie Cinema
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\u201cDie uitverkorenes wil my kruisig,<\/span><\/p>

hulle dink ek rape jou\u2026\u201d\u00a0<\/span><\/p>

Churchil Naud<\/span>\u00e9 rap so oor Afrikaans in die openingstoneel van die dokument\u00eare rolprent <\/span>Die ongetemde stem: \u2019n Herontdekking van Afrikaanse musiek. <\/span><\/i>En voeg dan by: \u201cDie fokken taal gaan nie dood nie.\u201d<\/span><\/p>

Daarna kla \u2019n bloedjong Johannes Kerkorrel (Ralph Rabie) in \u2019n argiefopname oor die stand van Afrikaanse musiek: \u201cLigsinnige goed kry meer aandag.\u201d<\/span><\/p>

Hoe meer dinge verander, hoe meer bly hulle dieselfde\u2026 En Afrikaans bly swaar dra aan sy bagasie.<\/span><\/p>

Die regisseur-vervaardigers Riku L\u00e4tti en Gideon Breytenbach se doel met die dokkie is volgens hulle om \u201cvoorheen verdoeselde waarhede van ons musiekgeskiedenis te verken en die kollig op die pad vorentoe te rig\u201d.\u00a0<\/span><\/p>

Die ontstaansgeskiedenis van Afrikaanse musiek via boeremusiek, Europese deuntjies, volkspele, volksliedjies en politieke ambisies vir nasiebou word fassinerend belig by monde van Deon Maas en Schalk van der Merwe, laasgenoemde akademies en objektief en Maas soos altyd provokatief en emosioneel.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Hoe meer dinge verander, hoe meer bly hulle dieselfde\u2026 En Afrikaans bly swaar dra aan sy bagasie.<\/h4>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Anton Goosen se meer as vyf dekades in die bedryf bied kosbare materiaal, David Kramer se rol om brugbouer te wees na die oerpraters van Afrikaans is insiggewend, so ook die buitestander-perspektiewe van Shifty Records se Lloyd Ross. Die deelnemers oor die revolusion\u00eare jare sedert die mid-1980\u2019s is al die ou kalante, \u2019n paar ook al saliger, en dis verfrissend om Tonia M\u00f6ller, voorheen Tonia Selley oftewel Karla Krimpelien van die Vo\u00eblvry-tye, se stem te hoor.\u00a0<\/span><\/p>

Koos Kombuis s\u00ea hy mis vir Ralph en hy\u2019s nou nog kwaad vir hom (omdat hy in 2002 \u2019n einde aan sy lewe gemaak het). En bietjie later oor sy stryd om van musiek \u2019n lewe te maak: \u201cEk sou eerder Coenie de Villiers wou gewees het.\u201d<\/span><\/p>

Tonia praat reguit oor die doodsnikke van die Alternatiewe Afrikaanse Musiekbeweging: \u201cI suppose it stopped because the people died (eers James Phillips alias Bernoldus Niemand en \u2019n paar jaar later Ralph). It did what it had to do.\u201d<\/span><\/p>

Later s\u00ea iemand: \u201c\u2026en toe kom Steve en toe\u2019s ons terug by square one\u201d.<\/span><\/p>

Oor die ontploffing van Afrikaanse musiek sedert die demokratiese bestel is die Wasgoedlyn-programmakers uit die aard van die saak krities en daar word deur deelnemers verwys na die \u201cstrewe vir die laagste gemene deler\u201d en Riku se akroniem wat rym met twak \u2013 Kwak, vir Kommersi\u00eble Wit Afrikaanse Kultuur. Die stelling word gemaak \u201cAfrikaanse musiek is rassisties\u201d, met voorbeelde van die soort o\u00ebverblindery waardeur een of maksimum twee nie-wit kunstenaars vir \u2019n konsert van leliewit sangers gekies word. Soos Deniel Barry s\u00ea, dis gewoonlik \u201cnet so een ingekleurde mens soos Refentse\u201d. \u201cDis tragies as hulle assimileer en hulle aksent afleer.\u201d Churchil voeg by: \u201cWit bands sing nie political songs nie.\u201d<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Daar word gekyk na die bydrae van Oppikoppi, kortliks verwys na die \u201capartheid\u201d by radiostasies en die rol van bands soos Fokofpolisiekar. Geen woord oor bv. Brixton Moord & Roof Orkes, Karen Zoid of Jack Parow nie, as ek reg onthou. Ook nie die Musiek & Liriek-jare se groot name soos Laurika Rauch, Coenie de Villiers en Jannie du Toit et al of Kaapse kunstenaars soos Taliep Petersen en kie nie.<\/span><\/p>

Dis bietjie hartseer, baie bisar en tog effe hoopvol as die gryse oorblyfsels van die GBB 27 jaar later saam met Wasgoedlyn-vriende soos die L\u00e4tti\u2019s, Churchil en Frazer en Deniel Barry by die Voortrekkermonument gaan optree as die Hervormde Gereformeerde Blues Band.\u00a0<\/span><\/p>

Uit die sowat 24 deelnemers is \u2019n teleurstellende vier vroue \u2013 Jolyn Phillips, digter, dramaturg en sanger, praat darem oor stemme soos hare wat steeds nie gehoor word nie.<\/span><\/p>

Met die uitstap wens mens die tyd, geld en energie kon eerder in toekomsplanne as terugkyk, bitterheid en verwyt geploeg word\u2026<\/span><\/p>

\u2019n Paar aande later is ek terug in die Neelsie, weer vir \u2019n fliek oor Afrikaanse musiek se geskiedenis. In die winter van vanjaar het die rolprentmaker Niel van Deventer, vervaardiger en regisseur van <\/span>Kerkorrel: \u2019n Dokument\u00eare film, <\/span><\/i>met Waldimar Pelser, hoof van kykNET-kanale, vergader om \u2019n program te beplan nadat hy wat Niel is besef het dis op 12 November 20 jaar sedert Johannes Kerkorrel sy eie lewe geneem het.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Wat \u2019n pragtige man, en hy praat met soveel empatie, wysheid en waardering oor sy pa se bydrae…<\/h4>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Volgens Niel is dit belangrik om n\u00e1 twee dekades sy impak op die kultuurw\u00eareld in hero\u00ebnskou te neem \u201comdat Kerkorrel verantwoordelik was vir twee bomme wat wit Afrikaners getref het: in die laat 1980\u2019s toe hy as omstrede politieke figuur aan die voorpunt van die Vo\u00eblvrytoer gestaan het, en in 2002 met sy skielike selfdood\u201d.<\/span><\/p>

Dis inderdaad bitter ironies dat daar n\u00e1 sy afsterwe waarskynlik meer oor hom geskryf en ges\u00ea is as voor sy dood. Di\u00e9 fliek sluit natuurlik daarby aan, en die voorskou op die Woordfees nadat dit pas ure tevore voorlopig klaar geredigeer is, is die voorloper tot \u2019n uitsending op kykNET wat vir November geskeduleer is.\u00a0<\/span><\/p>

Synde nog nie die finale produk nie wil ek nie te veel daaroor verklap of dit resenseer nie, maar dis \u2019n eerbare, volledige poging wat ontsettend verryk word deur \u2019n wonderlike onderhoud met Ralph Rabie se enigste kind, sy seun Reuben. Wat \u2019n pragtige man, en hy praat met soveel empatie, wysheid en waardering oor sy pa se bydrae en hoe hy sy emosies weggesteek het, sodat die selfdood vir almal om hom as geweldige skok gekom het. Ook Amanda Strydom, nabye vriendin, se stories en pyn oor haar vriend Ralph is roerend.\u00a0<\/span><\/p>

Ander bydraers is onder andere die joernaliste Willem Pretorius, Kerneels Breytenbach en Danie Marais; die sangers en musikante Koos Kombuis, Valiant Swart, Stef Bos, Schalk Joubert, Willem M\u00f6ller, Jannie Hanepoot van Tonder en Riku L\u00e4tti; en Kerkorrel se voormalige bestuurder en vriendin Karen Meiring (later hoof by die KKNK en kykNET).<\/span><\/p>

Reuben meen teen die einde \u201cKerkorrel is wie jy wil h\u00ea hy moet wees\u201d, en dis \u2019n gepaste manier om \u2019n waardige huldeblyk mee af te sluit.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Net \u2019n laaste gedagte:<\/strong> Die volgende staan in die feesboekie by <\/span>Die ongetemde stem: <\/span><\/i>\u201cDie taal het talle variante, maar die stem van die meerderheid word steeds in die doofpot gestop deur \u2019n stelsel wat ontwerp is om net een skakering lugtyd te gee.\u201d<\/span><\/p>

Tog kom die kwessie van lugtyd nie behoorlik onder die loep in enige van die twee dokkies nie, en is \u2019n saak wat hopelik op Karen Meiring en kie se komende Musiek-indaba vir Afrikaanse musiek wat vir 30 November tot 3 Desember op Stellenbosch beplan word, deurgetrap sal word.<\/span><\/p>

Want of dit nou in die vroe\u00eb 2000\u2019s voor Kerkorrel se dood was of 20 jaar later, die hekwagterskap oor watter Afrikaanse musiek gedurende veral popul\u00eare luistertye op radiostasies gespeel word, blyk steeds haas ondeurdringbaar vir diegene wat nie sogenaamde hoofstroommusiek maak nie \u2013 of nie klink (of lyk) soos die gewilde middelmootklank nie. Ja, stromingsdienste en sosiale media maak dit makliker om by jou potensi\u00eble mark uit te kom, maar smaakmakers en musieklys-opstellers het steeds geweldige mag om loopbane \u2013 en mense soos Kerkorrel of Churchil Naud\u00e9 \u2013 te maak of breek.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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RESENSIE Musiekdokkies kyk terug, nie vorentoe Susan BooyensDie ongetemde stem: \u2019n Herontdekking van Afrikaanse musiekKerkorrel: \u2019n Dokument\u00eare filmNeelsie Cinema \u201cDie uitverkorenes wil my kruisig, hulle dink ek rape jou\u2026\u201d\u00a0 Churchil Naud\u00e9 rap so oor Afrikaans in die openingstoneel van die dokument\u00eare rolprent Die ongetemde stem: \u2019n Herontdekking van Afrikaanse musiek. En voeg dan by: \u201cDie […]<\/p>\n","protected":false},"author":3799,"featured_media":34545,"comment_status":"open","ping_status":"closed","sticky":false,"template":"elementor_theme","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[823],"tags":[],"class_list":["post-105330","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-neelsie-cinema-filmfees"],"yoast_head":"\nDie ongetemde stem en Kerkorrel - Toyota Stellenbosch Woordfees<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/woordfees.co.za\/en\/neelsie-cinema-filmfees\/die-ongetemde-stem-en-kerkorrel\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Die ongetemde stem en Kerkorrel - Toyota Stellenbosch Woordfees\" \/>\n<meta property=\"og:description\" content=\"RESENSIE Musiekdokkies kyk terug, nie vorentoe Susan BooyensDie ongetemde stem: \u2019n Herontdekking van Afrikaanse musiekKerkorrel: \u2019n Dokument\u00eare filmNeelsie Cinema \u201cDie uitverkorenes wil my kruisig, hulle dink ek rape jou\u2026\u201d\u00a0 Churchil Naud\u00e9 rap so oor Afrikaans in die openingstoneel van die dokument\u00eare rolprent Die ongetemde stem: \u2019n Herontdekking van Afrikaanse musiek. 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