{"id":105563,"date":"2026-10-06T14:52:23","date_gmt":"2026-10-06T12:52:23","guid":{"rendered":"https:\/\/woordfees.co.za\/uncategorized\/resensie-moffie\/"},"modified":"2026-10-06T15:53:26","modified_gmt":"2026-10-06T13:53:26","slug":"resensie-moffie","status":"publish","type":"post","link":"https:\/\/woordfees.co.za\/en\/ink-feeskoerant-2026\/resensie-moffie\/","title":{"rendered":"Resensie: Moffie"},"content":{"rendered":"\t\t
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SPIER THEATRE<\/h6>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\u2018Moffie\u2019: \u2019n aanklag teen wreedaardigheid<\/span><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Produksie: Moffie<\/strong>
Deur: Marina Griebenow<\/strong>
Foto’s: Verskaf<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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David Viviers moet in die solostuk Moffie<\/em> nie net sy eie karakter, Nicholas van der Swart, aan die gehoor oordra nie, maar ook die kompleksiteit van die vele karakters met wie Nicholas in die loop van sy lewe te doen kry en hele omgewing wat daarmee saamkom. Hy skep \u2019n volronde karakter en laat die gehoor as\u2019t ware alles deur die lens van sy eie ervaring beleef. Meer kan \u2019n mens nie vra nie, meen Marina Griebenow<\/strong><\/span>. <\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Rowe, blougatte, browns, balsakke, PT, varkpan, terrs, PB\u2019s, 2,4 km met \u2019n R4, boots en battle jacket, staaldak, Buffels, Koevoet, blou koeverte met Oshivelo-stempels en gesensorde briewe, naweekpas, korporaals, sammajoors, \u2019n bed wat gesquare is, inspeksie, opfokke, JL\u2019s in Oudtshoorn en Bloemfontein, Esm\u00e9 Euvrard, Sondagversoeke, civviestraat, troepe wat bossies is en dekking slaan as hulle harde geluide hoor, Bedfords, step-outs, sissies, rooinekke, die grens, Swapo, Savimbi se manne en spoorsnyers.<\/p>

Dis woorde wat nie net \u2019n hele bestaan oproep nie, maar daarmee saam ook \u2019n ideologie wat sy pond vleis ge\u00ebis het \u2013 letterlik. Die lys is nog lank en die gevoelens wat dit opwek ambivalent, want dit was enersyds so bekend en alledaags en andersyds so \u2019n vernietigende aanklag teen \u2019n regering wat \u2019n kommunis agter elke bos gesien het en boonop wit bevoorregting ten koste van die lewe van duisende jong mans wou bewaar. Die Bosoorlog was brutaal, wreed, onverskoonbaar, en die prys daarvoor te hoog. <\/p>

Hierdie lys woorde dek egter nie die stiltes nie, die alomteenwoordige donker waaroor niemand gepraat het nie \u2013 en eintlik steeds nie oor praat nie \u2013 maar wat uiteindelik buite die weermag uiting gevind het in nagmerries, woedebuie en geweld, moeilike sosialisering, drank- en dwelmverslawing, onverdraagsaamheid teenoor wat anders is en \u2019n verromantisering van en nostalgie oor die dienspligjare as die tyd toe seuns manne geword en lewenslange vriendskappe aangeknoop het. Dit is moeilik om te glo dat vriendskappe wat op gedeelde trauma gegrond is, werklik behoudend kan wees. <\/p>

Die publikasie van Andr\u00e9 Carl van der Merwe se boek Moffie, <\/em>gegrond op dagboekinskrywings gedurende sy tyd in die weermag en daarna, veroorsaak aanvanklik \u2019n frisson<\/em>, maar genadiglik word die sluier effens gelig met \u2019n spesifieke fokus op die ervarings van \u2019n gay soldaat, Nicholas van der Swart (David Viviers), wat in 1981 opgeroep word vir sy diensplig van twee jaar. Onthou, terwyl hy in die weermag altyd \u2019n teiken vir diskriminasie sou wees en die potensi\u00eble slagoffer van onverpoosde en ongebreidelde geweld, was homoseksualiteit in daardie tyd steeds \u2019n strafregtelike oortreding. Die oplossing was gevolglik om nooit daaroor te praat nie, met ander woorde vir die gay soldaat is daar \u2019n addisionele vlak van trauma. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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In Philip Rademeyer se hande word Andr\u00e9 Carl van der Merwe se roman \u2019n kleinnood op die verhoog wat terselfdertyd intiem genoeg is om die komplekse gevoelens en menseverhoudings van \u2019n gay jong man in daardie milieu te verwoord sowel as om die enorme materi\u00eble onkoste en geografiese omvang van die Bosoorlog in jou verbeelding oor te dra.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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In sy programnota besing die regisseur, Greg Karvellas, die lof van Philip Rademeyer wat die boek vir die verhoog verwerk het. Dis verstaanbaar. Ek is al lank \u2019n lojale bewonderaar van al Philip se werk. Hy skryf meesterlik en die reikwydte van sy emosionele intelligensie, empatie en dapperheid is bewonderenswaardig. Verder is sy vroe\u00ebre dramas The View<\/em> en Ashes<\/em> juis hartverskeurende toonbeelde van sy insig in die soms noodlottige gevolge van gay-diskriminasie. <\/p>

In Philip se hande word Andr\u00e9 Carl se roman \u2019n kleinnood op die verhoog wat terselfdertyd intiem genoeg is om die komplekse gevoelens en menseverhoudings van \u2019n gay jong man in daardie milieu te verwoord sowel as om die enorme materi\u00eble onkoste en geografiese omvang van die Bosoorlog in jou verbeelding oor te dra.<\/p>

Die teks word briljant gesteun deur die ander kreatiewe medewerkers, waaronder Niall Griffin met sy minimalistiese en hoogs intelligente stel- en kostuumontwerp. Jy stap in en op die verhoog l\u00ea daar \u2019n hoop opgestopte balsakke met kolligte daar agter. Die gebied op en om die balsakke word dan die hele leefw\u00eareld wat in die stuk uitgebeeld word. Charl-Johan Lingenfelder is weer sy briljante self met \u2019n klankbaan so treffend dat jy voel of jy alles eerstehands saam met Nicholas ervaar terwyl jou hart in jou keel klop.. Kieran McGregor se atmosferiese beligtingsontwerp komplementeer die stel en die gebeure perfek. Daarsonder sou jy nie voel asof jy ook jou arms in die lug moet gooi of dekking moet slaan om \u2019n aanval van gevegshelikopters af te weer of saam met Nicholas jou o\u0113 skrefies trek om in die halflig en stof uit te maak wat aangaan nie.<\/p>

Greg, wat deesdae in Duitsland woon, was lank die inwonende regisseur by die ou Fugardteater en het gevolglik heelwat belangwekkende produksies op sy kerfstok. Sy vaardigheid l\u00ea in die fyn kuns om \u2019n span vision\u00eare kreatiewe medewerkers byeen te bring en die bydraes wat hulle met sy leiding ontwikkel dan in \u2019n formidabele eindproduk saam te voeg. Met Moffie<\/em> doen hy dit weer en verdien beslis \u2019n klop op die skouer van Eric Abraham en die Common Humanity Arts Trust wat die produksie vervaardig. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Mag die lesse wat Moffie<\/em> ons leer net vermenigvuldig tot onverdraagsaamheid en diskriminasie uiteindelik \u2019n ding van die verlede is.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u2019n Mens b\u00eare altyd die lekkerste vir laaste. In di\u00e9 geval is dit David in die rol van Nicholas. Ek het die sonderlinge voorreg om David sedert sy studentedae te ken toe hy vreesbevange \u2019n Afrikaanse rol in Die buffel<\/em> van Tsjechof onder die knie moes kry toe hy nog nie regtig Afrikaans gepraat het nie. <\/p>

Dit is ook nie verbasend dat David \u2019n bekroonde skrywer is nie, want \u2019n groot deel van sy talent l\u00ea opgesluit in sy vermo\u00eb om \u2019n teks te deurpriem, die laaste moontlike betekenis daaruit te tap en dit dan aan \u2019n gehoor oor te dra met panache en oortuiging. Om di\u00e9 rede skitter hy in Shakespeare-rolle, soos Antonio en Stephano in The Tempest <\/em>by Maynardville se opelugteater in 2025 en weer as die melankoliese hofnar Feste in Twelfth Night<\/em> vanjaar. Sy flair vir komedie (\u2019n mens kan jou doodlag vir hom) weerhou hom nie daarvan om hoogs dramatiese rolle ewe bedrewe te vertolk nie. <\/p>

Sy verantwoordelikheid in Moffie<\/em> as \u2019n solostuk van 90 minute l\u00ea daarin dat hy nie net sy eie karakter aan \u2019n gehoor moet oordra nie, maar ook die kompleksiteit en persoonlikhede van die vele karakters met wie Nicholas in die loop van sy lewe te doen kry \u2013 om nie eens te praat van die hele omgewing wat daarmee saamgaan nie. Dit strek van sy kinderdae tot waar hy as jong man sy diensplig doen. Dit is \u2019n formidabele taak, maar te danke aan David se meesterlike spel voel dit asof jy elkeen van daardie karakters ken, goed en sleg. Jy raak saam met hom gefrustreerd met sy pa, rou saam met hom oor die dood van sy geliefde boetie en die selfdood van \u2019n weermagvriend, hou saam met hom asem op by die aanskoue van die pragtige nekspiere van die man wat later nie net die aandag van sy o\u00eb eis nie maar ook sy hart, ervaar sy vrees dat hy as gay ontmasker gaan word en die ontsettende gevolge sal moet dra, voel sy futiele woede teen die stelsel wat alles insluk en uitspoeg en dan weer die ontsettende uitputting wanneer die w\u00eareld by tye net te veel word. David skep \u2019n volronde karakter en laat die gehoor as\u2019t ware alles deur die lens van sy eie ervaring beleef. Meer kan \u2019n mens nie vra nie. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Dit is my oortuiging dat David eendag die mantel sal dra as een van ons land se grootste akteurs. Die tekens is almal daar en ek is bly ek kan sy werk op sy reis daarheen ervaar. <\/p>

Wat Moffie<\/em> betref: Dit is verblydend dat gays sedertdien minstens grondwetlike beskerming ontvang het, maar in te veel plekke ter w\u00eareld bestaan die gevaar tans dat die regte wat gewen is, omgekeer kan word. Mag dit nooit hier gebeur nie en mag die lesse wat Moffie<\/em> ons leer net vermenigvuldig tot onverdraagsaamheid en diskriminasie uiteindelik \u2019n ding van die verlede is. <\/p>

Daar is nog vele stories oor die Bosoorlog en verpligte diensplig wat vertel moet word sodat die verlede beter verstaan kan word. Die verhoog is een van die beste plekke daarvoor. Soos in Bloed & Bodem<\/em> van Marina Albertyn, Seun<\/em> van Dana Snyman, Kanarie<\/em> van Christiaan Olwagen en \u2019n handjievol ander. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Moffie<\/strong><\/a>
6 OKT 18:00 | 10 OKT 20:00 | 11 OKT 10:00
Adam Small-ouditorium
R210-R350 | R240-R380 by die deur
Geen o.14 (V, T, G)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

<\/i> Marina Griebenow<\/p>\n","protected":false},"author":3799,"featured_media":105562,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[613,819,824],"tags":[817],"class_list":["post-105563","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-spier-theatre","category-ink-feeskoerant-2026","category-fringe","tag-woordfees-2026"],"yoast_head":"\nResensie: Moffie - Toyota Stellenbosch Woordfees<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/woordfees.co.za\/en\/ink-feeskoerant-2026\/resensie-moffie\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Resensie: Moffie - Toyota Stellenbosch Woordfees\" \/>\n<meta property=\"og:description\" content=\"Marina Griebenow\" \/>\n<meta property=\"og:url\" content=\"https:\/\/woordfees.co.za\/en\/ink-feeskoerant-2026\/resensie-moffie\/\" \/>\n<meta property=\"og:site_name\" content=\"Toyota Stellenbosch Woordfees\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/woordfees\/\" \/>\n<meta property=\"article:published_time\" content=\"2026-10-06T12:52:23+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-10-06T13:53:26+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/woordfees.co.za\/wp-content\/uploads\/2026\/10\/INK-banner45.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2400\" \/>\n\t<meta property=\"og:image:height\" content=\"1200\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"INK Redaksie\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@Woordfees\" \/>\n<meta name=\"twitter:site\" content=\"@Woordfees\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"INK Redaksie\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"7 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-moffie\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-moffie\\\/\"},\"author\":{\"name\":\"INK Redaksie\",\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/#\\\/schema\\\/person\\\/4fa89144f1f64e8103a71de1d4d44c47\"},\"headline\":\"Resensie: Moffie\",\"datePublished\":\"2026-10-06T12:52:23+00:00\",\"dateModified\":\"2026-10-06T13:53:26+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-moffie\\\/\"},\"wordCount\":1450,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-moffie\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/woordfees.co.za\\\/wp-content\\\/uploads\\\/2026\\\/10\\\/INK-banner45.jpg\",\"keywords\":[\"Woordfees 2026\"],\"articleSection\":[\"Spier Theatre\",\"INK Feeskoerant 2026\",\"Fringe\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-moffie\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-moffie\\\/\",\"url\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-moffie\\\/\",\"name\":\"Resensie: Moffie - 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