{"id":105855,"date":"2026-10-06T16:09:47","date_gmt":"2026-10-06T14:09:47","guid":{"rendered":"https:\/\/woordfees.co.za\/uncategorized\/resensie-naggesprek-hoe-later-hoe-teater\/"},"modified":"2026-10-07T12:43:50","modified_gmt":"2026-10-07T10:43:50","slug":"resensie-naggesprek-hoe-later-hoe-teater","status":"publish","type":"post","link":"https:\/\/woordfees.co.za\/en\/ink-feeskoerant-2026\/resensie-naggesprek-hoe-later-hoe-teater\/","title":{"rendered":"Resensie: Naggesprek: Hoe later hoe teater"},"content":{"rendered":"\t\t
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DISCOURSE<\/h6>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Weerskante van die fluweelgordyn <\/span><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Produksie: Naggesprek: Hoe later hoe teater<\/strong>
Deur: Maliza Adendorff <\/strong>
Foto’s: Maliza Adendorff <\/strong> <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u2019n Paneel van kenners, teatergangers, studente, joernaliste en natuurlik akteurs en ander medewerkers in die teaterbedryf het laataand opgeruk na Die Khaya om die orakel van Delphi te raadpleeg oor die stand van die teaterbedryf. Maliza Adendorff<\/strong><\/span> het gaan luistervink speel.<\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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In party huishoudings praat mense nie oor geld, politiek of geloof nie, maar in die teater gebeur dit wel. Dis hoe en hoekom \u201cHoe later hoe teater\u201d, die amptelike titel van die naggesprek wat gefasiliteer is deur Cornelia Faasen, uitvoerende hoof van NATi (Nasionale Afrikaanse Teater-inisiatief), verander het in \u201cThe personal is political, except in theatre where everything is political\u201d. <\/p>

Daar is vele probleme en uitdagings wat die teaterbedryf en die medewerkers, skeppers en deelnemers daarin in die gesig staar \u2013 van swak vergoeding tot die regering of minister van kultuur wat nie verstaan (of betaal) nie, tot gehalte wat afneem \u2013 maar di\u00e9 keer was die fokus op die dinge wat ons nie weet nie wanneer ons in \u2019n teater aantree om iemand se handewerk of lewenswerk op \u2019n verhoog te aanskou.<\/p>

Die orakel van Delphi het nou wel nie opgedaag nie, maar Cornelia Faasen, Philip Rademeyer, Lara Foot, Kristen Fichardt en Mich\u00e9 van Wyk was daar in haar plek. Hulle het nie doekies omgedraai nie. Ja, daar is \u2019n fyn lyn tussen \u201condervinding\u201d as vergoeding en om te weet wanneer jy misbruik word. Maar die keersy is ook dat jong mense wat teater en goeie toneelspel geniet, as volwassenes dit waarskynlik steeds sal waardeer. Al kan studente dalk nou nie R250 vir \u2019n kaartjie betaal nie, sal hulle dit waarskynlik kan bekostig as hulle ouer is. <\/p>

Die verhouding tussen kunstefeeste en kunstenaars was ook onder die vergrootglas aangesien hulle mekaar nodig het en albei vir hulle voortbestaan baklei.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Die keersy is dat jong mense wat teater en goeie toneelspel geniet, as volwassenes dit waarskynlik steeds sal waardeer. Al kan studente dalk nou nie R250 vir \u2019n kaartjie betaal nie, sal hulle dit waarskynlik kan bekostig as hulle ouer is. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Lara Foot het gepraat oor die geweldige veranderinge in die media wat in die verlede deur middel van resensies heelwat blootstelling aan kunstenaars en produksies gegee het. Die feit dat \u2019n \u00e1l groter deel van die plaaslike media (en dus resensies) agter \u2019n betaalmuur is, verminder toegang tot goeie teater en akteurs (en dit beskerm nie kykers teen slegte teater nie). Tussen die paneellede op die verhoog was seker minstens 100 jaar se ondervinding in die teaterbedryf, maar die klem is toenemend op die rol wat jong mense moet speel. H\u00f3\u00e9 skep \u2019n mens jong, nuwe gehore? H\u00f3\u00e9 kry \u2019n mens jong mense in die teater? Dit is iets wat van onder af gebou moet word deur jong mense self, want van bo af kry hulle mentorskap van ouer mense en die aflosstokkie word mos maar gedurig tussen die geslagte aangegee. <\/p>

G\u2019n gesprek oor die skeppende kunste of die toekoms van teater sou volledig wees sonder \u2019n vraag uit die gehoor oor kunsmatige intelligensie nie. Ja, KI kan help om \u2019n brief aan borge, rade of die regering meer beleefd te laat klink, maar waarom sal \u2019n mens dit vir kreatiewe werk gebruik? Kunsmatige intelligensie het niks om te verloor met \u2019n slegte resensie nie en \u2019n mens maak jou totaal kwesbaar deur KI te gebruik eerder as om self iets te skep. <\/p>

\u201cDis lekker om kuns te maak,\u201d s\u00ea Kristen. \u201cOm met kunsmatige intelligensie kuns te probeer maak is soos om te vra dit moet namens jou op die gras gaan sit in die son.\u201d <\/p>

Die uiteinde van die saak? Dis nou maar eenmaal \u2019n moeilike bedryf. \u201cBut we signed up for this.\u201d <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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<\/i> Maliza Adendorff<\/p>\n","protected":false},"author":3799,"featured_media":105854,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[523,819,824],"tags":[817],"class_list":["post-105855","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-discourse","category-ink-feeskoerant-2026","category-fringe","tag-woordfees-2026"],"yoast_head":"\nResensie: Naggesprek: Hoe later hoe teater - Toyota Stellenbosch Woordfees<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/woordfees.co.za\/en\/ink-feeskoerant-2026\/resensie-naggesprek-hoe-later-hoe-teater\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Resensie: Naggesprek: Hoe later hoe teater - 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