{"id":105858,"date":"2026-10-06T16:36:40","date_gmt":"2026-10-06T14:36:40","guid":{"rendered":"https:\/\/woordfees.co.za\/uncategorized\/resensie-netphlix\/"},"modified":"2026-10-07T12:44:40","modified_gmt":"2026-10-07T10:44:40","slug":"resensie-netphlix","status":"publish","type":"post","link":"https:\/\/woordfees.co.za\/en\/ink-feeskoerant-2026\/resensie-netphlix\/","title":{"rendered":"Resensie: Netphlix"},"content":{"rendered":"\t\t
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SPIER THEATRE<\/h6>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\u2018Netphlix\u2019 is chaoties, maar groot pret<\/span><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Produksie: Netphlix<\/strong>
Deur: Ilza Roggeband<\/strong>
Foto’s: Verskaf<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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In Netphlix<\/em> gebruik Sophie Joans beweging, gesigsuitdrukkings, musiek, die gehoor en \u2019n paar rekwisiete om in minder as \u2019n uur deur reekse soos The Crown<\/em>, Sex Education<\/em> en Emily in Paris<\/em> te rits, skryf Ilza Roggeband<\/strong><\/span>, wat haar hoed afhaal vir enige jong mens wat die kunste as beroep gekies het en self werk skep.<\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Chaoties is die enigste manier om Netphlix<\/em> te beskryf. As gehoorlid weet jy met tye nie of dit georganiseerde chaos is wat veronderstel is om so te wees nie, maar waddehel, go with the flow and all that. <\/p>

Sophie Joans is die jong aktrise wat probeer om in minder as \u2019n uur haar gehoor te vermaak met die reekse wat tans op Netflix is. Sy begin deur te vertel hoe haar agent haar opgewonde gemaak het met die nuus dat sy moontlik vir \u2019n rol in \u2019n Netflix-reeks oorweeg word. Natuurlik begin sy daaroor droom om \u2019n kar te koop en finansieel onafhanklik te word, maar haar borrel word gebars wanneer sy nie die rol kry nie en sy erken teater is eintlik haar eerste en grootste liefde. <\/p>

Met beweging, gesigsuitdrukkings, musiek en \u2019n paar rekwisiete rits Sophie deur reekse soos The Crown<\/em>, Sex Education<\/em> en Emily in Paris<\/em>. Elke dan en wan word iemand in die gehoor gevra om te kom meedoen. Sommige is onwillig \u2013 \u201cjammer, ek het pas \u2019n heupvervanging gehad\u201d \u2013 maar gelukkig is daar altyd iemand wat sal hand opsteek en saamspeel tot groot vermaak van die gehoor. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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As gehoorlid weet jy met tye nie of dit georganiseerde chaos is wat veronderstel is om so te wees nie, maar waddehel, go with the flow and all that.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Die tegniese kant van die vertoning was rukkerig. Weer eens weet \u2019n mens nie of dit so beplan was en of die mens wat daarvoor verantwoordelik was dalk skielik moes instaan nie. Ewenwel. <\/p>

Sophie het talent. Die produksie het baie potensiaal. Haar laaste woorde oor haar liefde vir die teater tref hard. Lank leef die theatre kids. Mag hulle nooit hulle liefde verloor nie. Ondersteun hulle waar jy kan. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Netphlix<\/em><\/strong><\/a>
10 OKT 13:30
HMS Bloemhof-skoolsaal
R180 | R210 by die deur
Geen o.14 (T)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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<\/i> Ilza Roggeband<\/p>\n","protected":false},"author":3799,"featured_media":105857,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[613,819,824],"tags":[817],"class_list":["post-105858","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-spier-theatre","category-ink-feeskoerant-2026","category-fringe","tag-woordfees-2026"],"yoast_head":"\nResensie: Netphlix - Toyota Stellenbosch Woordfees<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/woordfees.co.za\/en\/ink-feeskoerant-2026\/resensie-netphlix\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Resensie: Netphlix - Toyota Stellenbosch Woordfees\" \/>\n<meta property=\"og:description\" content=\"Ilza Roggeband\" \/>\n<meta property=\"og:url\" content=\"https:\/\/woordfees.co.za\/en\/ink-feeskoerant-2026\/resensie-netphlix\/\" \/>\n<meta property=\"og:site_name\" content=\"Toyota Stellenbosch Woordfees\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/woordfees\/\" \/>\n<meta property=\"article:published_time\" content=\"2026-10-06T14:36:40+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-10-07T10:44:40+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/woordfees.co.za\/wp-content\/uploads\/2026\/10\/INK-banner48-1-1024x512.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1024\" \/>\n\t<meta property=\"og:image:height\" content=\"512\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"INK Redaksie\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@Woordfees\" \/>\n<meta name=\"twitter:site\" content=\"@Woordfees\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"INK Redaksie\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-netphlix\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-netphlix\\\/\"},\"author\":{\"name\":\"INK Redaksie\",\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/#\\\/schema\\\/person\\\/4fa89144f1f64e8103a71de1d4d44c47\"},\"headline\":\"Resensie: Netphlix\",\"datePublished\":\"2026-10-06T14:36:40+00:00\",\"dateModified\":\"2026-10-07T10:44:40+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-netphlix\\\/\"},\"wordCount\":372,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-netphlix\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/woordfees.co.za\\\/wp-content\\\/uploads\\\/2026\\\/10\\\/INK-banner48-1.jpg\",\"keywords\":[\"Woordfees 2026\"],\"articleSection\":[\"Spier Theatre\",\"INK Feeskoerant 2026\",\"Fringe\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-netphlix\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-netphlix\\\/\",\"url\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-netphlix\\\/\",\"name\":\"Resensie: Netphlix - 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