{"id":105866,"date":"2026-10-06T17:03:35","date_gmt":"2026-10-06T15:03:35","guid":{"rendered":"https:\/\/woordfees.co.za\/uncategorized\/resensie-skanse\/"},"modified":"2026-10-07T12:45:41","modified_gmt":"2026-10-07T10:45:41","slug":"resensie-skanse","status":"publish","type":"post","link":"https:\/\/woordfees.co.za\/en\/ink-feeskoerant-2026\/resensie-skanse\/","title":{"rendered":"Resensie: Skanse"},"content":{"rendered":"\t\t
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SPIER THEATRE<\/h6>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Opperman-stuk bedrewe, maar bied nie nuwe insigte<\/span><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Produksie: Skanse<\/strong>
Deur: Willem Bester<\/strong>
Foto’s: Nardus Engelbrecht<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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In Deon Opperman se Skanse<\/em> word vyf mense in \u2019n fortagtige voorstedelike huis bymekaargebring, waar die gesprek stadig van alledaagse geklets na dieper vrae oor taal, veiligheid, identiteit en verlies beweeg. Met \u2019n gesoute rolverdeling word Afrikaner-angs en die mure waaragter mense hulself verskans oopgevlek, al bied die stuk nie noodwendig nuwe insigte nie, meen Willem Bester<\/strong><\/span>. <\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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In \u2019n fort van \u2019n huis in \u2019n fort van \u2019n kompleks in \u2019n fort van \u2019n provinsie\u2026 met \u2019n boud in die oond, wag Simon (Deon Lotz), \u2019n veteraan van die assuransiebedryf, en sy vrou, Liani (Edrien Erasmus), op hul pas gearriveerde huisgaste: Simon se broer Dani\u00ebl (Dawid Minnaar) en sy relatief nuwe \u201cpartner\u201d, Sasha (Rushney Ferguson). Dani\u00ebl is terug uit die buiteland, waar hy \u2019n digitale wandelaar was \u2013 sewe jaar, nege lande en 22 stede \u2013 met sy eie YouTube-kanaal. Dit is duidelik dat die spanning vlak l\u00ea, want Simon en Dani\u00ebl het in jare nie met mekaar gepraat nie. <\/p>

Wanneer Dani\u00ebl en Sasha hul opwagting maak, dobber die gesprek aanvanklik rondom voorstedelike beuselagtighede. Maar onder di\u00e9 geklets sit ook dieper vrae. Waarom het Dani\u00ebl die land en \u2019n huwelik verlaat? Wat is die familiekrisis wat vir die breuk tussen die broers gesorg het? Waarom presies is Dani\u00ebl nou terug? <\/p>

Liani lyk na iemand wat net haar mond oopmaak om voete om te ruil. Dit blyk ook sy is deesdae vriende met Dani\u00ebl se eksvrou, Santa (Marisa Drummond), iets wat Liani nie uit die gesprek kan laat nie. Dit is dan ook nie verbasend dat Santa, o\u00ebnskynlik op die ingewing van die oomblik, aan die deur klop vir \u2019n skemerkelkie nie. Wat sal di\u00e9 besoek alles op die lappe bring? <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Vrae oor mense wat ‘oral’ is en di\u00e9 wat ‘iewers’ is, is universeel, maar Opperman stel kennelik ook belang in vermeende Afrikanerrealiteite \u2013 in onveiligheid en agteruitgang, hoe inklusief die kultuur kan wees, hoe taal deel van identiteit is.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Die dramaturg en regisseur Deon Opperman se nuwe stuk, Skanse<\/em>, plaas hedendaagse kwessies onder die loep. Vrae oor mense wat \u201coral\u201d is en di\u00e9 wat \u201ciewers\u201d is, is universeel, maar Opperman stel kennelik ook belang in vermeende Afrikanerrealiteite \u2013 in onveiligheid en agteruitgang, hoe inklusief die kultuur kan wees, hoe taal deel van identiteit is. Hier moet \u2019n mens jou dalk eerder beroep op die meer gelaaide term van \u201cgeleefde ervarings\u201d: Een mens se realiteit kan \u2019n ander se waansin wees. <\/p>

Dit lyk of Simon en Liani vasgevang is, in hul eie huis (met batterye en \u2019n garage vol blikkieskos) sowel as in \u2019n nou en verarmde kulturele en huweliksopset. Liani, byvoorbeeld, weet dis nie aanvaarbaar om te wonder waarom Dani\u00ebl \u2019n bruin vrou as metgesel het nie, maar sy kan haar ware gevoelens nie goed genoeg wegsteek nie. Sasha tel die onderstrominge vinnig op; sy is oop en braaf genoeg om Liani daarop te wys. Santa is ook vasgevang in haar hunkering na \u2019n huwelikskonteks wat nie meer bestaan nie. Hoewel Dani\u00ebl die swerwer is, is dit hy wat teen die agtergrond van sterflikheid \u2019n anker soek daarin om sy eie taal te hoor. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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As teenpole is Lotz en Minnaar goed gekies vir hul rolle: Lotz as die behoudende en soms brutaal seksistiese Simon, konserwatief maar met dieper strome, en Minnaar as Dani\u00ebl, die soeker, weldeurleef en gelate oor die lewe. Erasmus en Drummond het moeiliker werk. N\u00f3g Liani, n\u00f3g Santa is in enige opsig moderne, bevryde vroue, maar tog is daar \u2019n mate van simpatie met hul karakters wat op verskillende maniere aan die verlede vasklou en nie volle seggenskap in hul lewensverloop het nie. Sasha is die enigste karakter wat werklik eietyds voorkom, uiteindelik in beheer van haar lot. Ferguson vertolk haar met \u2019n goeie kombinasie van relatiewe jeug en waardigheid. <\/p>

Dus, dit is \u2019n gesoute akteurskorps en hulle beheer die spelruimte goed. Dit is miskien \u2019n klein dingetjie om te noem, maar dit was lekker om akteurs te h\u00ea wat die ouditorium vol projekteer, sonder versterking. Die stelinkleding het gevoel soos \u2019n kombinasie van Boerebarok en Biggie Best-katalogus, met heiningdraad in die agtergrond \u2013 goed vir karakterisering en \u2019n feesverhoog, sonder om laaste-leksel voor te kom. <\/p>

Die teks self is bedrewe genoeg aanmekaargesit: Die oorwegend suiwer Afrikaans vloei lekker, suiwer genoeg vir \u2019n ouskoolse tekstuur wat simbolies is van die portuur wat hier ter sprake is, maar nie so suiwer dat die dialoog t\u00e9 onwaarskynlik klink nie. Daarby behoort die verloop van meer humoristiese aanvang na ernstiger sake kattekruid te wees vir feesgehore. <\/p>

Dit is tot Opperman se krediet dat hy nie preek nie, maar sy karakters toelaat om hul s\u00ea te s\u00ea. \u2019n Mens wil-wil jouself egter afvra of die hedendaagse Afrikaner \u2019n kultuurgroep is\u2026 of \u2019n diagnose. Skanse <\/em>bied nie nuwe insigte nie. Hoewel sommige sal aanklank vind by die aanraking van dieper vraagstukke en wat veronderstel is om \u2019n navrante klimaks te wees, sal ander \u2013 selfs al is hulle veels te oud om sulke goed te uiter \u2013 soek na \u2019n goeie Afrikaanse manier om te s\u00ea: \u201cOK, Boomer.\u201d <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Skanse<\/strong><\/a>
6 OKT 13:30 | 7 OKT 15:30
Open Window Campus
R235-R350 | R265-R380 by die deur<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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<\/i> Willem Bester<\/p>\n","protected":false},"author":3799,"featured_media":105865,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[613,819,824],"tags":[817],"class_list":["post-105866","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-spier-theatre","category-ink-feeskoerant-2026","category-fringe","tag-woordfees-2026"],"yoast_head":"\nResensie: Skanse - Toyota Stellenbosch Woordfees<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/woordfees.co.za\/en\/ink-feeskoerant-2026\/resensie-skanse\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Resensie: Skanse - Toyota Stellenbosch Woordfees\" \/>\n<meta property=\"og:description\" content=\"Willem Bester\" \/>\n<meta property=\"og:url\" content=\"https:\/\/woordfees.co.za\/en\/ink-feeskoerant-2026\/resensie-skanse\/\" \/>\n<meta property=\"og:site_name\" content=\"Toyota Stellenbosch Woordfees\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/woordfees\/\" \/>\n<meta property=\"article:published_time\" content=\"2026-10-06T15:03:35+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-10-07T10:45:41+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/woordfees.co.za\/wp-content\/uploads\/2026\/10\/INK-banner59-1024x512.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1024\" \/>\n\t<meta property=\"og:image:height\" content=\"512\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"INK Redaksie\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@Woordfees\" \/>\n<meta name=\"twitter:site\" content=\"@Woordfees\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"INK Redaksie\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-skanse\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-skanse\\\/\"},\"author\":{\"name\":\"INK Redaksie\",\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/#\\\/schema\\\/person\\\/4fa89144f1f64e8103a71de1d4d44c47\"},\"headline\":\"Resensie: Skanse\",\"datePublished\":\"2026-10-06T15:03:35+00:00\",\"dateModified\":\"2026-10-07T10:45:41+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-skanse\\\/\"},\"wordCount\":873,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-skanse\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/woordfees.co.za\\\/wp-content\\\/uploads\\\/2026\\\/10\\\/INK-banner59.jpg\",\"keywords\":[\"Woordfees 2026\"],\"articleSection\":[\"Spier Theatre\",\"INK Feeskoerant 2026\",\"Fringe\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-skanse\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-skanse\\\/\",\"url\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-skanse\\\/\",\"name\":\"Resensie: Skanse - 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