{"id":105874,"date":"2026-10-06T20:15:43","date_gmt":"2026-10-06T18:15:43","guid":{"rendered":"https:\/\/woordfees.co.za\/uncategorized\/resensie-akrasia\/"},"modified":"2026-10-07T12:47:33","modified_gmt":"2026-10-07T10:47:33","slug":"resensie-akrasia","status":"publish","type":"post","link":"https:\/\/woordfees.co.za\/en\/ink-feeskoerant-2026\/resensie-akrasia\/","title":{"rendered":"Resensie: Akrasia"},"content":{"rendered":"\t\t
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SPIER THEATRE<\/h6>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\u2019n Liefdesbrief vol bloed en worsies<\/span><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Produksie: Akrasia<\/strong>
Deur: Dianne Albertze<\/strong>
Foto’s: Nardus Engelbrecht<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Die tragikomedie Akrasia<\/em> het verlede jaar twee pryse by die Premi\u00e8re-teaterfees gewen en maak \u2019n draai na die makabere wat gehore laat gil van die lag en gril vir die gruwels, skryf Dianne Albertze<\/strong><\/span>.<\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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My ma s\u00ea altyd rou is nie iets waaroor jy net kan kom nie. N\u00e1 al die jare is haar eie ma \u2013 my ouma Mollie \u2013 se dood nog \u2019n seerplek. \u201cJy leer om dit met jou saam te dra,\u201d voicenote sy my. \u201cMemories is op die ou einde al wat ons het.\u201d <\/p>

In die tragikomedie Akrasia<\/em> word herinneringe getaxidermize op \u2019n next level. Kristen Fichardt, die regisseur en medeskrywer, vertel die inspirasie vir die stuk was \u2019n skryfoefening wat sy in haar honneurs-skryfklas onder leiding van Malan Steyn gedoen het. Hulle moes skryf oor kleintyd, en al waaraan sy kon dink, was die rooi worsies wat haar ma as trooskos opgedis het. <\/p>

Dis twee sleutelaspekte van hierdie produksie: viennas en ma\u2019s.<\/p>

Akrasia<\/em> was verlede jaar \u2019n finalis by die US-dramadepartement se Premi\u00e8re-teaterfees, waar dit die toekennings vir beste regie en beste ontwerp ontvang het. Die stuk het vroe\u00ebr vanjaar haar feesdebuut by die KKNK gemaak en ook speelvakke by Theatre Arts en Toneelhuis beleef. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Reuben Smith (Heinrich Wentzel), \u2019n troebel gees, het \u2019n kunsuitstalling met die titel Rou Moeder<\/em> waarin hy met Weense worsies hulde bring aan sy oorlede ma \u2013 boonop in \u2019n spierwit, kliniese slaghuis. Behalwe vir die worsies in \u2019n glaskas verpak as centrepiece is daar ook sykouse wat ingespan word om \u2019n baarmoeder voor te stel asook \u2019n stoel wat uit \u2019n klomp sykouspramme bestaan. Reuben se nerwe is gaar terwyl hy wag om sy huldeblyk-uitstalling aan die w\u00eareld voor te stel, maar niemand daag op nie. <\/p>

Die arme kwasi-avant-garde kunstenaar se senuwees \u00e9n geduld is klaar. Ons sien hoe hy \u00e1l nader aan die afgrond van sy gedagtes kom, die plek waar twyfel en selfsabotasie broei. Net voor hy moontlik iets simpels aanvang, waai \u2019n warrelwind die slaghuis binne. \u2019n Ongeskonde, skaam geelkop, Candice (Ancois Bodenstein), kom daar aan met \u2019n hortende asem en \u2019n hart wat oorverdowend klop. Hier begin die eintlike uitstalling dan. \u2019n Opvoerkuns van praat. <\/p>

Die twee spartel soos afvlerk-mossies in die ruimte rond, die een meer ongemaklik en onvanpas as die ander. Lieflike weirdos wat alewig met hulle voet in die mond praat. Reuben is so vrekbly iemand het darem opgedaag dat hy nie weet wat om met sy opwinding te maak nie. Tot daar \u2019n worsie wegraak. O, die heilige worsie! <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Die twee spartel soos afvlerk-mossies in die ruimte rond, die een meer ongemaklik en onvanpas as die ander. Lieflike weirdos wat alewig met hulle voet in die mond praat. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Hierna vat die stuk \u2019n draai na die makabere en bloei etterende wonde van weggesteekte waarheid oop wat die gehoor laat gil van die lag en gril van die gruwels. Fichardt het \u2019n heerlike donker en twisted verbeelding. As regisseur toon sy baie potensiaal met \u2019n beheerstheid oor die krenkkonsert. Sy en die medeskrywer en ontwerper, Shannon Hendry, het albei \u2019n oog vir ontwerp en \u2019n oor vir dialoog. Die twee spelers los geen worskrummels op die verhoog nie. Hulle flikflooi, verdink en verraai mekaar, twee psigotiese, mensvervreemde oddballs met aweregse quirks. Talk about finding love in a hopeless place! <\/p>

Ek wonder nogal wat my ma hiervan sou dink. Dalk sou sy nie van die gruheid hou nie. Tog dink ek sy sou die hart van die stuk waardeer, maar nie die letterlike hartklop wat te gou en lukraak soos biltong aan die storie gehaak word nie. Ek het gevoel Candice se motiewe word te gou weggegee, maar die akteurs se spel het my di\u00e9 foreshadowing-flater laat vergewe. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Akrasia<\/em> is \u2019n unconventional liefdesbrief vol bloed en worsies. Dit sal kykers opnuut anners laat kyk na verlies en verliefdheid en word aanbeveel vir almal wat hou van aweregse en pikswart humor. <\/p>

Ek sluit af met \u2019n stukkie uit \u2019n poem deur die arme Reuben:<\/p>

Ek dink terug aan tye wat ek nie eers kan onthou <\/em><\/p>

Warm, soet oomblikke toegedraai in jou <\/em><\/p>

Jy het my gevoed, mamma <\/em><\/p>

En nou is jy rou<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Akrasia<\/strong><\/a>
8 OKT 19:30
HMS Bloemhof-skoolsaal
R120 | R150 by die deur
Geen o.14 (T)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

<\/i> Dianne Albertze<\/p>\n","protected":false},"author":3799,"featured_media":105873,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[613,819,824],"tags":[817],"class_list":["post-105874","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-spier-theatre","category-ink-feeskoerant-2026","category-fringe","tag-woordfees-2026"],"yoast_head":"\nResensie: Akrasia - Toyota Stellenbosch Woordfees<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/woordfees.co.za\/en\/ink-feeskoerant-2026\/resensie-akrasia\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Resensie: Akrasia - Toyota Stellenbosch Woordfees\" \/>\n<meta property=\"og:description\" content=\"Dianne Albertze\" \/>\n<meta property=\"og:url\" content=\"https:\/\/woordfees.co.za\/en\/ink-feeskoerant-2026\/resensie-akrasia\/\" \/>\n<meta property=\"og:site_name\" content=\"Toyota Stellenbosch Woordfees\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/woordfees\/\" \/>\n<meta property=\"article:published_time\" content=\"2026-10-06T18:15:43+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-10-07T10:47:33+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/woordfees.co.za\/wp-content\/uploads\/2026\/10\/INK-banner50.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2400\" \/>\n\t<meta property=\"og:image:height\" content=\"1200\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"INK Redaksie\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@Woordfees\" \/>\n<meta name=\"twitter:site\" content=\"@Woordfees\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"INK Redaksie\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-akrasia\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-akrasia\\\/\"},\"author\":{\"name\":\"INK Redaksie\",\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/#\\\/schema\\\/person\\\/4fa89144f1f64e8103a71de1d4d44c47\"},\"headline\":\"Resensie: Akrasia\",\"datePublished\":\"2026-10-06T18:15:43+00:00\",\"dateModified\":\"2026-10-07T10:47:33+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-akrasia\\\/\"},\"wordCount\":718,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-akrasia\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/woordfees.co.za\\\/wp-content\\\/uploads\\\/2026\\\/10\\\/INK-banner50.jpg\",\"keywords\":[\"Woordfees 2026\"],\"articleSection\":[\"Spier Theatre\",\"INK Feeskoerant 2026\",\"Fringe\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-akrasia\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-akrasia\\\/\",\"url\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-akrasia\\\/\",\"name\":\"Resensie: Akrasia - 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