{"id":105877,"date":"2026-10-06T20:53:08","date_gmt":"2026-10-06T18:53:08","guid":{"rendered":"https:\/\/woordfees.co.za\/uncategorized\/resensie-boerlesque\/"},"modified":"2026-10-07T12:49:00","modified_gmt":"2026-10-07T10:49:00","slug":"resensie-boerlesque","status":"publish","type":"post","link":"https:\/\/woordfees.co.za\/en\/ink-feeskoerant-2026\/resensie-boerlesque\/","title":{"rendered":"Resensie: Boerlesque"},"content":{"rendered":"\t\t
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SPIER THEATRE<\/h6>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Afrikaans is die pa wat gaan seep koop<\/span><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Produksie: Boerlesque<\/strong>
Deur: Dianne Albertze<\/strong>
Foto’s: Verskaf<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Welkom, dames en here, femme kweens, soft bois, non-binary butterflies en studs.<\/p>

Hierrie is Afrikaans se amptelike (belated) birthday paartie. Die ou girl is nou al oor die muur. \u2019n Hele honderd jaar oud. So, los maar die briefies, blomme en geskenke. Hier wil ons die ou heilige koei onner vier o\u00eb spreek. Maar moet tog nie dink dis \u2019n droewige aff\u00eare nie, asseblief! Dis tog \u2019n paartie after all. Skop jou skoene uit en maak jou gemaklik, want Boerlesque <\/em>is \u2019n show wat jou van begin tot einde \u2019n pap tyd gaan gee. <\/p>

Die moeder van die huis, noem haar sommer Tannie (Roland du Preez), is \u2019n Karen-argetipe of sorts. Lyk of Tannie die blonde bob van Bambi Kellermann, Evita Bezuidenhout se controversial sussie, afgesteel het. Verder kan jy haar deur \u2019n ring trek. Hakies, satynbloes en p\u00earels. Al klik-klakkend skel sy haar twee dogters, Sussa (Dawn Fischer) en Meisie (Celeste Loots), om die huis reg te trek vir die groot makietie. <\/p>

Sussa, met haar onnerdanigheid en voorliefde vir \u2019n quirky truitjie, probeer hard om vir Tannie te be\u00efndruk. Sy vee uit, maak bed op en dra gediggies soos \u2019n skouperd voor. Meisie aan die annerkant het weer nie ooghare vir die all of a sudden se gevreetkoop met Afrikaans nie. Sy wil Ingels sing, onder die rok in vloek, bikini\u2019s dra en Italiaanse ouens pomp. Sy wil al die Afrikaanse ordentlikheid wat in haar keelgat afgedruk is, uitspoeg. <\/p>

Maar die matriargale Tannie gaan eers \u2019n goeie fight opsit. Nie onder haar dak nie. Sy span sommer \u2019n Steve Hofmeyr-treffer ook in om haar saak te stel. <\/p>

Tannie het egter \u2019n weakness soos alle anti-heroes. Die vertoonkas, ook genoem sideboard, vol Royal Alberts en porseleinbreekgoed. Ironies dan dat dit die woord breek in het. En soos dinge maar gaan met teater waar goed in die oomblik gebeur, soms buite \u2019n mens se bereik, tuimel \u2019n spul borde en koppies v\u00ear te vroeg uit die kas uit. Die gehoor snak na hul asem. Die niggies en nefies begin kraai van die lag, ene senuwees, wanneer \u2019n mens mos op jou lekkerste xhou. <\/p>

Maar toe wys die span waarvan hulle gemaak is en improviseer al om die insident en kap aan, want soos die Godin van Teater \u00earens gexhorro het, sekerlik met \u2019n glasie MCC in die hand, the show must go on!<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Tannie het egter \u2019n weakness soos alle anti-heroes. Die vertoonkas, ook genoem sideboard, vol Royal Alberts en porseleinbreekgoed. Ironies dan dat dit die woord breek in het. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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En het hulle nou vir jou \u2019n show opgesit.<\/p>

Toe begin speel hulle sommer nog sterker. Skielik kry die kabaret vol parodie \u2019n dieper draai wanneer die twee sussies hul Tannie oor hul pa konfronteer. Die een wat gaan seep koop het. Die ensemble weet hoe om \u2019n stuk te laat asemhaal. Met komiese tydsberekening asook met ernstiger, realer<\/em> tonele. <\/p>

Die karakters ondergaan ook verwisselinge waar elkeen met hul waarheid gekonfronteer word. Tot kerkmuis Sussa trek los en s\u00ea: <\/p>

Ons het gesteel van Maleisi\u00eb, van Indonesi\u00eb, van<\/em><\/p>

die KhoiKhoi en die coloureds en die Xhosa en die Moslems totdat dit<\/em><\/p>

alles op ons hopie l\u00ea en ons kon s\u00ea \u201ckyk na ons magtige kultuur” soos \u2019n<\/em><\/p>

bleek, geurlose, wit Frankenstein gestik uit die dooie, afgekapte ledemate<\/em><\/p>

van mindere kulture. En na al die moeite en al die diefstal, is Afrikaans nog <\/em><\/p>

steeds so wit en smaakloos soos melkkos.<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Snotklappe en klapsoene word saam uitgedeel. Du Preez het \u2019n skerpsinnige teks beet, een wat knyp en byt, maar \u2019n mens ook lat voel. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Snotklappe en klapsoene word saam uitgedeel. Du Preez het \u2019n skerpsinnige teks beet, een wat knyp en byt, maar \u2019n mens ook lat voel. Kwessies soos politieke korrektheid, onteiening, vroulikheid en kultuur word met pittige satire aangevat en soms met surprisingly teer en eerlike moments, soos wanneer Tannie en Sussa saam nostalgies raak oor kleintyd-memories. <\/p>

Als aan\u2019t wag vir Afrikaans of vir Pappa om te kom kuier. Die digter en skrywer Gaireyah Fredericks vang iets hiervan vas wanneer sy in haar gedig \u201cSuid Afrika!\u201d uit haar bundel Vernacular <\/em>skryf: <\/p>

Suid Afrika word nie op die hoek van my straat <\/em><\/p>

op die dak van my hut of in die oopblou hemelruim <\/em><\/p>

gevind nie, maar ge-nes in die mikke van my <\/em><\/p>

belewenisse en groei uit die jeugdige wortel van my <\/em><\/p>

toekoms, want my komvandaan bly geanker <\/em><\/p>

In my gees en in my moedertong…<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Fischer se Sussa was \u2019n hoogtepunt. Sy weet hoe om hart in komedie te sit. Nee kyk, as daai vrou eers met haar groot bruin o\u00eb en rasperstem begin bieg uit plekke baie dieper as wat ons sien in meeste komedie, dan is jy hooked. Sy laat jou as kyker veilig voel. Seker maar daai girl wat na \u2019n mens kyk by \u2019n deurmekaar patsy\/party. <\/p>

En dit is nogal so \u2019n jol die.<\/p>

Loots is weer so kalm soos \u2019n psalm. Die emo-girl met die vuil bek. Sy ground die meeste tonele waarin sy is sonder om ooit die materiaal te swaar aan te pak. Loots pas goed in haar rol en vat haar tyd met komiese oomblikke wat gelei het tot oopbek gelag uit die gehoor. <\/p>

En die trio kan sing dat dit bars, dit harmoniseer lat dit goed gaan. Nogal nie sommer hierjy-kabaret nie. Onder die regisseur, Bianca Flanders, se leiding is die drie spelers in tip-top shape, grounded \u00e9n perfect getime met hulle komedie. <\/p>

Behalwe vir Hofmeyr word daar ook gek geskeer met o.a. Die Antwoord en eer gebring aan Johannes Kerkorrel en die groep Florence + The Machine, Chappell Roan en Paris Paloma. Die liedjies word gedraai en gevleg of uitmekaargetrek. <\/p>

Afrikaans, wat meer kan ons vir mekaar s\u00ea.<\/p>

Jy weet hoe ek oor jou voel. Jy is die tong van my drome, maar ook die doring in my kies. Daar spook nog kleintjies in skoolklere van 1976 wat jou naam fluister. Dan weer kids wat skaam voel oor die klank van hulle harte nie klink soos die standaard wat in skole as kurrikulum koning kraai nie. <\/p>

Tog is jy myne.<\/p>

Ons s\u2019n. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Boerlesque<\/a><\/strong>
9 OKT 17:00
Drostdy-teater
R180-R250 | R210-R280 by die deur<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

<\/i> Dianne Albertze<\/p>\n","protected":false},"author":3799,"featured_media":105876,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[613,819,824],"tags":[817],"class_list":["post-105877","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-spier-theatre","category-ink-feeskoerant-2026","category-fringe","tag-woordfees-2026"],"yoast_head":"\nResensie: Boerlesque - Toyota Stellenbosch Woordfees<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/woordfees.co.za\/en\/ink-feeskoerant-2026\/resensie-boerlesque\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Resensie: Boerlesque - Toyota Stellenbosch Woordfees\" \/>\n<meta property=\"og:description\" content=\"Dianne Albertze\" \/>\n<meta property=\"og:url\" content=\"https:\/\/woordfees.co.za\/en\/ink-feeskoerant-2026\/resensie-boerlesque\/\" \/>\n<meta property=\"og:site_name\" content=\"Toyota Stellenbosch Woordfees\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/woordfees\/\" \/>\n<meta property=\"article:published_time\" content=\"2026-10-06T18:53:08+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-10-07T10:49:00+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/woordfees.co.za\/wp-content\/uploads\/2026\/10\/INK-banner51.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2400\" \/>\n\t<meta property=\"og:image:height\" content=\"1200\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"INK Redaksie\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@Woordfees\" \/>\n<meta name=\"twitter:site\" content=\"@Woordfees\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"INK Redaksie\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-boerlesque\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-boerlesque\\\/\"},\"author\":{\"name\":\"INK Redaksie\",\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/#\\\/schema\\\/person\\\/4fa89144f1f64e8103a71de1d4d44c47\"},\"headline\":\"Resensie: Boerlesque\",\"datePublished\":\"2026-10-06T18:53:08+00:00\",\"dateModified\":\"2026-10-07T10:49:00+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-boerlesque\\\/\"},\"wordCount\":1045,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-boerlesque\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/woordfees.co.za\\\/wp-content\\\/uploads\\\/2026\\\/10\\\/INK-banner51.jpg\",\"keywords\":[\"Woordfees 2026\"],\"articleSection\":[\"Spier Theatre\",\"INK Feeskoerant 2026\",\"Fringe\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-boerlesque\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-boerlesque\\\/\",\"url\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-boerlesque\\\/\",\"name\":\"Resensie: Boerlesque - 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