{"id":105889,"date":"2026-10-07T09:27:05","date_gmt":"2026-10-07T07:27:05","guid":{"rendered":"https:\/\/woordfees.co.za\/uncategorized\/resensie-rapsodie-vir-n-nuwe-wereld\/"},"modified":"2026-10-07T12:51:22","modified_gmt":"2026-10-07T10:51:22","slug":"resensie-rapsodie-vir-n-nuwe-wereld","status":"publish","type":"post","link":"https:\/\/woordfees.co.za\/en\/ink-feeskoerant-2026\/resensie-rapsodie-vir-n-nuwe-wereld\/","title":{"rendered":"Resensie: Rapsodie vir \u2019n nuwe w\u00eareld"},"content":{"rendered":"\t\t
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CLASSICAL MUSIC<\/h6>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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KFO en solis oorrompel, oorgretige applous ten spyt<\/span><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Produksie: Rapsodie vir \u2019n nuwe w\u00eareld<\/strong>
Deur: Naud\u00e9 van der Merwe<\/strong>
Foto’s: Charl du Plessis<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Die Kaapstadse Filharmoniese Orkes se Rapsodie vir \u2019n nuwe w\u00eareld<\/em> het die Standard Bank Endler met \u2019n klank-tsoenami gevul, maar onder Jason Atherton se leiding het balans gese\u00ebvier. Met Charl du Plessis<\/strong><\/span> as trekpleister in Gershwin se Rhapsody in Blue<\/em> en Dvo\u0159\u00e1k se negende simfonie as eindpunt was dit \u2019n gehoorvriendelike program wat sy staande ovasie verdien het, meen Naud\u00e9 van der Merwe<\/strong><\/span>. <\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Dis altyd opwindend om die Kaapstadse Filharmoniese Orkes (KFO) in \u2019n ander venue as hulle tuiste, die Kaapstad-stadsaal, te hoor. \u2019n Mens raak so gewoond aan die orkes se klank in hierdie ruimte dat ander sale se akoestiek jou met nuwe ore laat luister. Die Burgersentrum op Oudtshoorn, waar ek die KFO vroe\u00ebr vanjaar tydens Klein Karoo Klassique gehoor het, het unieke uitdagings gebied. Daar sukkel enige klankgolf om selfs verder as die eerste tien rye te beweeg. <\/p>

In die Endlersaal is daar nie sulke probleme nie. Jy word oorrompel deur \u2019n klank-tsoenami wat soms letterlik jou asem wegblaas, en wil-wil beheer verloor. Tydens Saterdagaand se konsert, getiteld Rapsodie vir \u2019n nuwe w\u00eareld<\/em>, het die dirigent Jason Atherton hierdie vloedgolf wel mooi in toom gehou. Die Endlersaal se akoestiek is van so \u2019n aard dat die strykers duideliker gehoor word as in die Kaap se Stadsaal. En tydens \u2019n program waar die koperblasers b\u00e1ie te doen gehad het, was dit \u2019n plesier. Balans het gese\u00ebvier! <\/p>

Die programtitel was \u2019n onsubtiele knipoog na wat \u2019n mens van die konsert kon verwag. \u2019n Rapsodie van Gershwin? Tick. Dalk Dvo\u0159\u00e1k se visie van die \u201cnuwe w\u00eareld\u201d? Tick. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Jy word oorrompel deur \u2019n klank-tsoenami wat soms letterlik jou asem wegblaas, en wil-wil beheer verloor.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Dis sekerlik \u2019n uitdaging om vir \u2019n simfoniekonsert \u2019n program te kies tydens \u2019n fees soos die Woordfees. Om die tradisionele programstruktuur van \u2019n simfoniekonsert te volg (ouverture, iets vir solis en orkes, en dan \u2019n simfonie), en dan vanuit hierdie repertorium die beste, mees gehoorvriendelike treffers te kies, maak sin. <\/p>

Die program het bestaan uit Dmitri Sjostakowitsj se Festival Overture, \u2019n bekende, opwindende werk, wat rats en energiek vertolk is; Gershwin se Rhapsody in Blue vir klavier en orkes; en Dvo\u0159\u00e1k se negende simfonie.<\/p>

Die nommereen-trekpleister vir die konsert was waarskynlik Charl du Plessis. Vandaar die uitverkoopte saal. Met sy jazztrio, en as Natani\u00ebl se pianis, het hy welverdiende lof en bekendheid verwerf. Pryse staan sy kaggelrak vol, hy\u2019s internasionaal bekend en hy is \u2019n natuurlike showman. Al hierdie eienskappe help boggerol as jy nie die tegniese vaardighede het om reg aan Gershwin se Rhapsody in Blue te laat geskied nie. Daar is ook legio opnames en video\u2019s van hierdie werk beskikbaar, so die verwagting kan by gehore ontstaan dat enige pianis Liberace, Yuja Wang en Leonard Bernstein gelyktydig moet channel om \u2019n indruk te maak. Gelukkig het Charl die talent, vaardighede en \u2013 dit moet ges\u00ea word \u2013 hare, om dit sy eie te maak. Hoewel hy \u2019n Steinway-kunstenaar is, het hy die Endlersaal se B\u00f6sendorfer laat dreun. En hy het ook tydens teer oomblikke aan hartsnare gepluk. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Hoewel hy \u2019n Steinway-kunstenaar is, het hy die Endlersaal se B\u00f6sendorfer laat dreun. En hy het ook tydens teer oomblikke aan hartsnare gepluk. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Die orkes het, met duidelike leierskap van Atherton, vir hoendervel-oomblikke gesorg tydens Dvo\u0159\u00e1k se negende simfonie, oftewel die simfonie \u201cuit die nuwe w\u00eareld\u201d. Dis geskryf toe di\u00e9 Tsjeg in New York gewoon het. Weer eens het ek net besef in watter mate Hollywood-komponiste Dvo\u0159\u00e1k se klankw\u00eareld gebruik het om \u2019n tipiese rolprentklank te skep wat ons nou al goed ken. Musikolo\u00eb het al hulle vingers stomp getik oor hierdie onderwerp. John Williams se klankbaan vir Star Wars <\/em>sou byvoorbeeld nie bestaan het as dit nie vir Dvo\u0159\u00e1k was nie. <\/p>

En die orkes het al die belangrike oomblikke tot hulle reg laat kom. Die staande ovasie was welverdiend. <\/p>

Laastens: ek weet dis \u2019n fees en mense moet gemaklik wees. Maar sjoe, pak darem vir jou \u2019n pakkie Halls of Fisherman\u2019s Friend in as jy weet die draai van die seisoen maak jou hoeserig en nieserig. Want dit het in \u2019n stadium meer soos \u2019n ongevalle-afdeling as \u2019n konsertsaal geklink. <\/p>

En laastens-laastens: Ons het nou al verby die tyd beweeg waar ons nie omgee of mense tussen bewegings hande klap nie. Maar kan die oorgretiges die res van ons \u2019n kans gee om \u2019n bietjie met die stilte te sit, en ons gevoelens te voel, veral n\u00e1 \u2019n aandoenlike stadige beweging? <\/p>

Dankie en amen.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Rapsodie vir \u2019n nuwe w\u00eareld <\/em><\/strong>is op 3 Oktober in die Standard Bank Endler aangebied.<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

<\/i> Naud\u00e9 van der Merwe<\/p>\n","protected":false},"author":3799,"featured_media":105888,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[511,819,824],"tags":[817],"class_list":["post-105889","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-classical-music","category-ink-feeskoerant-2026","category-fringe","tag-woordfees-2026"],"yoast_head":"\nResensie: Rapsodie vir \u2019n nuwe w\u00eareld - Toyota Stellenbosch Woordfees<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/woordfees.co.za\/en\/ink-feeskoerant-2026\/resensie-rapsodie-vir-n-nuwe-wereld\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Resensie: Rapsodie vir \u2019n nuwe w\u00eareld - 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