{"id":106175,"date":"2026-10-08T09:39:57","date_gmt":"2026-10-08T07:39:57","guid":{"rendered":"https:\/\/woordfees.co.za\/uncategorized\/resensie-the-second-coming\/"},"modified":"2026-10-08T09:56:09","modified_gmt":"2026-10-08T07:56:09","slug":"resensie-the-second-coming","status":"publish","type":"post","link":"https:\/\/woordfees.co.za\/en\/ink-feeskoerant-2026\/resensie-the-second-coming\/","title":{"rendered":"Resensie: The Second Coming"},"content":{"rendered":"\t\t
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SPIER TONEEL: FRINGE<\/h6>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Hier ry die duiwel jou bloots<\/span><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Produksie: The Second Coming<\/strong>Skrywer: Marina Griebenow<\/strong>Foto\u2019s: Nardus Engelbrecht<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Die studentestuk The Second Coming<\/em> is \u2019n satire in die styl van Monty Python met heelwat onhebbelikhede, erg gekruide taal en kras verwysings na en aannames oor God. Maar die studente geniet hulleself mateloos met die vertolking van die verskillende scenario\u2019s wat afspeel en hul jare lange vriendskap manifesteer in goeie ensemblespel en juiste tydsberekening, skryf Marina Griebenow<\/strong><\/span>. <\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Ses vreemdelinge skuil in \u2019n bouvallige klooster. Die omgewing moet jy jou verbeel, want die verhoog is gestroop, behalwe vir \u2019n lang rooi lap oor die lengte van die vloer. Di\u00e9 klomp is tans algeheel ontgogel en verward. Waarom? Want die wegraping het toe plaasgevind, maar hulle is agtergelaat. (Ek moet erken ek het vir \u2019n oomblik gewonder of dit toe wel in September 2025 gebeur het soos die stomme Danie Botha voorspel het.) <\/p>

The Second Coming<\/em> is \u2019n satire in die styl van Monty Python. Net soos in The Life of Brian<\/em> bevat di\u00e9 donker komedie ook heelwat onhebbelikhede, erg gekruide taal en kras verwysings na en aannames oor God. Die stuk is in 2025 deur \u2019n groep vrydenkende en kreatiewe Matie-dramastudente in hulle finale jaar ontwikkel as deel van hul jaareindprojek. Almal het saam aan die ontwikkeling van die konsep gewerk, maar Mateo Komlosy en Kimi de Beer het die knap teks geskryf, terwyl Matthew Gray en Kimi die regie behartig het. <\/p>

En eie aan studente gebruik hulle die kans om \u2019n paar gewaagde en omstrede temas en argumente te ondersoek en grense te verskuif of selfs te laat verdwyn. Logika en wetenskap word gestel teenoor godsdiens en dogma, terwyl mag- en hebsug, ongebreidelde ambisie en ander menslike swakhede ook ondersoek word. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Die gehoor ontmoet eerste vir Ted Kowalski (Matthew Gray), \u2019n jong man wat vandat hy gebore is, wou doodgaan. Hy het vele kere selfdood probeer, maar nog altyd misluk, want Ted is nie \u2019n spanspeler nie. Hy is juis agtergelaat weens sy apatie en weiering om hulp te vra. Nou sit hy baie gefrustreerd eenkant in \u2019n rolstoel met sy voete en hande met toue vasgemaak. <\/p>

Skielik verskyn daar meer mense en dit blyk dat ons onsself bevind in die Kerk van die Gelouterdes, waar \u2019n huwelik gaan plaasvind. Aan die hoof van di\u00e9 kerk is Pous Innocentius (Mateo Komlosy). Pous Innocentius was \u2019n maatskappyhoof voor die wegraping. Hy is agtergelaat oor sy selfsug en uitbuiting van mense. Hy objektifiseer vroue, lieg maklik, ly aan grootheidswaan en is van nature hedonisties. In sy waan glo hy hy het die mag om die verdoemde siele wat agtergelaat is te red. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Eie aan studente gebruik hulle die kans om \u2019n paar gewaagde en omstrede temas en argumente te ondersoek en grense te verskuif of selfs te laat verdwyn. Logika en wetenskap word gestel teenoor godsdiens en dogma, terwyl mag- en hebsug, ongebreidelde ambisie en ander menslike swakhede ook ondersoek word. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Die voornemende egpaar is Richard Dumbuza (Lutho Ndyalvane) en Susanna Magdalene Magriet van der Merwe (Kimi de Beer). Richard is \u2019n Pan-Afrikanis wat op ho\u00ebrskool reeds sy volle potensiaal bereik het. Hy soek sy lewe lank na die perfekte godvresende vrou, want hy kan nie wag om \u201cbouncing babies\u201d te h\u00ea nie. Richard is nog hier oor sy skynheiligheid en vinnige humeur. <\/p>

Susan is \u2019n Afrikanermeisie wat in \u2019n ate\u00efstiese huis grootgeword het, raar maar waar. Sy ontdek eers later godsdiens en hoe om dit te misbruik. Hoewel sy voor die wegraping \u2019n Metodis was, wil sy die Pous word sodat die nuwe w\u00eareld deur vroulike mag beheer sal word. Sy deel nie noodwendig Richard se versugting na kinders nie. Sy wil bloot fornikeer. Susan is uiteindelik agtergelaat vanwe\u00eb haar hoogmoed en ambisie. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Die ander twee karakters is Ashe-Leighe Payge (Taylor Ackermann) en Jan Burger (Kgahlisho Matloga). Ash-Leighe is \u2019n oortuigde ate\u00efs en glo onwrikbaar in die oppergesag van die wetenskap en logika. Sy is oor haar ate\u00efsme agtergelaat, maar sy is ook die een wat bereid is om Pous Innocentius se boeliegedrag te opponeer. Terloops, Taylor het ook die ontwerp vir die produksie behartig. Op sy beurt is Jan deur wit ouers aangeneem en grootgemaak. Hy glo hy is vir \u2019n goddelike doel op aarde geplaas, maar hy is ook senuagtig van aard en \u2019n naprater. Hy is eintlik agtergelaat omdat hy slegs gerieflikheidshalwe in God geglo het. <\/p>

Pous Innocentius se kerk het nie veel re\u00ebls nie. Die enigste is eintlik dat niemand die kloosterdeur mag oopmaak nie \u2013 nie vir enigeen nie. Op di\u00e9 dag, net voor die huwelik tussen Susan en Richard voltrek kan word, is daar \u2019n klop aan die deur. Pous Innocentius oortuig sy kerkgenote di\u00e9 klop moet tog maar beantwoord word en hy gaan deur toe. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Teen die tyd dat Rue al haar saadjies gesaai het, is die \u2018body count\u2019 so hoog soos di\u00e9 van die Trojaanse oorlog. Hoe almal hulle Heiland ontmoet, is natuurlik \u2019n interessante aspek van The Second Coming<\/em>, maar \u2019n mens kan dit nie sommerso verklap nie. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Sommer vanuit die staanspoor saai di\u00e9 klein boosaard haar saadjies wat dan \u2018n invloed het op die oorspronklike ses spelers se eienskappe wat hulle van die wegraping weerhou het. Die uiteinde is noodlottig vir die meeste van hulle. Teen die tyd dat Rue al haar saadjies gesaai het, is die \u201cbody count\u201d so hoog soos di\u00e9 van die Trojaanse oorlog. Hoe almal hulle Heiland ontmoet, is natuurlik \u2019n interessante aspek van The Second Coming<\/em>, maar \u2019n mens kan dit nie sommerso verklap nie.<\/p>

Die studente geniet hulself mateloos met die vertolking van die verskillende scenario\u2019s wat afspeel en hul jare lange vriendskap manifesteer in goeie ensemblespel en juiste tydsberekening. Die jonger mense in die gehoor het hoorbaar die humor geniet, terwyl die ouer mense se reaksie effe meer gedemp was, waarskynlik omdat hulle aanvanklik geskrik het vir die gewaagdheid van die inhoud. <\/p>

Natuurlik kan die produksie baat by groter produksiewaardes, maar dis \u2019n studentestuk wat op die Woordfees se Fringe speel. Volgende keer kom hulle groter en selfs beter terug, want daar is duidelik \u2019n oormaat talent en genoeg entoesiasme en ywer om \u2019n groot musiekblyspel op die planke te kry. Op \u2019n persoonlike noot: Ek hoop Mateo en Kimi wy hulle daaraan toe om nog nuwe toneelstukke te skryf, want hulle teks is vermaaklik, slim en toneelmatig. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Die speelvak van <\/em>The Second Coming<\/strong> is voltooi.<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

<\/i> Marina Griebenow<\/p>\n","protected":false},"author":3799,"featured_media":106174,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[613,819,824],"tags":[817],"class_list":["post-106175","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-spier-theatre","category-ink-feeskoerant-2026","category-fringe","tag-woordfees-2026"],"yoast_head":"\nResensie: The Second Coming - Toyota Stellenbosch Woordfees<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/woordfees.co.za\/en\/ink-feeskoerant-2026\/resensie-the-second-coming\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Resensie: The Second Coming - Toyota Stellenbosch Woordfees\" \/>\n<meta property=\"og:description\" content=\"Marina Griebenow\" \/>\n<meta property=\"og:url\" content=\"https:\/\/woordfees.co.za\/en\/ink-feeskoerant-2026\/resensie-the-second-coming\/\" \/>\n<meta property=\"og:site_name\" content=\"Toyota Stellenbosch Woordfees\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/woordfees\/\" \/>\n<meta property=\"article:published_time\" content=\"2026-10-08T07:39:57+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-10-08T07:56:09+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/woordfees.co.za\/wp-content\/uploads\/2026\/10\/INK-banner72.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2400\" \/>\n\t<meta property=\"og:image:height\" content=\"1200\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"INK Redaksie\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@Woordfees\" \/>\n<meta name=\"twitter:site\" content=\"@Woordfees\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"INK Redaksie\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-the-second-coming\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-the-second-coming\\\/\"},\"author\":{\"name\":\"INK Redaksie\",\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/#\\\/schema\\\/person\\\/4fa89144f1f64e8103a71de1d4d44c47\"},\"headline\":\"Resensie: The Second Coming\",\"datePublished\":\"2026-10-08T07:39:57+00:00\",\"dateModified\":\"2026-10-08T07:56:09+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-the-second-coming\\\/\"},\"wordCount\":1072,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-the-second-coming\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/woordfees.co.za\\\/wp-content\\\/uploads\\\/2026\\\/10\\\/INK-banner72.jpg\",\"keywords\":[\"Woordfees 2026\"],\"articleSection\":[\"Spier Theatre\",\"INK Feeskoerant 2026\",\"Fringe\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-the-second-coming\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-the-second-coming\\\/\",\"url\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-the-second-coming\\\/\",\"name\":\"Resensie: The Second Coming - 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