{"id":106362,"date":"2026-10-08T15:26:01","date_gmt":"2026-10-08T13:26:01","guid":{"rendered":"https:\/\/woordfees.co.za\/uncategorized\/resensie-vlindervry\/"},"modified":"2026-10-08T16:18:08","modified_gmt":"2026-10-08T14:18:08","slug":"resensie-vlindervry","status":"publish","type":"post","link":"https:\/\/woordfees.co.za\/en\/ink-feeskoerant-2026\/resensie-vlindervry\/","title":{"rendered":"Resensie: Vlindervry"},"content":{"rendered":"\t\t
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SPIER THEATRE<\/h6>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\u2018Vlindervry\u2019 sien eerder menslikheid as gestremdheid<\/span><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Produksie: Vlindervry<\/strong>
Deur: Marina Griebenow<\/strong>
Foto\u2019s: Nardus Engelbrecht<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u2019n Wen-ensemble akteurs onder aanvoering van die regisseur Wessel Pretorius, wat Leonard Gershe se Butterflies are Free<\/em> vertaal en na die Kaap verplaas het, laat Marina Griebenow<\/strong><\/span> vermoed Vlindervry<\/em> gaan nog \u2019n hele paar draaie gooi by feeste en hopelik dalk selfs in die hoofstroomteaters.<\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\u2019n Mens wonder aanvanklik waarom die vervaardigers van Vlindervry<\/em> sou kies om in die hededaagse milieu so \u2019n ou Amerikaanse toneelstuk aan te pak. Dis nie asof dit Tennessee Williams of Sam Shepard is nie. <\/p>

Dalk het hulle daarop besluit omdat Butterflies are Free<\/em> deur Leonard Gershe gedurende sy speelvak op Broadway \u2019n reuse-sukses was met meer as \u2019n duisend opvoerings en \u2019n Tony-toekenning vir Blythe Danner. In 1972 word dit in \u2019n rolprent omskep wat ook verskeie toekennings gewen het en kon spog met \u2019n jong Goldie Hawn in die rol van die borrelende blondine wat \u2019n blinde jong man se w\u00eareld op sy kop keer. Terloops, daar was darem \u2019n Suid-Afrikaanse bydrae ook tot die sukses van die fliek. Die gelyknamige treffer-temalied van die fliek is gekomponeer deur die 21-jarige Suid-Afrikaner Stephen Schwarz, wat later groot bekendheid sou verwerf met sy komposisies vir blyspele soos Godspell<\/em>, Pippin<\/em> en Wicked<\/em>. <\/p>

Wat hulle egter nie gehad het nie, was die plaaslike vervaardigers van Vlindervry<\/em> se geheime wapen: Wessel Pretorius op sy allerbeste. Benewens sy vaardigheid as akteur ken ons Wessel vir sy puik skryf- en vertaalvermo\u00eb en natuurlik sy effe sardoniese dog vlymskerp humorsin. Boonop is hy \u2019n ervare en toegewyde regisseur met puik instinkte, so dis nie verbasend dat hy sommer gevra is om di\u00e9 projek in daardie hoedanigheid ook te behartig nie. <\/p>

Wessel vertaal Butterflies are Free<\/em> as Vlindervry<\/em> en verplaas die gebeure van Greenwich Village in New York (San Francisco in die rolprent) na Observatory in Kaapstad en herdoop terselfdertyd die karakters. S\u00f3 \u2019n verplasing beteken natuurlik ook veranderings aan kulturele aanwysers en gebeure en gepaardgaande verwysings daarna. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u2019n Mens kan jou seker verstout om te s\u00ea dat Butterflies are Free<\/em> nou, meer as 50 jaar later, waarskynlik al verouderd sou gewees het. Al moes Wessel dus die stuk aan sy ore die 21ste eeu binnesleep, kan dit net iets goeds inhou. Die onderbou van die stuk is sterk en die verplasing sal dus die stuk komplementeer eerder as om dit te verswak. <\/p>

Net kortliks die storie: Daan Bekker (Heinrich Wentzel) is \u2019n 19 jaar oue blinde jong man wat daarna smag om hom van sy ma se rokspante los te maak en \u2019n sanger en liedjieskrywer te word. Sy helikopter-ma, Frieda Bekker (Cindy Swanepoel), het egter ander planne. Uit vrees, maar met goeie bedoelings, klou sy aan haar seun. Hulle kom uiteindelik ooreen dat hy vir \u2019n proeftydperk in sy eie woonstel kan gaan bly. Daar maak hy kennis met sy vrypostige blonde buurvrou, die aspirant-aktrise Griet Marais (Jeanne-Mari\u00e9 Koekemoer), en raak halsoorkop verlief. Dinge lyk rooskleurig tot sy ma ongenooid opdaag en \u2019n rolprentvervaardiger met Harvey Weinstein-maniertjies, Roelf Aucamp (Geon Nel), dreig om dinge te laat skipbreuk ly. <\/p>

Die vryheid wat in die titel ter sprake is, verwys nie net na Daan se strewe na onafhanklikheid nie, hoewel daar vir hom meer op die spel is as vir die ander karakters. Hy moet homself bevry van sy ma se goedbedoelde dog versmorende liefde en hom vestig as \u2019n volwassene wat self die aard en rigting van sy lewe bepaal. Sy drome om \u2019n musikant te word is immers op die spel. Dit sal natuurlik help as sy ma ophou om hom \u201cDaantjie\u201d te noem. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Wessel se vertaling is propvol kwinkslae, slim grappies en woordspelings soos net hy kan doen, so jy sit deurgaans in die donker met \u2019n grinnik op jou gesig. Teen die afloop van die stuk was die kameraderie in die gehoorsaal en die gevoel van genoegdoening amper tasbaar en so heerlik om te ervaar. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Griet moet haar verbintenisangs oor langdurige verhoudings oorkom; nie net romantiese verhoudings nie, maar ook met plekke en mense. Haar ma se reeks kortstondige huwelike help natuurlik nie juis om haar enigsins emosioneel geborge te laat voel nie. Frieda word weer gekniehalter deur haar vrees dat haar seun nie alleen die mas sal opkom nie. \u2019n Mens kan seker ook saggies iets noem omtrent haar kiemfobie en oordadige gebruik van handsanitasiemiddel. <\/p>

Hoewel al di\u00e9 kwessies ernstig klink, en natuurlik is, vra Vlindervry<\/em> ons geensins om te wroeg en as op ons kop te strooi nie. Die menslikheid van die karakters is bloot ter sprake en wek dus by ons empatie. Die dramaturg se benadering tot Daan se blindheid is verfrissend, want hy word nie uitgebeeld as \u2019n slagoffer of iemand wat simpatie soek nie. Hoekom wonder mense dus eerder of \u2019n gestremde persoon oor die weg sal kom pleks daarvan om te aanvaar dat daardie persoon die situasie sal kan behartig en sal aandui as hy of sy nie kan nie? Di\u00e9 ingesteldheid maak \u2019n w\u00eareld se verskil en verskuif die fokus na iemand se menslikheid pleks van hulle gestremdheid. <\/p>

Wessel se vertaling is propvol kwinkslae, slim grappies en woordspelings soos net hy kan doen, so jy sit deurgaans in die donker met \u2019n grinnik op jou gesig. Teen die afloop van die stuk was die kameraderie in die gehoorsaal en die gevoel van genoegdoening amper tasbaar en so heerlik om te ervaar. Ek wou amper net daar bly sit, want dit het gevoel of ek so pas \u2019n fliek met \u2019n gelukkige einde uit die jare sewentig of tagtig gekyk het. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Hoe praat \u2019n mens oor die akteurs? Hulle is in alle opsigte \u2019n wen-ensemble. \u2018n Mens weet dat al vier akteurs nie net die verhoog met groot vaardigheid beheers nie, maar ook ander mediums soos film en televisie. <\/p>

Cindy is uitstekend as die perfekte, sindelike Durbanville-ma wat haar doodgril vir haar seun se Observatory-woonstel, maar later subtiel en verrassend toelaat dat haar onderrok \u2019n bietjie uithang. Haar tydsberekening met die oorgang is subtiel maar oortuigend. Geon is \u2019n regte verkleurmannetjie. Hier speel hy \u2019n glibberige \u201ckunsrolprent\u201d-regisseur so skitterend dat jou hande jeuk om sy knaters te knoop sodat hy jong aktrises sal uitlos. Net \u2019n uur of twee later is hy koninklik as Agamemnon in die klassieke stuk Atropa<\/em>. Ons is inderdaad bevoorreg om sulke akteurs te h\u00ea. Die twee jong akteurs is baie indrukwekkend en jy weet sommer jy gaan in die toekoms nog baie van hulle sien. Jean-Mari\u00e9 speel haar karakter met panache,<\/em> soos \u2019n bottel goeie Prosecco waarvan die prop net-net wil afskiet. Sy sorg konsekwent dat Griet se lewenslus en sorgvrye benadering tot die lewe onweerstaanbaar bly, natuurlik met \u2019n kwesbare hart onder al die \u201cvonkel\u201d. Heinrich vertolk sy rolle altyd met \u2019n kwesbaarheid wat aandoenlik is. Ek weet daar is diegene wat met my sal saamstem dat hulle nes ek sal kies om \u2019n televisiereeks te kyk as ons Heinrich in die rolverdeling sien. In hierdie geval slaag hy 100% daarin om Daan se vasberadenheid om sy lewe te laat tel oor te dra en wys hy verstaan wat van hom geverg word in die hoofrol. <\/p>

Iemand wat meer sinies is, sal dalk meen Vlindervry<\/em> is effe schmaltzy<\/em>, maar as akteurs dit regkry om \u2019n gehoor te laat omgee oor gewone mense se doen en late, het hulle hulle goed van hul taak gekwyt.<\/p>

Ek vermoed Vlindervry<\/em> gaan nog \u2019n hele paar draaie gooi by feeste en hopelik dalk selfs in die hoofstroomteaters. Net een wenk, as ek mag: Oorweeg dalk om \u2019n bietjie meer aan die stel te bestee. Daan se bed was \u2019n oorspronklike en interessante toevoeging, so ook die eetkamertafel, maar die mankoliekerige deure het my senuwees aan \u2019n draad laat hang. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Vlindervry<\/strong><\/a>
9 OKT 19:30 | 10 OKT 13:00 | 11 OKT 13:00
kykNET Idasvallei Prim\u00ear
R250-R320 | R280-R350 by die deur
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<\/i> Marina Griebenow<\/p>\n","protected":false},"author":3799,"featured_media":106361,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[613,819,824],"tags":[817],"class_list":["post-106362","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-spier-theatre","category-ink-feeskoerant-2026","category-fringe","tag-woordfees-2026"],"yoast_head":"\nResensie: Vlindervry - Toyota Stellenbosch Woordfees<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/woordfees.co.za\/en\/ink-feeskoerant-2026\/resensie-vlindervry\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Resensie: Vlindervry - Toyota Stellenbosch Woordfees\" \/>\n<meta property=\"og:description\" content=\"Marina Griebenow\" \/>\n<meta property=\"og:url\" content=\"https:\/\/woordfees.co.za\/en\/ink-feeskoerant-2026\/resensie-vlindervry\/\" \/>\n<meta property=\"og:site_name\" content=\"Toyota Stellenbosch Woordfees\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/woordfees\/\" \/>\n<meta property=\"article:published_time\" content=\"2026-10-08T13:26:01+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-10-08T14:18:08+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/woordfees.co.za\/wp-content\/uploads\/2026\/10\/INK-banner79.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2400\" \/>\n\t<meta property=\"og:image:height\" content=\"1200\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"INK Redaksie\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@Woordfees\" \/>\n<meta name=\"twitter:site\" content=\"@Woordfees\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"INK Redaksie\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"6 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-vlindervry\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-vlindervry\\\/\"},\"author\":{\"name\":\"INK Redaksie\",\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/#\\\/schema\\\/person\\\/4fa89144f1f64e8103a71de1d4d44c47\"},\"headline\":\"Resensie: Vlindervry\",\"datePublished\":\"2026-10-08T13:26:01+00:00\",\"dateModified\":\"2026-10-08T14:18:08+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-vlindervry\\\/\"},\"wordCount\":1303,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-vlindervry\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/woordfees.co.za\\\/wp-content\\\/uploads\\\/2026\\\/10\\\/INK-banner79.jpg\",\"keywords\":[\"Woordfees 2026\"],\"articleSection\":[\"Spier Theatre\",\"INK Feeskoerant 2026\",\"Fringe\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-vlindervry\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-vlindervry\\\/\",\"url\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-vlindervry\\\/\",\"name\":\"Resensie: Vlindervry - 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