{"id":106592,"date":"2026-10-08T21:53:18","date_gmt":"2026-10-08T19:53:18","guid":{"rendered":"https:\/\/woordfees.co.za\/uncategorized\/onderhoud-jason-jacobs\/"},"modified":"2026-10-09T11:24:49","modified_gmt":"2026-10-09T09:24:49","slug":"onderhoud-jason-jacobs","status":"publish","type":"post","link":"https:\/\/woordfees.co.za\/en\/ink-feeskoerant-2026\/onderhoud-jason-jacobs\/","title":{"rendered":"Onderhoud: Jason Jacobs"},"content":{"rendered":"\t\t
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SPIER THEATRE<\/h6>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Om te xham aan jou drome<\/span><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Produksie: I Lord Hamlet<\/strong>
Deur: Dianne Albertze<\/strong>
Foto’s: Nardus Engelbrecht<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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In I Lord Hamlet <\/em>word Shakespeare deur \u2019n Kaapse en Namakwalandse lens herverbeel in \u2019n produksie vol drome, dialekte, donkerte en geestelike krag, skryf Dianne Albertze<\/strong><\/span>.<\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Die gebed van sy voorouers<\/strong><\/p>

\u201cAs kind het ek nie besef dat die drome waarna ek ontsnap het, my eendag sou red nie,\u201d het Jason Jacobs ges\u00ea in sy toespraak toe hy onlangs die Deleen Bekkerprys van die Akademie vir Wetenskap en Kuns vir Beste Afrikaanse Draaiboek, Carissa,<\/em> met sy medeskrywer Devon Delmar ontvang het.<\/p>

Hy en Devon se nuuste rolprent, Variations on a Theme,<\/em> is ook gekies as vanjaar se Suid-Afrikaanse inskrywing vir die Oscars. En al het Jason al verskeie pryse vir sy teater- en filmwerk oor die jare ontvang, is hierrie veral \u2019n groot mylpaal. Nie net vir hom nie, maar ook vir die hele gemeenskap van Kharkams in Namakwaland (Noord-Kaap), wat saam met tannie Hettie Farmer in die film speel. Boonop is dit Jason se komvandaan en waar hy deesdae gesetel is. <\/p>

Die grond en die stilte daar praat met hom.<\/p>

Ek en Jason stap deur die dorp soos ons praat. Eers kry ons mekaar n\u00e1 die opening van I Lord Hamlet, <\/em>wat vanjaar by die Toyota Stellenbosch Woordfees gedebuteer het en waarvan hy die regie behartig. Daarna klets ons weer oor \u2019n pot swart tee by Bootleggers, en laastens aan\u2019t elsie geselsie met \u2019n dora in die hand. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Jason vertel dat sy huis in Kharkams se mure vol geraamde gedigte van sy oorlede pa, Anthony, is. \u2019n Manier van nog x!kam (vashou) aan sy nagedagtenis.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Jason vertel dat sy huis in Kharkams se mure vol geraamde gedigte van sy oorlede pa, Anthony, is. \u2019n Manier van nog x!kam (vashou) aan sy nagedagtenis.<\/p>

\u201cVoor sy afsterwe het hy ges\u00ea dat die vierde generasie se gebede beantwoord is,\u201d s\u00ea Jason en gooi die sandbruin serp oor sy skouer. Stylvol uitgevat in \u2019n wit-en-blou strepieshemp en swart romp. <\/p>

Kraal<\/em>, wat in 2022 Beste Debuutteks by die Woordtrofees ontvang het, was sy pa se eerste professionele produksie. Jason het gespeel en sy pa het die musiek behartig. Hy loer met \u2019n glimlag na die oop kol op die bank langs hom, asof sy pappa dalk nou langs hom sit. <\/p>

Jason vertel my van die troues en events in die gemeenskap waarby sy pa altyd klavier en kitaar sou speel. Maar sy droom was altyd om \u2019n voltydse musikant te word. <\/p>

\u201cMaar my pa kon nie daai tyd nie. Hy moes brood op die tafel sit.\u201d<\/p>

Dan kom daar \u2019n aanhanger na hom toe aangestap en wens hom met sy vele pryse geluk. Beskeie bedank hy die persoon. En kyk, met daai alsiende rivierbruin o\u00eb tot by die persoon se hart. Nes hy maak met almal met wie hy praat. Jason kyk verby die stof wat oor die alledaagse l\u00ea. Hy sien wie mense is, r\u00earig is, verby die mens se verweer. <\/p>

\u2019n Sterk wind steek op en waai oor ons. Akker- en groengoue blare wapper verby. <\/p>

Albei bewus van die ongesiene goed. Di\u00e9 van gees en grond. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Verskeie skakerings van Shakespeare<\/strong><\/p>

Ons haal diep asem voor ons verder gesels. Di\u00e9 keer oor Carlo Daniels se I Lord Hamlet<\/em>. <\/p>

Hulle wou werk skep op hul eie terme. Vry van konvensies en verwagtinge. <\/p>

Die kombinasie van Jason en Carlo is amper spiritueel. Die twee se kreatiewe stemme praat in \u2019n soortgelyke register. Hamlet word deels na die Cape Flats verplaas. \u2019n Kaapse Hamlet met \u2019n gun in die broek en \u2019n ketting om die nek. Hy het \u2019n kwiksilwer-humeur en psigotiese dagdrome. Maar dis nie al nie. Net een spleet is nie genoeg nie. Carlo en Jason verstaan dat verwerking, veral van \u2019n klassieke werk, in verskeie tongvalle kan weergalm. Veral met \u2019n liriese styl. En daar word verskeie skakerings van Shakespeare se tragic hero in digterstaal met \u2019n sterk dialek in die produksie opgewek. Die teks is gelaai met politieke kommentaar wat hap na die hakke van veral ongeregtigheid en rassisme in Kaapstad. Tot die gru-planne van \u2019n groot ysterworsgordynmuur langs die N2 word mee gespot. Eina parodie. <\/p>

Die produksie se stel is vol simboliek en metafore. \u2019n Leerbaadjie met moue soos \u2019n lyk op die vloer uitgesprei. Daai ou vet TV\u2019s met \u2019n gebroke verlede op die skerm. Dan weer \u2019n tweeplaatstoof wat eindeloos aan die kook bly en die gehoor in mis en stof bedek. <\/p>

Jannous Aukema lei die klankbaan, wat vol tekstuur en emosie is. \u2019n Spookagtige figuur wat in en uit die storie klim. Trek soms \u2019n doktersbaadjie aan en vergesel vir Hamlet in die krenkhospitaal. <\/p>

Met bystand van die choreograaf en danser Darion Adams word daar ook met beweging en mani\u00ebrismes vlymskerp tussen karakters onderskeid getref en boonop met herkenbare deernis voorgestel.<\/p>

En as jy Jason se werk ken, weet jy daar sal drome betrokke wees. Soms in xhoeroewolke gehul en ander kere trance-agtige beswymings van emosie. Alles van daai word in die produksie opgewek. Dis \u2019n stuk wat jou na die kerk van die onderbewuste vat. \u2019n Heilige ervaring vol mirrors en mirre. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Carlo en Jason verstaan dat verwerking, veral van \u2019n klassieke werk, in verskeie tongvalle kan weergalm. Veral met \u2019n liriese styl. En daar word verskeie skakerings van Shakespeare se tragic hero in digterstaal met \u2019n sterk dialek in die produksie opgewek. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Hollywood… Hier kom ek! <\/strong><\/p>

Jason groet amper elke tweede persoon soos ons deur Ryneveldstraat stap. Van die security guards, cleaners en karwagte. Iemand wat mense sien vir wie hulle is. Sonder \u2019n sif oor sy o\u0451, maar tog \u2019n helm oor die kop. \u2019n Diep geestelike mens. En hy bring sy aardse spiritualiteit na alles wat hy doen. Veral sy werk. <\/p>

Hy brei uit.<\/p>

\u201cBruin kunstenaars hoef nie in Westerse bokse te pas nie. Ons kan werk skep weg van colonial en apartheid-style,\u201d vertel hy, \u201cen vertrou op inheemse tegnologie. Jou binneste. Die oerstemme.\u201d<\/p>

Ek onthou toe ek die eerste keer vir Jason gesien het.<\/p>

Dit was in sy matriekjaar en hy het by my skool, die Ho\u0451rskool Namakwaland in Springbok, se toneelfees opgetree. Die stuk se naam was Broadway… Hier kom ek! <\/em>. Hy het \u2019n gay seun gespeel wat onder wrede homofobie in sy konserwatiewe gemeenskap moes deurloop. Klasmaats wat hom terg en later fisiek aanrand. Die laaste strooi was toe die brose karakter uit sy ouerhuis gesmyt word. <\/p>

Ek onthou dit nog soos gister.<\/p>

Hoe hy toe n\u00e1 baie jare met \u2019n Brazilian wig en blinkertjiesrok by sy ma se huis kom dans het. Hy het dit uiteindelik gemaak en selfaanvaarding gevind. Die karakter moes nes Jason sy drome volg, maak nie saak wat nie. <\/p>

N\u00e1 soveel jare het die Jason wat oorkant my sit, nog dieselfde gul, groot glimlag en glinster in die oog. En hy is nog nie op Broadway nie. Nog nie. Maar hy is dalk binnekort Hollywood toe op pad. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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I Lord Hamlet<\/strong><\/a>
9 OKT 18:30 | 11 OKT 13:30
HMS Bloemhof-skoolsaal
R195-R240 | R225-R270 by die deur
Geen o\/14<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

<\/i> Dianne Albertze <\/p>\n","protected":false},"author":3799,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[613,819,824],"tags":[817],"class_list":["post-106592","post","type-post","status-publish","format-standard","hentry","category-spier-theatre","category-ink-feeskoerant-2026","category-fringe","tag-woordfees-2026"],"yoast_head":"\nOnderhoud: Jason Jacobs - Toyota Stellenbosch Woordfees<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/woordfees.co.za\/en\/ink-feeskoerant-2026\/onderhoud-jason-jacobs\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Onderhoud: Jason Jacobs - Toyota Stellenbosch Woordfees\" \/>\n<meta property=\"og:description\" content=\"Dianne Albertze\" \/>\n<meta property=\"og:url\" content=\"https:\/\/woordfees.co.za\/en\/ink-feeskoerant-2026\/onderhoud-jason-jacobs\/\" \/>\n<meta property=\"og:site_name\" content=\"Toyota Stellenbosch Woordfees\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/woordfees\/\" \/>\n<meta property=\"article:published_time\" content=\"2026-10-08T19:53:18+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-10-09T09:24:49+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/woordfees.co.za\/wp-content\/uploads\/2026\/10\/INK-banner85.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2400\" \/>\n\t<meta property=\"og:image:height\" content=\"1200\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"INK Redaksie\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@Woordfees\" \/>\n<meta name=\"twitter:site\" content=\"@Woordfees\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"INK Redaksie\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"6 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/onderhoud-jason-jacobs\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/onderhoud-jason-jacobs\\\/\"},\"author\":{\"name\":\"INK Redaksie\",\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/#\\\/schema\\\/person\\\/4fa89144f1f64e8103a71de1d4d44c47\"},\"headline\":\"Onderhoud: Jason Jacobs\",\"datePublished\":\"2026-10-08T19:53:18+00:00\",\"dateModified\":\"2026-10-09T09:24:49+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/onderhoud-jason-jacobs\\\/\"},\"wordCount\":1174,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/onderhoud-jason-jacobs\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/woordfees.co.za\\\/wp-content\\\/uploads\\\/2026\\\/10\\\/quote1-peach-150x150.png\",\"keywords\":[\"Woordfees 2026\"],\"articleSection\":[\"Spier Theatre\",\"INK Feeskoerant 2026\",\"Fringe\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/onderhoud-jason-jacobs\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/onderhoud-jason-jacobs\\\/\",\"url\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/onderhoud-jason-jacobs\\\/\",\"name\":\"Onderhoud: Jason Jacobs - 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