{"id":106702,"date":"2026-10-09T11:56:20","date_gmt":"2026-10-09T09:56:20","guid":{"rendered":"https:\/\/woordfees.co.za\/uncategorized\/resensie-prima\/"},"modified":"2026-10-09T14:36:09","modified_gmt":"2026-10-09T12:36:09","slug":"resensie-prima","status":"publish","type":"post","link":"https:\/\/woordfees.co.za\/en\/ink-feeskoerant-2026\/resensie-prima\/","title":{"rendered":"Resensie: Prima"},"content":{"rendered":"\t\t
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TOYOTA MUSIC FESTIVAL<\/h6>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Wen-vennootskappe is \u2018Prima\u2019<\/span><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Produksie: Prima<\/strong>
Deur: Marina Griebenow<\/strong>
Foto’s: Nardus Engelbrecht<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Met Ramon Alexander agter die klawers en \u2019n groep knap jazzmusikante wat hulle begelei, bring Dean Balie en Bianca Flanders \u2019n keur van die flambojante Siciliaans-Amerikaanse trompetspeler en jazzsanger Louis Prima se grootste treffers na die Drostdy-teater op Stellenbosch. Dit was waarlik prima, skryf Marina Griebenow<\/strong><\/span>, en die lang staande applous welverdiend. <\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Jy sal verskoon word as jy, soos ek, nie weet wie wyle Louis Prima was nie. Di\u00e9 flambojante en invloedryke Siciliaans-Amerikaanse trompetspeler en jazzsanger met \u2019n rasperstem soos growwe klippies was bekend vir sy energieke vertolkingstyl en uitbundige verhoogpersoonlikheid. <\/p>

Prima was min of meer \u2019n tydgenoot van Louis Armstrong en het as die Italiaanse Satchmo bekend gestaan. Albei was toevallig boorlinge van New Orleans, die jazz-hoofstad van Amerika, en oor verskeie dekades heen het hulle hul merkwaardige loopbane gevestig met groot invloed oor die genres en projekte waarby hulle betrokke was. <\/p>

Prima was onbeskaamd Italiaans in \u2019n tyd toe diskriminasie teen swart mense ook sommer die Italianers ingesluit het. Trouens, hy was baie aspris en sou homself sommer m\u00e9\u00e9r Italiaans gehou het net om die bevooroordeeldes te irriteer. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Almal is huis toe met \u2019n swaai van die heup en \u2019n lied in die hart. Dit was onpretensieuse, hoogs onderhoudende en Prima-gehalte vermaak! <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Prima se mees belangwekkende vennootskappe was met sy vierde vrou, Keely Smith (en ja, daar was \u2019n vyfde een ook), en die saxofoonspeler Sam Butera. Prima en Smith se vertoning was gegrond op kontras \u2013 sy amper maniese, onstuitbare persona teenoor Smith se lakoniese gesofistikeerdheid. Hulle vertoning by die Sahara in Las Vegas, waar hulle soms tot vyf optredes per aand gedoen het, was die tipe teatrale nagklubvermaak wat later met die Rat Pack-era vereenselwig sou word. <\/p>

\u2019n Soortgelyke suksesvolle vennootskap, maar plaaslik, is ons eie Dean Balie en Bianca Flanders. Met Ramon Alexander agter die klawers en \u2019n groep knap jazzmusikante wat hulle begelei, bring Dean en Bianca \u2019n keur van Prima se grootste treffers na die Drostdy-teater hier op Stellenbosch. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Dean was veral in sy noppies dat Janine Neethling ingestem het om die musiekregisseurstoel in te neem, terwyl Melissa van der Spuy vir treffende verwerkings gesorg het wat Muneeb Hermans (trompet), Henco Bester (saxofoon), Sam Carelse (bastromboon), Shaun Johannes (basspeler), Annemie Nel (tromme) en Andr\u00e9 Terblanche (sanger) met groot vaardigheid en aansteeklike entoesiasme uitgevoer het. Dis mos eintlik die heerlikste aspek van so \u2019n jazzkonsert \u2013 die musikale gesprekke tussen die musikante en sangers. Die een-vir-jou en een-vir-my vind groot byval by die gehoor. <\/p>

Dean val weg met een van Prima se bekendste nommers, \u201cJust a Gigolo\u201d, wat dan oorgaan in \u201cSing, Sing, Sing\u201d, een van Prima se komposisies wat destyds \u2019n groot treffer vir die jazzklarinet-virtuoos Benny Goodman was. Sy Italiaanse nommers \u201cBuona Sera\u201d en \u201cChe la Luna\u201d is by ons welbekend \u2013 wag net tot jy die eerste note hoor \u2013 asook romantiese liedere soos \u201cEmbraceable You\u201d en \u201cI\u2019ve Got You under My Skin\u201d. Dean se veelsydigheid as sanger en sy onderhoudende en gemaklike geselsies met die gehoor is sy grootste bates, hoewel sy stem met die verruklike timbre en sy natuurlike ritme \u2019n reuse-pluspunt is. Dieselfde geld vir Bianca. <\/p>

My gunstelingnommer was \u201cNitey Nite\u201d, \u2019n slaapliedjie wat Bianca passievol en beeldskoon vertolk het. Dit was regtig die mees geskikte manier waarop sy haar wye register en soet boonste tone kon tentoonstel. Sy vertel hoe sy gesukkel het om \u2019n geskikte slaapliedjie te kry vir hulle kleuter, Manu, tot Dean \u201cNitey Nite\u201d voorgestel het. Dit werk glo klokslag. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Dis mos eintlik die heerlikste aspek van so \u2019n jazzkonsert \u2013 die musikale gesprekke tussen die musikante en sangers.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Die komiese hoogtepunt was gewis die Disney-lied \u201cI Wan\u2019na Be like You\u201d (The Monkey Song) wat Prima destyds opgeneem het vir die stem van die karakter King Louie in The Jungle Book <\/em>nadat Disney hom persoonlik genader het. Dean en sy \u201cbroer\u201d, Andr\u00e9 Terblanche, het hulle gate uit geniet met di\u00e9 nommer, om nie eens te praat van die gehoor nie. <\/p>

Die einde het veels te gou aangebreek, maar n\u00e1 \u2019n lang staande applous en \u2019n vermaning van Dean om tog in die oomblik te leef, sluit hulle af met \u201cEnjoy Yourself\u201d. Vir die gehoor sou laasgenoemde net \u2019n voortsetting wees van wat hulle die afgelope uur gedoen het. Almal is huis toe met \u2019n swaai van die heup en \u2019n lied in die hart. Dit was onpretensieuse, hoogs onderhoudende en Prima-gehalte vermaak! <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Prima<\/strong><\/a>
10 OKT 17:00
Drostdy-teater
R165-R250 | R195-R280<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

<\/i> Marina Griebenow<\/p>\n","protected":false},"author":3799,"featured_media":106701,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[445,819,824],"tags":[817],"class_list":["post-106702","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-toyota-music-festival","category-ink-feeskoerant-2026","category-fringe","tag-woordfees-2026"],"yoast_head":"\nResensie: Prima - Toyota Stellenbosch Woordfees<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/woordfees.co.za\/en\/ink-feeskoerant-2026\/resensie-prima\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Resensie: Prima - Toyota Stellenbosch Woordfees\" \/>\n<meta property=\"og:description\" content=\"Marina Griebenow\" \/>\n<meta property=\"og:url\" content=\"https:\/\/woordfees.co.za\/en\/ink-feeskoerant-2026\/resensie-prima\/\" \/>\n<meta property=\"og:site_name\" content=\"Toyota Stellenbosch Woordfees\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/woordfees\/\" \/>\n<meta property=\"article:published_time\" content=\"2026-10-09T09:56:20+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-10-09T12:36:09+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/woordfees.co.za\/wp-content\/uploads\/2026\/10\/INK-banner89.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2400\" \/>\n\t<meta property=\"og:image:height\" content=\"1200\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"INK Redaksie\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@Woordfees\" \/>\n<meta name=\"twitter:site\" content=\"@Woordfees\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"INK Redaksie\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-prima\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-prima\\\/\"},\"author\":{\"name\":\"INK Redaksie\",\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/#\\\/schema\\\/person\\\/4fa89144f1f64e8103a71de1d4d44c47\"},\"headline\":\"Resensie: Prima\",\"datePublished\":\"2026-10-09T09:56:20+00:00\",\"dateModified\":\"2026-10-09T12:36:09+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-prima\\\/\"},\"wordCount\":749,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-prima\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/woordfees.co.za\\\/wp-content\\\/uploads\\\/2026\\\/10\\\/INK-banner89.jpg\",\"keywords\":[\"Woordfees 2026\"],\"articleSection\":[\"Toyota Music Festival\",\"INK Feeskoerant 2026\",\"Fringe\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-prima\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-prima\\\/\",\"url\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-prima\\\/\",\"name\":\"Resensie: Prima - 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