{"id":106717,"date":"2026-10-09T13:55:45","date_gmt":"2026-10-09T11:55:45","guid":{"rendered":"https:\/\/woordfees.co.za\/uncategorized\/resensie-crybaby\/"},"modified":"2026-10-09T14:34:06","modified_gmt":"2026-10-09T12:34:06","slug":"resensie-crybaby","status":"publish","type":"post","link":"https:\/\/woordfees.co.za\/en\/ink-feeskoerant-2026\/resensie-crybaby\/","title":{"rendered":"Resensie: Crybaby"},"content":{"rendered":"\t\t
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SPIER THEATRE<\/h6>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Die wip van grootword<\/span><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Produksie: Crybaby<\/strong>Deur: Steyn du Toit<\/strong>Foto\u2019s: Llewellyn de Wet, Jeremeo Le Cordeur, Hans van der Veen<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Wanneer het jy jou onskuld verloor? Dit is moeilik om jou Crybaby<\/em>, Carla Smith se debuut as teksskepper en regisseur,<\/em> voor te stel sonder Frank Opperman wat \u2019n ontnugterde vierjarige in \u2019n 65 jaar oue liggaam speel. Omdat sy karakter relatief min dialoog het, kry ons die kans om \u2019n meer weerlose weergawe van hierdie buitegewone akteur te sien, skryf Steyn du Toit<\/strong>. <\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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In een van die openingstonele van Orson Welles se briljante rolprent Citizen Kane<\/em> ontmoet ons \u2019n seuntjie wat met sy slee in die sneeu speel. Sy ouers is besig om \u2019n kontrak in die huis te onderteken. Hy weet dit nog nie, maar binne \u2019n paar oomblikke gaan hy sy kinderlike onskuld en bewondering vir die lewe permanent verloor. Vir die res van sy lewe gaan hy alles in sy vermo\u00eb doen om daardie oomblik weer te probeer vind. <\/p>

Ons almal ken di\u00e9 proses goed. Dit begin met klein oomblikke. Jy ontvang \u2019n geskenk van \u2019n Kersvader wat verdag baie soos jou een oom lyk. Later vind jy die rooi-en-wit pak oor \u2019n stoel op die agterstoep gegooi. \u2019n Paar jaar later slaap jy by \u2019n maatjie oor. Julle kyk lekker WWE tot sy pa laggend die volgende oggend vertel: \u201cWrestling is fake\u201d. Jy sal nooit weer \u2019n geveg tussen Stone Cold en The Undertaker kan kyk sonder om te sien hulle slaan mekaar nie regtig nie. Van daar af is dit die een ontnugtering na die ander, jaar in en jaar uit. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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As volwassenes het ons elkeen ons eie reeks ontnugteringe agter ons. Ons bestee gevolglik \u2019n groot deel van ons lewe daaraan om te probeer terugkeer na daardie plek van onskuld. Terselfdertyd eksperimenteer ons met maniere om te onsnap van die trauma van grootmens wees. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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As volwassenes het ons elkeen ons eie reeks ontnugteringe agter ons. Ons bestee gevolglik \u2019n groot deel van ons lewe daaraan om te probeer terugkeer na daardie plek van onskuld. Terselfdertyd eksperimenteer ons met maniere om te onsnap van die trauma van grootmens wees. Party van ons drink, ander gaan gym toe. Die res draai na die naaste kerk, sielkundige, yoga studio, spiritual retreat, nagklub, apteek, dwelmhandelaar of \u2019n ander mens se liggaam. <\/p>

In die geval van die vierjarige Samuel (Frank Opperman) se dagsorgjuffrou sien ons een van die meer moderne maniere van ontvlugting: doomscrolling. Met haar \u201coggendbroodjie\u201d in die een hand en haar foon in die ander sit en blaai sy van die een TikTok-dansgier tot die volgende idiotiese plataarde-video op YouTube. Sy kyk foto\u2019s van Gaza wat verwoes is op Twitter en lewer dan kommentaar op Facebook onder \u2019n video van Lizandrie wat gisteraand op Boer soek \u2019n vrou <\/em>huis toe gestuur is.<\/em> <\/em><\/p>

Juffrou besef egter nie Samuel staan agter haar en kyk nie. Dit is in hierdie oomblik dat hy sy eie Citizen Kane<\/em>-oomblik beleef. Die ontnugtering daarvan is so oorweldigend en swaar vir sy klein skouertjies dat hy \u2019n onmiddellike metamorfose ervaar. Eensklaps is hy fisiek ses dekades ouer aan die buitekant, maar die vierjarige Samuel sit steeds in die 65 jaar oue liggaam. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Dit is moeilik om di\u00e9 stuk te verbeel sonder Opperman, en die keuse van \u2019n ouer akteur wat \u2019n jonger een speel voel reg. Dit sou nie andersom werk nie \u2013 jy het daai lewenservaring, erns en deernis nodig wat Opperman tot die rol byvoeg. Omdat sy karakter relatief min dialoog het, kry ons die kans om \u2019n meer ingeperkte en weerlose weergawe van hierdie buitegewone akteur te sien. Hy laat jou lag terwyl hy kaalvoet op \u2019n Checkers-fietsie in \u2019n rugbybroekie en T-hempie ry. Sekondes later huil jy weer snot en trane wanneer hy as \u2019n gebroke vierjarige vir jou probeer vertel hoekom dit so seer is in hom. <\/p>

Carla Smith se teks en regie is vars en vol Paaseiertjies vir beide ouer en jonger gehore. By die vertoning wat ek bygewoon het, was die helfte van die gehoor leerders, en hulle reaksie was deel van wat hierdie ervaring so spesiaal gemaak het. Di\u00e9 van ons wat oud (en vinnig) genoeg is, kan ook lekker snorklag vir die klein stekies wat skuil tussen al die skynbare skoon woorde op die verhoog. Crybaby <\/em>is \u2019n toneelstuk wat gereeld vir die kyker knipoog. <\/p>

Net soos met Opperman is dit moeilik om aan hierdie produksie te dink sonder die teenwoordigheid van Nicole Holm. Saam met Wian Taljaard, Ren\u00e9 Cloete en Gantane Kusch speel sy \u2019n hele paar oordrewe karakters gedurende die ongeveer 80 minute. Elkeen is uiters kleurvol en ten volle ontwikkel. Ek het destyds al met Jan en Jorie <\/em>my hart op haar as aktrise verloor en van daar af het ek nog net waarde vir my geld ontvang. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Dit is moeilik om di\u00e9 stuk te verbeel sonder Opperman, en die keuse van \u2019n ouer akteur wat \u2019n jonger een speel, voel reg. Dit sou nie andersom werk nie \u2013 jy het daai lewenservaring, erns en deernis nodig wat Opperman byvoeg tot die rol. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u2019n Verdere aspek wat van Crybaby <\/em>\u2019n sukses maak, is Wolf Britz se ontwerp. Dit vang \u2019n mens amper omkant aan die begin. Kyk ons na \u2019n sitkom? Of \u2019n skoolopvoering? Omhels die ondervinding, en jy sal gou die slim strategie agter die kartondeure, afgerolde geverfde lappe in die agtergrond, en kostuums uit verskillende eras begin uitpluis. <\/p>

Net soos die rolprente en musiekvideo\u2019s van regisseurs soos Spike Jonze en Michel Gondry kry Britz hier iets reg wat radikaal eenvoudiger is as wat die meeste mense van \u2019n toneelstuk sou verwag. Selfs die beskikbare speelruimte voel kleiner. Daar is dus min plek vir die spelers om \u201cweg te kruip\u201d op die verhoog. Die spasie voel kwesbaar en intiem \u2013 selfs gedurende tonele wat meer oordrewe is. Die resultaat is \u2019n ervaring waar emosie amper tasbaar raak. <\/p>

Crybaby <\/em>eindig nie soseer met \u2019n antwoord vir wat als op die verhoog gebeur nie, en ook nie wat daarna met die karakters gebeur nie. Die kyker vind wel vir Samuel op \u2019n beter plek. Ons en die leerders in die gehoor staan op en klap bemoedigend vir hom hande. Hulle het self nog baie van sy eie Kersvaderpakke oor stoepstoele en \u201cwrestling is fake\u201d-oomblikke wat voorl\u00ea. Dalk sal hulle eendag, n\u00e1 die soveelste ontnugtering, aan Samuel terugdink. Crybaby <\/em>belowe hulle nie dat grootword makliker gaan wees nie \u2013 net dat daar altyd \u2019n pad terug is. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Crybaby<\/strong><\/a>9 OKT 15:00 | 10 OKT 16:30 & 19:30 | 11 OKT 10:00Open Window CampusLet op die ekstra vertoning op 10 Oktober om 16:30.<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

<\/i> Steyn du Toit<\/p>\n","protected":false},"author":3799,"featured_media":106716,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[613,819,824],"tags":[817],"class_list":["post-106717","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-spier-theatre","category-ink-feeskoerant-2026","category-fringe","tag-woordfees-2026"],"yoast_head":"\nResensie: Crybaby - Toyota Stellenbosch Woordfees<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/woordfees.co.za\/en\/ink-feeskoerant-2026\/resensie-crybaby\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Resensie: Crybaby - Toyota Stellenbosch Woordfees\" \/>\n<meta property=\"og:description\" content=\"Steyn du Toit\" \/>\n<meta property=\"og:url\" content=\"https:\/\/woordfees.co.za\/en\/ink-feeskoerant-2026\/resensie-crybaby\/\" \/>\n<meta property=\"og:site_name\" content=\"Toyota Stellenbosch Woordfees\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/woordfees\/\" \/>\n<meta property=\"article:published_time\" content=\"2026-10-09T11:55:45+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-10-09T12:34:06+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/woordfees.co.za\/wp-content\/uploads\/2026\/10\/INK-banner91.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2400\" \/>\n\t<meta property=\"og:image:height\" content=\"1200\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"INK Redaksie\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@Woordfees\" \/>\n<meta name=\"twitter:site\" content=\"@Woordfees\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"INK Redaksie\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-crybaby\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-crybaby\\\/\"},\"author\":{\"name\":\"INK Redaksie\",\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/#\\\/schema\\\/person\\\/4fa89144f1f64e8103a71de1d4d44c47\"},\"headline\":\"Resensie: Crybaby\",\"datePublished\":\"2026-10-09T11:55:45+00:00\",\"dateModified\":\"2026-10-09T12:34:06+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-crybaby\\\/\"},\"wordCount\":1090,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-crybaby\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/woordfees.co.za\\\/wp-content\\\/uploads\\\/2026\\\/10\\\/INK-banner91.jpg\",\"keywords\":[\"Woordfees 2026\"],\"articleSection\":[\"Spier Theatre\",\"INK Feeskoerant 2026\",\"Fringe\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-crybaby\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-crybaby\\\/\",\"url\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-crybaby\\\/\",\"name\":\"Resensie: Crybaby - 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