{"id":106952,"date":"2026-10-10T10:42:07","date_gmt":"2026-10-10T08:42:07","guid":{"rendered":"https:\/\/woordfees.co.za\/uncategorized\/review-our-bodies-remember\/"},"modified":"2026-10-10T11:18:44","modified_gmt":"2026-10-10T09:18:44","slug":"review-our-bodies-remember","status":"publish","type":"post","link":"https:\/\/woordfees.co.za\/en\/ink-feeskoerant-2026\/review-our-bodies-remember\/","title":{"rendered":"Review: Our Bodies Remember"},"content":{"rendered":"\t\t
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DANCE<\/h6>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Frenetic force meets quiet beauty<\/span><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Production: Our Bodies Remember<\/strong>
By: Gillian Mitchell<\/strong>
Photos: Provided<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Jazzart Dance Theatre\u2019s double bill Our Bodies Remember <\/em>pairs visceral energy with contemplative lyricism at the Adam Small Laboratory, writes Gillian Mitchell<\/strong><\/span>.<\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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The programme opens with Unveil<\/em>, choreographed by Chesney Stanfield and Emile Petersen, and is followed by Ancient Souls<\/em>, choreographed by Lihle Mfene.<\/p>

Unveil<\/em> is an energetic and often frenetic work in which the dancers seem to bombard the world around them with movement, as though stillness itself were something to be resisted. Veiled figures push, punch and shove their way through invisible boundaries, fighting to preserve momentum and ward off inertia. Giant mirrors reflect the dancers as they grapple to free themselves from the forces that bind them. The veils symbolise the many layers that shield us from seeing ourselves clearly. <\/p>

The dancers perform this work with dynamism, driven by an urgent need to keep moving, as though inertia itself were an enemy to be resisted. These are performers of considerable technical skill and extraordinary stamina. Throughout the work they continually raise the intensity of their movement, each phrase delivered with increasing force and urgency. Every muscle and sinew is enlisted in the task, propelling the body with precision and ever-mounting energy while negotiating the chains that bind and the gradual lifting of the veils that obscure. The effort is palpable. The power of the movement sequences enthrals, and it is impossible not to become caught up in the cascades of motion and emotion that sweep across the performance space. These bodies do not move because they can; they move because they must. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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In Ancient Souls<\/em> we are encouraged to imagine a realm between life and death, a liminal space in which souls gather bearing the memories, emotions and experiences of many lifetimes. This is, in many respects, a gentler work. While not without moments of intense physicality and demanding movement, it balances these with passages of quieter lyricism. The result is a work that allows space for reflection, inviting audiences to consider its questions rather than rush towards meaning. <\/p>

The Jazzart Dance Company is showcased magnificently in this double bill. The choreographers are members of Jazzart\u2019s Artistic Residency Programme, while all but two of the dancers have come through the company\u2019s acclaimed training programme. The result is a company that combines flawless technique with exceptional expressive ability. The young choreographers have embraced the opportunity with confidence, creating works of towering energy and drawing on movement languages that feel fresh and exciting, making the works compelling to watch. <\/p>

The standing ovation was richly earned.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Our Bodies Remember<\/strong><\/a>
11 Oct 13:00
Adam Small Laboratory
R180-R250 | R210-R280 at the door<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

<\/i> Gillian Mitchell<\/p>\n","protected":false},"author":3799,"featured_media":106951,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[444,819,824],"tags":[817],"class_list":["post-106952","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-dance-news","category-ink-feeskoerant-2026","category-fringe","tag-woordfees-2026"],"yoast_head":"\nReview: Our Bodies Remember - Toyota Stellenbosch Woordfees<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/woordfees.co.za\/en\/ink-feeskoerant-2026\/review-our-bodies-remember\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Review: Our Bodies Remember - Toyota Stellenbosch Woordfees\" \/>\n<meta property=\"og:description\" content=\"Gillian Mitchell\" \/>\n<meta property=\"og:url\" content=\"https:\/\/woordfees.co.za\/en\/ink-feeskoerant-2026\/review-our-bodies-remember\/\" \/>\n<meta property=\"og:site_name\" content=\"Toyota Stellenbosch Woordfees\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/woordfees\/\" \/>\n<meta property=\"article:published_time\" content=\"2026-10-10T08:42:07+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-10-10T09:18:44+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/woordfees.co.za\/wp-content\/uploads\/2026\/10\/INK-banner101.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2400\" \/>\n\t<meta property=\"og:image:height\" content=\"1200\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"INK Redaksie\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@Woordfees\" \/>\n<meta name=\"twitter:site\" content=\"@Woordfees\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"INK Redaksie\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/review-our-bodies-remember\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/review-our-bodies-remember\\\/\"},\"author\":{\"name\":\"INK Redaksie\",\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/#\\\/schema\\\/person\\\/4fa89144f1f64e8103a71de1d4d44c47\"},\"headline\":\"Review: Our Bodies Remember\",\"datePublished\":\"2026-10-10T08:42:07+00:00\",\"dateModified\":\"2026-10-10T09:18:44+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/review-our-bodies-remember\\\/\"},\"wordCount\":451,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/review-our-bodies-remember\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/woordfees.co.za\\\/wp-content\\\/uploads\\\/2026\\\/10\\\/INK-banner101.jpg\",\"keywords\":[\"Woordfees 2026\"],\"articleSection\":[\"Dance\",\"INK Feeskoerant 2026\",\"Fringe\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/review-our-bodies-remember\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/review-our-bodies-remember\\\/\",\"url\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/review-our-bodies-remember\\\/\",\"name\":\"Review: Our Bodies Remember - 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