{"id":107077,"date":"2026-10-10T13:40:23","date_gmt":"2026-10-10T11:40:23","guid":{"rendered":"https:\/\/woordfees.co.za\/uncategorized\/resensie-boesman-en-lena-2\/"},"modified":"2026-10-10T18:18:44","modified_gmt":"2026-10-10T16:18:44","slug":"resensie-boesman-en-lena-2","status":"publish","type":"post","link":"https:\/\/woordfees.co.za\/en\/ink-feeskoerant-2026\/resensie-boesman-en-lena-2\/","title":{"rendered":"Resensie: Boesman en Lena"},"content":{"rendered":"\t\t
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SPIER THEATRE<\/h6>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Boesman en Lena hou steeds die spie\u00ebl op \u2013 moenie wegkyk nie<\/span><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Produksie: Boesman en Lena<\/strong>
Deur: Jo-Ann Floris<\/strong>
Foto\u2019s: Jeremeo le Cordeur<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Athol Fugard se woorde van meer as \u2019n halfeeu gelede tref in 2026 nog net so hard \u2013 en in \u2019n stampvol saal herinner dit ons waarom sulke kragtige teater nodig is, skryf Jo-Ann Floris<\/strong><\/span>.<\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\u201cSenzeni na? Senzeni na?\u201d<\/p>

Die note van die politieke struggle-liedjie wat weerklink, vertel vanaand van \u2019n ander struggle. Of nee wag, dis tog oor die politiek dat hierdie twee siele, Boesman en Lena, met al hulle besittings, hulle hier op \u2019n plek met niks bevind by Swartkops se modderpanne. <\/p>

Senzeni na? What have we done? Wat het ons gedoen? <\/p>

As \u2019n mens eenkeer al jou lewe op jou kop gedra het, voel jy nooit weer lig nie, dink Lena (Veronique Jephtas) hardop.<\/p>

Sy is nie verkeerd nie. Net die oggend het die witman gekom en hulle pondok buite wat nou Gqeberha is, saam met die ander mense s\u2019n kom platstoot. Toe gryp hulle maar wat hulle kon en begin loop. <\/p>

Die twee loop saam, maar verwyt hang soos \u2019n kloof tussen hulle.<\/p>

Boesman (Brendon Daniels) los baie merke op Lena se lyf, maar syne leef op \u2019n gevaarliker plek. Dis in sy wese, waar dit broei en sweer en uitspeel in geweld en alkoholisme. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Boesman koggel Lena dat hy niks sal oorkom omdat hy haar papslaan nie. Ja, die boere lag mos as hy dit doen, skree Lena. Die poelieste glo hom as hy s\u00ea dis maar niks, hulle is mos saam. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Athol Fugard, een van Suid-Afrika se voorste dramaturge (hy is verlede jaar oorlede), het die stuk al in 1969 geskryf. In 2026, op \u2019n laatmiddag en in \u2019n stampvol saal, weerklink die storie nog kras en realisties. \u2019n Bose kringloop. <\/p>

Die nuusgebeure van die afgelope paar weke oor die lyke van minstens 10 vroue wat gevind is waar hulle vermoor en eenkant toe gesmyt is, is nog vars in die geheue. Die politici het vinnig ingespring en hulle \u201cskok en afgryse\u201d in een n\u00e1 die ander persverklaring uitbasuin. <\/p>

Die president het geweld teen vroue as \u2019n noodtoestand beskryf. Ongelukkig was daar \u2019n jaar tevore dieselfde hewige reaksie op geslagsgeweld, en toe bly dit net by woorde. <\/p>

Boesman koggel Lena dat hy niks sal oorkom omdat hy haar papslaan nie. Ja, die boere lag mos as hy dit doen, skree Lena. Die poelieste glo hom as hy s\u00ea dis maar niks, hulle is mos saam. <\/p>

Om en om draai die wiel van slagofferskap, want niemand word ontsien nie. \u201cOns is gemors-mense,\u201d beskryf Lena en later ook Boesman dit. Vullis wat die witman weggooi. <\/p>

Boesman word deur die politieke bestel gestroop van waardigheid, menslikheid en manlikheid, maar dan draai hy om en behandel Lena dieselfde. Jy kan vir hom kwaad wees en verwyt, maar net \u2019n klipharde hart kan van die kant af kyk en nie twee mense sien wat so platgeslaan is dat hulle nie meer plek het om die pyn te sit nie. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Dit help ook nie dat hulle nie met mekaar kan praat nie. Lena skel, Boesman slaan, maar oor die eintlike probleme word nie gepraat nie. As hulle nie meer met mekaar kan baklei nie, skel Lena tot vir die vo\u00ebls wat bo hulle vlieg, vervloek hulle dat hulle vry is om te vlieg. <\/p>

Uiteindelik kry Lena iemand met wie sy kan praat wanneer \u2019n ou swart man daar aangestrompel kom. Hulle kan mekaar nie verstaan nie, maar hy word Lena se toevlug, iemand met wie sy kan praat. En soos Boesman, antwoord Outa (Tshamano Sebe) haar nie, maar tog voel sy iemand luister na haar. <\/p>

\u201cSien Outa, sien Outa hoe het hy my gemoer?\u201d vertel sy vir die ou man. En toe sy haar kos met hom deel: \u201cBruinbrood. As dit bloukolle gehad het, was dit ek.\u201d <\/p>

Die dapper front met die trane altyd net so onder die oppervlak glip makliker met die ou man daar. \u201cJy is nog \u2019n paar o\u00eb Outa, om te sien wat hy aan my doen.\u201d <\/p>

Senzeni na? What have we done? <\/p>

\u2019n Mens moet begrip h\u00ea vir die konteks van die tyd waarin die stuk geskryf is, want die k-woord word vrylik gebruik. Boesman, self die slagoffer van \u2019n rassistiese afknouing, doen presies dieselfde aan Outa, maar in sy o\u00eb doen hy niks verkeerd nie, want die swart man is \u201cminder mens\u201d. <\/p>

Dis soos om met jou o\u00eb toe in \u2019n spie\u00ebl te kyk.<\/p>

Die skelname val hard op die oor, en \u2019n mens wil wegdeins, maar jy kan nie. Dit is nie net daar vir skokwaarde nie. Dit beeld \u2019n pynlike tyd in ons land se geskiedenis uit, en selfs nou sukkel ons nog om dit af te skud. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Die skelname val hard op die oor, en \u2019n mens wil wegdeins, maar jy kan nie. Dit is nie net daar vir skokwaarde nie. Dit beeld \u2019n pynlike tyd in ons land se geskiedenis uit, en selfs nou sukkel ons nog om dit af te skud. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Lena se krag kom na vore wanneer sy mag terugvat van Boesman n\u00e1 die dood van Outa. Skielik is hy die bang een, sy die een met die hef in die hand. Maar dit bring haar ook net so ver, want sy stap nie weg van die toksiese verhouding nie. <\/p>

Pak op, pak op. Korsten. Veeplaas. Bethelsdorp. Missionvale. Wie weet waar hulle gaan opeindig. <\/p>

Die stuk tref diep en dis \u2019n jammerte dat daar in die gehoor nie groter sensitiwiteit was met tonele nie. Daar was tye dat mense in die gehoor gelag het as Lena so vloek en skel en geslaan word. Ek dink hulle lag vir die gevloek, maar dan gaan die boodskap vir hulle verlore. Dis baie steurend as mense op onvanpaste tye lag \u2013 ek wil glo deur onkunde \u2013 veral met \u2019n stuk wat sulke pynlike en traumatiese gebeure weergee. <\/p>

Hier moet \u2019n mens ook die regisseur Christo Davids en vertaler Vinette Ebrahim op die skouer klop dat hulle die stuk sy waarde en geloofwaardigheid laat behou het, en nie probeer het om dit polities korrek te skaaf nie.<\/p>

Dit is \u2019n belangrike reis om te beleef as jy wil verstaan hoe ons land gekom het tot waar hy is, om begrip te kry van die sosio-maatskaplike uitdagings en om te waardeer dat ons nooit kan teruggaan na \u2019n vernietigende bestel nie. Nog belangriker, dat hierdie \u2019n wekroep is dat ons nie meer kan bekostig om weg te kyk van vergrype nie. <\/p>

Maar die oomblik behoort aan Jephtas, Daniels en Sebe vir \u2019n vertoning wat jou laat vergeet dat dit toneelspel is. Hierdie akteurs verdien die hoogste lof dat hulle \u2019n boodskap van meer as 50 jaar oud steeds relevant en eietyds kon oordra, met niks van die impak wat verlore gegaan het nie. Inteendeel. <\/p>

Spesiale vermelding vir Sebe, wat met skaars \u2019n woord te s\u00ea, net deur lyftaal en uitdrukkings op sy gesig \u2019n hele storie vertel.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Boesman en Lena<\/strong><\/a>
10 OKT 20:00 | 11 OKT 09:30
kykNET Idasvallei Prim\u00ear
R200-R290 | R230-R320 by die deur
Geen o\/14<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

<\/i> Jo-Ann Floris<\/p>\n","protected":false},"author":3799,"featured_media":107076,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[613,819,824],"tags":[817],"class_list":["post-107077","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-spier-theatre","category-ink-feeskoerant-2026","category-fringe","tag-woordfees-2026"],"yoast_head":"\nResensie: Boesman en Lena - Toyota Stellenbosch Woordfees<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/woordfees.co.za\/en\/ink-feeskoerant-2026\/resensie-boesman-en-lena-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Resensie: Boesman en Lena - Toyota Stellenbosch Woordfees\" \/>\n<meta property=\"og:description\" content=\"Jo-Ann Floris\" \/>\n<meta property=\"og:url\" content=\"https:\/\/woordfees.co.za\/en\/ink-feeskoerant-2026\/resensie-boesman-en-lena-2\/\" \/>\n<meta property=\"og:site_name\" content=\"Toyota Stellenbosch Woordfees\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/woordfees\/\" \/>\n<meta property=\"article:published_time\" content=\"2026-10-10T11:40:23+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-10-10T16:18:44+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/woordfees.co.za\/wp-content\/uploads\/2026\/10\/INK-banner103-1024x512.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1024\" \/>\n\t<meta property=\"og:image:height\" content=\"512\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"INK Redaksie\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@Woordfees\" \/>\n<meta name=\"twitter:site\" content=\"@Woordfees\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"INK Redaksie\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"6 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-boesman-en-lena-2\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-boesman-en-lena-2\\\/\"},\"author\":{\"name\":\"INK Redaksie\",\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/#\\\/schema\\\/person\\\/4fa89144f1f64e8103a71de1d4d44c47\"},\"headline\":\"Resensie: Boesman en Lena\",\"datePublished\":\"2026-10-10T11:40:23+00:00\",\"dateModified\":\"2026-10-10T16:18:44+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-boesman-en-lena-2\\\/\"},\"wordCount\":1176,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-boesman-en-lena-2\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/woordfees.co.za\\\/wp-content\\\/uploads\\\/2026\\\/10\\\/INK-banner103.jpg\",\"keywords\":[\"Woordfees 2026\"],\"articleSection\":[\"Spier Theatre\",\"INK Feeskoerant 2026\",\"Fringe\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-boesman-en-lena-2\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-boesman-en-lena-2\\\/\",\"url\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-boesman-en-lena-2\\\/\",\"name\":\"Resensie: Boesman en Lena - 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