{"id":107086,"date":"2026-10-10T14:13:58","date_gmt":"2026-10-10T12:13:58","guid":{"rendered":"https:\/\/woordfees.co.za\/uncategorized\/resensie-stellenbosch-eisteddfod-90\/"},"modified":"2026-10-10T18:19:47","modified_gmt":"2026-10-10T16:19:47","slug":"resensie-stellenbosch-eisteddfod-90","status":"publish","type":"post","link":"https:\/\/woordfees.co.za\/en\/ink-feeskoerant-2026\/resensie-stellenbosch-eisteddfod-90\/","title":{"rendered":"Resensie: Stellenbosch-eisteddfod 90"},"content":{"rendered":"\t\t
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CLASSICAL MUSIC<\/h6>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Di\u00e9 kunswedstryd is \u2019n lewenslyn<\/span><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Resensie: Stellenbosch-eisteddfod 90<\/strong>
Deur: Anouk Cronj\u00e9<\/strong>
Foto’s: Natalie Gabriels<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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In die jaar 1936 begin die \u201cgeheimsinnige\u201d skakelkomitee op Stellenbosch die Stellenbosch Kunswedstryd. Oor die jare heen neem di\u00e9 geleentheid verskillende vorms aan: Dit groei, word teruggesnoei, vertak en vervorm. Dr. Diederick Basson, orrelis en voorsitter van die uitvoerende komitee van \u2013 soos dit tans bekend staan, die Stellenbosch Eisteddfod \u2013 lei die middag in. <\/p>

Die Stellenbosch Eisteddfod 90<\/em>-feeskonsert is presies wat \u2019n mens verwag: \u2019n Verskeidenheidskonsert waarin voormalige pryswenners van die eisteddfod hulle talent ten toon stel ter viering van die wedstryd se 90ste bestaansjaar. Geen verrassings of pogings tot party tricks nie, net musiek. <\/p>

\u2019n Wye spektrum kunstenaars betree die verhoog, van jonk na oud (letterlik \u2013 die jongste musikus is in gr. 11, en die oudste al ouer as 70!), en nie een op dieselfde instrument nie. Wat my dan die meeste fassineer, is hoe verskillend \u201cvaardigheid\u201d op verskillende instrumente l\u00fdk. Blokfluit, saxofoon, marimba, klavier, orrel, stem, akkordeon, kitaar. Mis ek een? <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u2019n Wye spektrum kunstenaars betree die verhoog, van jonk na oud (letterlik \u2013 die jongste musikus is in gr. 11, en die oudste al ouer as 70!), en nie een op dieselfde instrument nie.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Ek verkyk my aan die veelsydige Dylan Tabisher \u2013 wat ek eintlik beter ken as jazz-basspeler \u2013 se virtuose marimba-spel. Agter die marimba is \u2019n mens nogal ontbloot: Konsentrasie speel oor sy gesig soos hy die marimba bespeel met hand- \u00e9n voetwerk soos een wat \u2019n komplekse masjien operate. <\/p>

Quinn Goliath toor klanke uit \u2019n altsaxofoon wat my mond moeg maak om net daarna te luister. Ewe indrukwekkend is die vingerwerk van Jeanni Wiese op die blokfluit. Hano Krige vermaak die gehoor met \u2019n verwerking van \u201cThree Blind Mice\u201d wat die akkordeon deur nege verskillende genres neem. Jan-Hendrik Basson, \u2019n musiekstudent wat dae tevore nog \u2019n uitmuntende en skreeusnaakse vertolking gelewer het van \u2019n stukkende staanhorlosie in die kinder-opera L\u2019enfant et les sortil\u00e8ges<\/em>, be\u00efndruk met die hartverskeurende en uitdagende \u201cGethsemane\u201d uit Jesus Christ Superstar<\/em>. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Dis ook lekker om vir \u2019n slag bekendes soos Bennie van Eeden en Minette du Toit-Pearce op die verhoog te sien, en nie net as beoordelaars of opvoeders in die konserve nie. Philippus Hugo en Hanneke Zwamborn boei die gehoor met \u2019n klavierduet. Sharon de Kock en Anmari van der Westhuizen, albei bekende name in klassiekemusiekkringe, betower met Mendelssohn op viool en tjello, onderskeidelik. Die konsert sluit af met Winand Grundling op die Endler se Marcussen & S\u00f8n-orrel. Ek het sy verwerking van \u201cOde to Joy\u201d deur die jare al talle male gehoor, maar dis nog elke keer so aangrypend soos die vorige, en nooit presi\u00e9s dieselfde nie. Meesterlik. <\/p>

Dis jammer die saal was nie voller nie. Gehoorlede sou goed gevoel het n\u00e1 hierdie konsert. <\/p>

Ek is dankbaar vir alle ouers wat deur die jare besluit het dat hul kinders se musiekonderrig die moeite werd is \u2013 maar nog meer vir die ouers wat dit in \u2019n tyd soos vandag steeds sinvol ag om tyd en geld aan musieklesse te wy. Want soos Diederick Basson opmerk, \u201cdie mense raak berserk\u201d. Die kunste is nie opsioneel nie; dis \u2019n lewenslyn in \u2019n tyd waarin alles uitmekaarval. <\/p>

Stellenbosch-eisteddfod 90<\/strong><\/em> was \u2019n eenmalige konsert.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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<\/i> Anouk Cronj\u00e9<\/p>\n","protected":false},"author":3799,"featured_media":107085,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[511,819,824],"tags":[817],"class_list":["post-107086","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-classical-music","category-ink-feeskoerant-2026","category-fringe","tag-woordfees-2026"],"yoast_head":"\nResensie: Stellenbosch-eisteddfod 90 - Toyota Stellenbosch Woordfees<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/woordfees.co.za\/en\/ink-feeskoerant-2026\/resensie-stellenbosch-eisteddfod-90\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Resensie: Stellenbosch-eisteddfod 90 - 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