{"id":107093,"date":"2026-10-10T15:53:06","date_gmt":"2026-10-10T13:53:06","guid":{"rendered":"https:\/\/woordfees.co.za\/uncategorized\/resensie-hoort-2\/"},"modified":"2026-10-10T18:21:46","modified_gmt":"2026-10-10T16:21:46","slug":"resensie-hoort-2","status":"publish","type":"post","link":"https:\/\/woordfees.co.za\/en\/ink-feeskoerant-2026\/resensie-hoort-2\/","title":{"rendered":"Resensie: Hoort"},"content":{"rendered":"\t\t
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SPIER THEATRE<\/h6>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Om innie huis van jouself te hoort<\/span><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Produksie: Hoort<\/strong>
Deur: Dianne Albertze<\/strong>
Foto\u2019s: Verskaf<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Stephanie Baartman se kabaret Hoort <\/em>is verlede jaar welverdiend met \u2019n Woordtrofee bekroon. Al breek die stuk \u2019n brak waarheid oop van verkeerde rasseklassifikasie en gedwonge verskuiwings tydens apartheid, is dit allesbehalwe \u2019n politieke geprekery, skryf Dianne Albertze<\/strong><\/span>. Stephanie, my darling, ons hoor jou. <\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Ons almal wil \u00earens hoort. Verkieslik in \u2019n w\u00eareld wat ons aanvaar nes ons is, met al ons andersheid en letsels. Ons wil tussen goeie, opregte mense hoort wat ons veilig laat voel, maar meestal \u2013 en die belangrikste \u2013 moet ons leer om tot onsself te hoort. <\/p>

Stephanie Baartman se kabaret Hoort <\/em>het in 2025 die Woordtrofee vir uitsonderlike bydrae tot kontempor\u00eare musiek ontvang, en met goeie rede. Die stuk breek \u2019n brak waarheid van verkeerdelike rasseklassifikasie en verskuiwings tydens apartheid oop. Dis allesbehalwe \u2019n politieke geprekery. Sy praat en sing hier mens tot mens met die gehoor. Sy is vol deernis, humor en hoop. <\/p>

Baartman se lewensverhaal is \u2019n baie spesiale reis. Een vol potholes, maar ook beautiful mense wat sy langs die pad ontmoet. Maar dan is daar ook die \u201cCandice\u201d-meisies met die mooi hare en lelike maniere wat ook hulle verskyning op haar pad maak. Later selfs n\u00f3g leliker mense. Aaklige insidente. Maar niks sonner \u2019n les nie. Gou het Baartman se pa haar geleer \u2019n mens kan nie faal as jy aanhou probeer nie. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Ons moet ons verlede onthou sodat ons hede beter kan wees. Sodat \u00f3ns beter kan wees. Om met \u2019n bewustheid van ons verskille te leef sodat ons mekaar kan liefh\u00ea vir presies wie ons is. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Tog is dit nie altyd moontlik nie, want nie net dorings nie, maar slagysters, beland ook soms op \u2019n mens se pad. Maar die naarste is die giftige verlede wat wonde gelos het wat nooit sal heelword nie. Die nagevolge van kolonialisme en apartheid. Dis belangrik dat Baartman hieroor praat, want dit raam haar baie persoonlike verhaal. Die vieslike rassediskriminasie van ons verlede (en hede) moet uitgewys word, keer op keer. <\/p>

Ek word herinner aan die skaduwees van Stellenbosch se verlede. Die vlekke van die goed wat ons graag wil vergeet, bly altyd die langste agter. Soos Baartman vertel hoe \u2019n verwronge regeringsmentaliteit haar familie verskeur het, onthou ek die stories van Rooi Stoep wat deel was van Die Vlakte, \u2019n ruimte wat eens vrylik deur die dorp se bruin gemeenskap bewoon is. Maar dit is platgeslaan \u2013 vandag staan daar \u2019n BA-gebou nes \u2019n grafsteen in Rooi Stoep se plek. <\/p>

Met die dieptes en dale van Baartman se stem wanneer sy sing oor die vervreemding en verstoting, onthou ek die insident wat in 1940 plaasgevind het toe wit US studente \u2019n \u00e1l groter geveg gevoer het met bruin inwoners wat later sou lei tot die plundering van \u2019n hele straat. Vandag, met min tot geen reparasie, word dit onthou as die Andringa-slagting. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Ons moet ons verlede onthou sodat ons hede beter kan wees. Sodat \u00f3ns beter kan wees. Om met \u2019n bewustheid van ons verskille te leef sodat ons mekaar kan liefh\u00ea vir presies wie ons is. James Baldwin skryf in sy essay \u201cAs Much Truth As One Can Bear\u201d die volgende, \u201cNot everything that is faced can be changed, but nothing can be changed until it is faced.\u201d <\/p>

Baartman begin deur te vertel van al die groot optredes wat sy al op die verhoog en die kassie gehad het. Gou besef ons dat sy nie eintlik spog nie. Sy is egter ook so sjarmant dat \u2019n mens eintlik nie eens sou mind nie. Sy noem van G\u00e9 Korsten tributes asook die telenovelle Diepe waters<\/em> waarin sy speel. Dan draai sy gou die ding op sy kop wanneer sy ons laat weet haar storie gaan nie \u2019n fancy of ligte aff\u00eare wees nie, maar \u2019n real en rou saak. <\/p>

Baartman stroop haarself nie net letterlik (met die hare) nie, maar ook metafories van binne af. Dit roep die gedig \u201cRebel\u201d van Bernadette Madell van Ravensmead by my op: <\/p>

die hare gesprek is ma complicated <\/em>
jou hare is te kroes <\/em>
jou hare is te glad <\/em>
jou hare kannie pom pom\u2019ie <\/em>
jou hare is in die pad <\/em>
jou hare is wie jy is <\/em>
jou hare issie wie jy issie <\/em>
jou hare is jou kroon <\/em>
maar moenie jou identiteit misgissie <\/em>
en ek hou van dinge eenvoudig hou <\/em>
toe skeer ek alles af <\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Dan draai sy gou die ding op sy kop wanneer sy ons laat weet haar storie gaan nie \u2019n fancy of ligte aff\u00eare wees nie, maar \u2019n real en rou saak.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Baartman is die dogter van twee pastore en het diep wortels in die kerk. Dis tog die plek waar sy leer sing en perform het. Die kabaret kan sekerlik deels \u2019n koortjiekabaret genoem word. Een met hart. Smaak omtrent Baartman laat sit ons in \u2019n kerkbank om na die testimony van haar te luister. <\/p>

Sy vleg haar grootwordverhaal met verskeie liedjies, ook baie welbekendes. Sy skets vir ons \u2019n lewe vol humor, heartbreak en ontnugtering. Ons leer van haar as oorgewig skoolkjeent wat net wou trompoppie wees, maar dit was maar \u2019n sukkelsaak. Sy het egter nooit ophou aanhou nie. <\/p>

In Hoort<\/em> word Baartman sterk begelei deur Coenraad Rall, \u2019n gesoute hand wat goed weet hoe om \u2019n groot stem soos hare te ondersteun. Die verhoog het nie \u2019n stel van \u2019n dag oud nie \u2013 net die liggaam, die stem en \u2019n sielstorie. <\/p>

Met warmte en beheer hou Baartman \u2019n gehoor in die palm van haar hand. Haar stem is ryk en vol variasie en emosie. Verder handhaaf sy \u2019n goeie balans tussen die ligte en donker skakerings van haar storie. Sy herinner ons aan die krag van storievertelling en dat teater nie altyd al wat \u2019n extravagant stel, beligting of kostuum nodig het nie, maar net \u2019n stem wat gehoor wil word. En Stephanie, my darling, ons hoor jou. <\/p>

Ons almal verdien om \u00earens te hoort, maar dis net ons eie besigheid om uit te figure hoe ons tot onsself kan behoort. Hierrie kabaret wys daai journey. Een wat nie oornag gebeur nie. Maar een wat jou s\u00f3 vry kan maak. Baartman se storie is \u2019n testament van oorwinning wat nog baie mense sal raak. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Hoort<\/strong><\/a>
10 OKT 19:00
Paul Roos-teater
R240 | R270 by die deur<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

<\/i> Dianne Albertze<\/p>\n","protected":false},"author":3799,"featured_media":107092,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[613,819,824],"tags":[817],"class_list":["post-107093","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-spier-theatre","category-ink-feeskoerant-2026","category-fringe","tag-woordfees-2026"],"yoast_head":"\nResensie: Hoort - Toyota Stellenbosch Woordfees<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/woordfees.co.za\/en\/ink-feeskoerant-2026\/resensie-hoort-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Resensie: Hoort - Toyota Stellenbosch Woordfees\" \/>\n<meta property=\"og:description\" content=\"Dianne Albertze\" \/>\n<meta property=\"og:url\" content=\"https:\/\/woordfees.co.za\/en\/ink-feeskoerant-2026\/resensie-hoort-2\/\" \/>\n<meta property=\"og:site_name\" content=\"Toyota Stellenbosch Woordfees\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/woordfees\/\" \/>\n<meta property=\"article:published_time\" content=\"2026-10-10T13:53:06+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-10-10T16:21:46+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/woordfees.co.za\/wp-content\/uploads\/2026\/10\/INK-banner106.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2400\" \/>\n\t<meta property=\"og:image:height\" content=\"1200\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"INK Redaksie\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@Woordfees\" \/>\n<meta name=\"twitter:site\" content=\"@Woordfees\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"INK Redaksie\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-hoort-2\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-hoort-2\\\/\"},\"author\":{\"name\":\"INK Redaksie\",\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/#\\\/schema\\\/person\\\/4fa89144f1f64e8103a71de1d4d44c47\"},\"headline\":\"Resensie: Hoort\",\"datePublished\":\"2026-10-10T13:53:06+00:00\",\"dateModified\":\"2026-10-10T16:21:46+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-hoort-2\\\/\"},\"wordCount\":1054,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-hoort-2\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/woordfees.co.za\\\/wp-content\\\/uploads\\\/2026\\\/10\\\/INK-banner106.jpg\",\"keywords\":[\"Woordfees 2026\"],\"articleSection\":[\"Spier Theatre\",\"INK Feeskoerant 2026\",\"Fringe\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-hoort-2\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-hoort-2\\\/\",\"url\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-hoort-2\\\/\",\"name\":\"Resensie: Hoort - 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