{"id":107097,"date":"2026-10-10T16:00:00","date_gmt":"2026-10-10T14:00:00","guid":{"rendered":"https:\/\/woordfees.co.za\/uncategorized\/resensie-the-stranger-2\/"},"modified":"2026-10-10T18:23:00","modified_gmt":"2026-10-10T16:23:00","slug":"resensie-the-stranger-2","status":"publish","type":"post","link":"https:\/\/woordfees.co.za\/en\/ink-feeskoerant-2026\/resensie-the-stranger-2\/","title":{"rendered":"Resensie: The Stranger"},"content":{"rendered":"\t\t
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SPIER THEATRE<\/h6>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Mantras en mantillas<\/span><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Produksie: The Stranger<\/strong>
Deur: Dianne Albertze<\/strong>
Foto\u2019s: Yazeed Kamaldien<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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The Stranger<\/em> is \u2019n mitologiese teks besprinkel met liriese wyshede. Die stuk haal die mantilla van ons binnespie\u00ebl af en maak ons verbeelding vry, skryf Dianne Albertze<\/strong><\/span>. <\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Die nag maak toe soos ons Pniel binnery. Die lang teerpad vol speed bumps raak \u00e1l smaller. \u00c1l kleiner. \u2019n Wag wys ons moet afdraai. My driver waai terug na hom en besef nie die man isn\u2019t waving, he\u2019s drowning. Driver trek terug en beduie sy\u2019s jammer, haar gedagtes was op \u2019n anner plek, \u00earens ver van hier op pad na The Stranger<\/em>. Die wag se gesig word onkenbaar. Die driver se woorde word stof. <\/p>

Teer word grond. Kersie- en kwartelbome is gekoekte pruike van hekse weerskante van die kar. Ons swaai by \u2019n parkeerplek in. Buite die kar ruik die lug na iets soets, iets wat my binneste al geruik het, iets wat verby my verstaan onthou. S\u00f3 dwaal my gedagtes by klipperpaadjies af versier met klein ligbulpies aan lang stringe. Vuurtjies gevang in glas. Die stemme van bekende vreemdelinge word \u00e1l harder, \u00e1l nader. Mense groet mekaar in verskillende tonge wat ek nie verstaan nie. Eenkant is diensknegte van die nag besig om handel te dryf met \u2019n skottel waarin water- en bierbottels dryf. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Die vreemdeling is lankal wit bene. Hy is Orpheus. Hy moet wees, want wanneer sy Eurydice sterf aan die gifdans van \u2019n slang, dan spiraal hy. Sy siel word \u2019n swart sonskyn. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Ek soen \u2019n sigaret tot siens en volg die lang ry lywe op pad na die teater, of in di\u00e9 geval Die Boekklub (waar die vertoning plaasvind). \u2019n Saal met \u2019n klomp geheime in die mure. Die gebou is elegant versier met kandelare wat uit die dak hang. Stoele en banke is al in \u2019n sirkel gepak. Ek sien die kooigoed, die imphepho, wat brand en besef dis die reuk wat ek gekry het. <\/p>

Ek sluit my o\u0451. Bid tot my ouma Mollie om my te bewaar. Ek weet dan nou al hoe minner waar ek is, want hoe meer ek om my kyk, hoe meer onbekend word alles. <\/p>

Hier is \u2019n w\u00eareld wat nie myne is nie.<\/p>

Die storie is reeds in die middel geskryf en met simboliese rekwisiete ingekleur. Aan een punt is \u2019n paar koffers, wet wipes, \u2019n hoed, \u2019n jas en \u2019n mantilla. Wit kerse, klein en vet. Verderaan in die middel sit die verteller (Brett Bailey) in wit, nes \u2019n holistiese priester. Voor hom is \u2019n vlak put van blou klippies, ook met \u2019n beeld in \u2019n sifdoek bedek. Al om die put is verskeie le\u0451 glasballe. Nog \u2019n karakter is klaar besig met \u2019n abstrakte albasterspeletjie. Heel op die punt is Nkosenathi Koela en sy span. Die koning van klank, ook met \u2019n sluier bedek. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Een vir een word die mantillas verwyder. Dis juis eers wanneer ons die doeke verwyder wat ons so verblind, dat ons die waarheid kan sien, ervaar en voel diep binne ons. <\/p>

Die verteller neem ons op \u2019n storiereis na plekke duister van die alledaagse. \u2019n Mitiese narratief wat die verhaal van \u2019n vreemdeling openbaar wat \u2019n skemergemeenskap betree het en vermoor is, sy liggaam in stukkies opgekap. Van vlees tot bloed tot as. Maar die vreemdeling is nie van hier nie. Hy is ook nie een van hulle of van ons nie. Die vreemdeling is lankal wit bene. Hy is Orpheus. Hy moet wees, want wanneer sy Eurydice sterf aan die gifdans van \u2019n slang, dan spiraal hy. Sy siel word \u2019n swart sonskyn. <\/p>

The Stranger<\/em> haal die mantilla van ons binnespie\u00ebl af en maak ons verbeelding vry. Die mitologiese teks besprinkel met liriese wyshede het my laat dink aan die inhoud en klank van mAnJE ! MaNJe (an epic) <\/em> van Mark Fleishman, Jennie Reznek en Mwenya Kabwe. Die toon en aanbieding egter meer gestroop. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Die twee dansers, Siphenati Mayekiso en Thalia Laric, is betowerend, elkeen met hul eie styl en aanslag. Mayekiso se bewegings is fyn geartikuleer en vol karakter. Hy transformeer van dwaalgees na Die Vreemdeling. Dan is Laric weer instinktief sonder om gebare en vorm af te skeep. Sy beweeg op \u2019n ritme diep binne haar, \u2019n mantra uit haar gees. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Die twee dansers, Siphenati Mayekiso en Thalia Laric, is betowerend, elkeen met hul eie styl en aanslag. Mayekiso se bewegings is fyn geartikuleer en vol karakter. Hy transformeer van dwaalgees na Die Vreemdeling. Dan is Laric weer instinktief sonder om gebare en vorm af te skeep. Sy beweeg op \u2019n ritme diep binne haar, \u2019n mantra uit haar gees. <\/p>

Nkosenathi Koela se komposisie is uit \u2019n anner dimensie. Die sensoriese klanke voel of dit kom vanuit \u2019n ander mengelmoes van inheemse invloede. Dis musiek wat onner my vel ingeklim het en nou in my bene vassit. <\/p>

Ek bid weer soos ek by die teater uitstap. Vir al die vreemdelinge wat dalk nooit \u2019n tuiste sal vind nie. Mag my ouma Mollie met julle almal wees. Die wag wat nie wave nie, maar drown. Die bekende vreemdeling. <\/p>

God, mag jy die mantilla van ons ammal afhaal en ons die waarheid van onsself laat raaksien. En nooit ophou glo in teater wat gebede is nie. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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The Strange<\/a>r<\/strong>
10 & 11 OKT 19:30
Die Boekklub, Johannesdal
R180 | R200 by die deur
Geen o.14<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

<\/i> Dianne Albertze<\/p>\n","protected":false},"author":3799,"featured_media":107096,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[613,819,824],"tags":[817],"class_list":["post-107097","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-spier-theatre","category-ink-feeskoerant-2026","category-fringe","tag-woordfees-2026"],"yoast_head":"\nResensie: The Stranger - Toyota Stellenbosch Woordfees<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/woordfees.co.za\/en\/ink-feeskoerant-2026\/resensie-the-stranger-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Resensie: The Stranger - Toyota Stellenbosch Woordfees\" \/>\n<meta property=\"og:description\" content=\"Dianne Albertze\" \/>\n<meta property=\"og:url\" content=\"https:\/\/woordfees.co.za\/en\/ink-feeskoerant-2026\/resensie-the-stranger-2\/\" \/>\n<meta property=\"og:site_name\" content=\"Toyota Stellenbosch Woordfees\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/woordfees\/\" \/>\n<meta property=\"article:published_time\" content=\"2026-10-10T14:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-10-10T16:23:00+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/woordfees.co.za\/wp-content\/uploads\/2026\/10\/INK-banner90-1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2400\" \/>\n\t<meta property=\"og:image:height\" content=\"1200\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"INK Redaksie\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@Woordfees\" \/>\n<meta name=\"twitter:site\" content=\"@Woordfees\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"INK Redaksie\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-the-stranger-2\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-the-stranger-2\\\/\"},\"author\":{\"name\":\"INK Redaksie\",\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/#\\\/schema\\\/person\\\/4fa89144f1f64e8103a71de1d4d44c47\"},\"headline\":\"Resensie: The Stranger\",\"datePublished\":\"2026-10-10T14:00:00+00:00\",\"dateModified\":\"2026-10-10T16:23:00+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-the-stranger-2\\\/\"},\"wordCount\":888,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-the-stranger-2\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/woordfees.co.za\\\/wp-content\\\/uploads\\\/2026\\\/10\\\/INK-banner90-1.jpg\",\"keywords\":[\"Woordfees 2026\"],\"articleSection\":[\"Spier Theatre\",\"INK Feeskoerant 2026\",\"Fringe\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-the-stranger-2\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-the-stranger-2\\\/\",\"url\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-the-stranger-2\\\/\",\"name\":\"Resensie: The Stranger - 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