{"id":107321,"date":"2026-10-11T09:35:33","date_gmt":"2026-10-11T07:35:33","guid":{"rendered":"https:\/\/woordfees.co.za\/uncategorized\/resensie-i-lord-hamlet\/"},"modified":"2026-10-11T09:47:51","modified_gmt":"2026-10-11T07:47:51","slug":"resensie-i-lord-hamlet","status":"publish","type":"post","link":"https:\/\/woordfees.co.za\/en\/ink-feeskoerant-2026\/resensie-i-lord-hamlet\/","title":{"rendered":"Resensie: I Lord Hamlet"},"content":{"rendered":"\t\t
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SPIER THEATRE<\/h6>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Hamlet soek sy storie op die Vlakte<\/span><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Produksie: I Lord Hamlet<\/strong>
Deur: Willem Bester<\/strong>
Foto’s: Jeremeo Le Cordeur<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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As skrywer en akteur verplaas die talentvolle Carlo Daniels Hamlet<\/em> na die Kaapse Vlakte, met grepe uit Shakespeare se oorspronklike Engelse teks wat vermeng word met nuwe verwerkings van die tonele en Afrikaanse vertalings. Vir Willem Bester<\/strong><\/span> voel I Lord Hamlet<\/em> in sy huidige vorm egter gevaarlik baie soos \u201choogtepunte uit Hamlet<\/em>\u201d, sonder die narratiewe ontwikkeling wat nodig is om simpatie en ware begrip te bewerkstellig vir wat Daniels probeer s\u00ea. <\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Hamlet is legendaries. Vir \u2019n verhoogakteur is dit die Everest van rolle. As bron bied Shakespeare se teks ook ryke stof. In I Lord Hamlet<\/em> takel Carlo Daniels di\u00e9 bul by die horings as akteur \u00e9n skrywer: Hamlet word verplaas na die Kaapse Vlakte. Maar met net twee mense op die verhoog \u2013 Daniels en die musikant Jannous Aukema \u2013 is dit nie \u2019n gewone bywerking nie. Grepe uit die oorspronklike Engelse teks word vermeng met nuwe verwerkings van die tonele en Afrikaanse vertalings. <\/p>

Op die oppervlak herbedink Daniels Hamlet as \u2019n pasi\u00ebnt in \u2019n inrigting, in gesprek met sy terapeut, onder andere, oor die trauma wat hy ervaar n\u00e1 sy vader se afsterwe. Ophelia is \u2019n medepasi\u00ebnt en Polonius word een van daardie glibberig bose \u201cek is nie \u2019n rassis nie, maar \u2018hulle\u2019 is anders\u201d-tipes wat praat met \u2019n sosiopatiese skyn van redelikheid. \u2019n Bruin k\u00earel vir sy dogter is beslis nie deel van sy w\u00eareldbeeld nie. Dieper is daar dus \u2019n konfrontasie met rassisme en die nalatenskap van apartheid en kolonialisme. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Enige verwerking behels om die bronteks tot \u2019n mate te martel totdat dit bely. Die probleem is dat met genoegsame marteling die teks enigiets sal bely. \u2019n Mens het die idee gekry dat d\u00edt ongelukkig die geval is met I Lord Hamlet<\/em>. Dit is nie dat die konsep glad nie werk nie: Hamlet se ontwykings en getalm, die dualiteite in sy aksies en gedagtes, die algemene sin van vervreemding en ontheming\u2026 di\u00e9 alles is \u2019n goeie fondament vir d\u00edt wat Daniels wil ondersoek in \u2019n soort psigodrama oor die historiese en hedendaagse marginalisering van die bruin gemeenskap. <\/p>

Die fragmentariese aard van die aanbieding sit egter dwars hiermee. In sy huidige vorm het dit gevaarlik baie soos \u201choogtepunte uit Hamlet<\/em>\u201d gevoel, sonder die narratiewe ontwikkeling wat nodig is om simpatie en ware begrip te bewerkstellig vir wat Daniels probeer s\u00ea. Dit is ironies om so te dink, maar \u2019n mens het dit ervaar asof di\u00e9 Hamlet-karakterisering intensie gekort het. Die stuk het aansienlik langer geloop as wat geadverteer is, en dit is nooit \u2019n goeie teken as die gehoor in hulle stoele begin rondskuif nie. <\/p>

Die \u201cverhoogbesigheid\u201d het ook nie altyd sin gemaak nie: Waarom bak Hamlet \u2019n eier, en beteken die krabbels op die transparante enigiets? Versinnebeeld dit sy stryd en identiteitskrisis? Hoewel daar ge\u00efnspireerde elemente in die stelontwerp en rekwisiete was \u2013 byvoorbeeld lig deur water geprojekteer wanneer Ophelia se dood ter sprake is \u2013 het die geheelbeeld ietwat ondeurdag voorgekom. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Daniels is egter \u2019n talentvolle en bedrewe akteur, ewe formidabel in sy deklamering en fisieke spel. Wanneer hy van karakter verwissel, gebeur dit in \u2019n hand-omdraai \u2013 met \u2019n gebaar, \u2019n liggaamshouding, \u2019n aksent, \u2019n infleksie in die stem. Aukema se musiek het deurgaans vir \u2019n gepas onrustige ondertoon gesorg. <\/p>

Daniels se akteursvernuf is uiteindelik nie genoeg om heeltemal vir die ander kwessies te vergoed nie. Die hoop is dat verdere aandag aan die dramaturgie die produksie sterker kan maak. Met inbegrip van plaaslike historiese en kulturele materiaal sal dit dan heel moontlik \u2019n boeiende, onmisbare teaterervaring kan wees. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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I Lord Hamlet<\/strong><\/a>
11 OKT 13:30
HMS Bloemhof-skoolsaal
R240 | R270 by die deur<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

<\/i> Willem Bester<\/p>\n","protected":false},"author":3799,"featured_media":107320,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[613,819,824],"tags":[817],"class_list":["post-107321","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-spier-theatre","category-ink-feeskoerant-2026","category-fringe","tag-woordfees-2026"],"yoast_head":"\nResensie: I Lord Hamlet - Toyota Stellenbosch Woordfees<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/woordfees.co.za\/en\/ink-feeskoerant-2026\/resensie-i-lord-hamlet\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Resensie: I Lord Hamlet - Toyota Stellenbosch Woordfees\" \/>\n<meta property=\"og:description\" content=\"Willem Bester\" \/>\n<meta property=\"og:url\" content=\"https:\/\/woordfees.co.za\/en\/ink-feeskoerant-2026\/resensie-i-lord-hamlet\/\" \/>\n<meta property=\"og:site_name\" content=\"Toyota Stellenbosch Woordfees\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/woordfees\/\" \/>\n<meta property=\"article:published_time\" content=\"2026-10-11T07:35:33+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-10-11T07:47:51+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/woordfees.co.za\/wp-content\/uploads\/2026\/10\/INK-banner117.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2400\" \/>\n\t<meta property=\"og:image:height\" content=\"1200\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"INK Redaksie\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@Woordfees\" \/>\n<meta name=\"twitter:site\" content=\"@Woordfees\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"INK Redaksie\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-i-lord-hamlet\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-i-lord-hamlet\\\/\"},\"author\":{\"name\":\"INK Redaksie\",\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/#\\\/schema\\\/person\\\/4fa89144f1f64e8103a71de1d4d44c47\"},\"headline\":\"Resensie: I Lord Hamlet\",\"datePublished\":\"2026-10-11T07:35:33+00:00\",\"dateModified\":\"2026-10-11T07:47:51+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-i-lord-hamlet\\\/\"},\"wordCount\":623,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-i-lord-hamlet\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/woordfees.co.za\\\/wp-content\\\/uploads\\\/2026\\\/10\\\/INK-banner117.jpg\",\"keywords\":[\"Woordfees 2026\"],\"articleSection\":[\"Spier Theatre\",\"INK Feeskoerant 2026\",\"Fringe\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-i-lord-hamlet\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-i-lord-hamlet\\\/\",\"url\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/resensie-i-lord-hamlet\\\/\",\"name\":\"Resensie: I Lord Hamlet - 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