{"id":107619,"date":"2026-10-11T21:40:35","date_gmt":"2026-10-11T19:40:35","guid":{"rendered":"https:\/\/woordfees.co.za\/uncategorized\/onderhoud-pieter-krog\/"},"modified":"2026-10-11T21:55:41","modified_gmt":"2026-10-11T19:55:41","slug":"onderhoud-pieter-krog","status":"publish","type":"post","link":"https:\/\/woordfees.co.za\/en\/ink-feeskoerant-2026\/onderhoud-pieter-krog\/","title":{"rendered":"Onderhoud: Pieter Krog"},"content":{"rendered":"\t\t
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EASYEQUITIES SKRYWERSFEES<\/h6>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Di\u00e9 jong digter draai nie doekies om nie<\/span><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Produksie: Hoogste bome<\/strong>
Deur: Zandri van Greunen<\/strong>
Foto’s: Verskaf<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Vir Pieter Krog<\/strong> is gedigte nie net iets wat op papier staan nie, maar iets wat uit sy mond uit kom. Met twee projekte op Spotify agter sy naam, werk di\u00e9 jong digter nou aan \u2019n nuwe digbundel wat hy nie sommer met handskoene wil aanpak nie. <\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\u201cDis s\u00f3 vreemd. Dis eintlik out of this world,\u201d s\u00ea Pieter Krog laggend toe ek hom vra hoe dit was om sy gedigte tydens Hoogste bome <\/em>vir die eerste keer by die Toyota Stellenbosch Woordfees voor te lees. Pieter, oftewel \u201cPieter Gedigte\u201d, soos die ouens buite Aandklas hom noem en sy Instagram-gebruikersnaam lui, se gedigte tingel gereeld deur die blare van die bome in Victoriastraat. <\/p>

Sy verse se enjambement word soms gebreek as hy moet aandag gee aan sy graad in Menslike Hulpbronbestuur hier op Stellenbosch, maar tussendeur die studies het hy ook vanjaar sy eerste digbundel, Sonneblom na blou<\/em>, in die vorm van vyf digalbums op Spotify vrygestel. Kort daarna verskyn sy tweede kreatiewe werk, Regte w\u00eareld,<\/em> as \u2019n tipe podsending op dieselfde platform. <\/p>

Di\u00e9 twee digalbums is \u2019n mengelmoes van musiek, stemopnames en natuurlik Pieter se skryfwerk wat hy saam met ander eendersdenkende, kreatiewe vriende opgeneem het.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Gedigte was nog altyd vir my iets wat uit my mond uit kom. Dit was nooit iets wat ek kan sit en met die pen skryf of s\u00f3 op die foon sien nie. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u201cEk dink die eerste keer wat ek \u2019n gedig geskryf het, was in graad twee,\u201d s\u00ea hy en frons effe. Sy pa, Willem Krog, het vir hom baie gedigte voorgelees omdat disleksie op \u2019n jong ouderdom by hom gediagnoseer is. \u201cGedigte was nog altyd vir my iets wat uit my mond uit kom. Dit was nooit iets wat ek kan sit en met die pen skryf of s\u00f3 op die foon sien nie,\u201d vertel hy. <\/p>

Toe ek hom vra met watter skryfwerk hy homself deesdae besig hou, vertel hy dat hy tans aan \u2019n nuwe digbundel oor Afrikanerskap beitel. Vir jong mense soos ons is dit soms tricky om die moeilike verlede van Suid-Afrika klein te kry, maar ook die feit dat Afrikaans gebruik is om nie-wit Suid-Afrikaners te onderdruk. Di\u00e9 is natuurlik \u2019n bielie van \u2019n tema vir enige digter om aan te pak, maar hy hou die mense wat in die Khaya-kafee kloek, koel en kalm dop terwyl hy antwoord: \u201cEk het net half besef in myself dat ek nie Afrikanerskap kan ontsnap nie en dis iets waarin ek myself moet tuismaak. Die digbundel waaraan ek nou werk, is daai proses van myself daarin tuismaak om gemaklik te voel om te s\u00ea ek is \u2019n Afrikaner. <\/p>

\u201cEk voel daar is nog steeds baie spasies waar Afrikaans nie hande vashou nie, net oor ongemak. Baie digters probeer \u00f3m dit skryf, maar ek dink dis so nodig om daaroor te praat, al voel jy \u2018Jis, ek kan eintlik nie dit s\u00ea nie\u2019, maar om dit net te s\u00ea,\u201d vertel hy. Hy noem digters soos Ryan Pedro, onder andere, wat vir hom \u2019n vars blik gegee het op sy eie kultuur. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Hy skuif rond in sy stoel en vertel hoe sommige digters vir jong digters soos hy indirek sal aanmoedig om juis nie oor hierdie kwessies te skryf nie, maar om eerder oor moderne issues \u2013 soos kapitalisme \u2013 sy versre\u00ebls te slyp. Pieter laat my egter mooi verstaan dat hy nie hier is om versigtig te wees nie, maar om te probeer \u2019n gesprek tussen verskillende mense deur sy skryfkuns aan te hits. <\/p>

Hierdie ingesteldheid kom na vore in Pieter se digkuns waar hy in Sonneblom na blou<\/em> fokus op die ervarings van sy interne w\u00eareld nadat hy op \u2019n road trip met sy beste vriend gegaan het, maar dan in Regte w\u00eareld<\/em> dinge in die samelewing sien wat aan hom karring.<\/p>

Hoewel hy soms vrae kry oor sy van, sien hy nie die mense binne sy familie anders nie en lag selfs toe hy vertel hoe hy eers in graad sewe besef het dat sy tannie Antjie Krog boeke skryf.<\/p>

Ons begin toe weer oor sy skryfwerk praat en hoe moeilik dit soms kan wees om te weet na wie se kritiek om te luister. \u201cJy gaan die kritiek kry en ek dink jy moet by baie mense kritiek vra, alhoewel jy weet jy gaan nie noodwendig daarmee saamstem nie, maar om in die eerste plek daaraan gewoond te raak dat jou werk gekritiseer gaan woord,\u201d s\u00ea hy en bieg dat dit vir hom \u2019n rukkie gevat het om nie emosioneel daaroor te word nie, veral as dit daai persoonlike gedigte is. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Ek voel daar is nog steeds baie spasies waar Afrikaans nie hande vashou nie, net oor ongemak. Baie digters probeer \u00f3m dit skryf, maar ek dink dis so nodig om daaroor te praat, al voel jy \u2018Jis, ek kan eintlik nie dit s\u00ea nie\u2019, maar om dit net te s\u00ea. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u2019n Kelnerin is met \u2019n seer hart op soek na die eienaar van bestelling 59 en ek besluit om vir Pieter te terg oor hoe baie gedigte hy weekliks op Instagram deel terwyl hy alles anders juggle. \u201cMens skryf derduisende gedigte wat dieselfde is,\u201d s\u00ea hy en vee sy hand oor die tafelblad. Om di\u00e9 tameletjie te oorkom, het hy vir homself \u2019n streng skryfskedule geskep. In plaas van reekse kyk of slaap, skryf hy tot die vo\u00ebltjies begin sing en gaan dit dan die volgende dag met vars o\u00eb (of so vars soos hulle kan wees n\u00e1 \u2019n deurnagdigsessie) na. <\/p>

Die gesprek eindig, die kelnerin het die eienaar van bestelling 59 uitgesnuffel \u2013 \u2019n oom met sy sonbril wat vir lewe en dood aan die punt van sy neus klou, terwyl hy met \u2019n bier in die hand sit en nulle-en-kruise speel met die sonkolle wat oor die sement dans \u2013 en feesgangers drom buite die Khaya saam vir die volgende item.<\/p>

Terwyl ek by Ryneveldstraat afstap, dink ek: Goddank vir jong mense soos Pieter wat nie skroom om moeilike dinge oop te dig nie.<\/p>

Pieter Krog se digalbums is op Spotify beskikbaar.<\/strong><\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

<\/i> Zandri van Greunen<\/p>\n","protected":false},"author":3799,"featured_media":107618,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[431,819,824],"tags":[817],"class_list":["post-107619","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-easyequities-writers-festival-news","category-ink-feeskoerant-2026","category-fringe","tag-woordfees-2026"],"yoast_head":"\nOnderhoud: Pieter Krog - Toyota Stellenbosch Woordfees<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/woordfees.co.za\/en\/ink-feeskoerant-2026\/onderhoud-pieter-krog\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Onderhoud: Pieter Krog - Toyota Stellenbosch Woordfees\" \/>\n<meta property=\"og:description\" content=\"Zandri van Greunen\" \/>\n<meta property=\"og:url\" content=\"https:\/\/woordfees.co.za\/en\/ink-feeskoerant-2026\/onderhoud-pieter-krog\/\" \/>\n<meta property=\"og:site_name\" content=\"Toyota Stellenbosch Woordfees\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/woordfees\/\" \/>\n<meta property=\"article:published_time\" content=\"2026-10-11T19:40:35+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-10-11T19:55:41+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/woordfees.co.za\/wp-content\/uploads\/2026\/10\/INK-banner127.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2400\" \/>\n\t<meta property=\"og:image:height\" content=\"1200\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"INK Redaksie\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@Woordfees\" \/>\n<meta name=\"twitter:site\" content=\"@Woordfees\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"INK Redaksie\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/onderhoud-pieter-krog\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/onderhoud-pieter-krog\\\/\"},\"author\":{\"name\":\"INK Redaksie\",\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/#\\\/schema\\\/person\\\/4fa89144f1f64e8103a71de1d4d44c47\"},\"headline\":\"Onderhoud: Pieter Krog\",\"datePublished\":\"2026-10-11T19:40:35+00:00\",\"dateModified\":\"2026-10-11T19:55:41+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/onderhoud-pieter-krog\\\/\"},\"wordCount\":1028,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/onderhoud-pieter-krog\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/woordfees.co.za\\\/wp-content\\\/uploads\\\/2026\\\/10\\\/INK-banner127.jpg\",\"keywords\":[\"Woordfees 2026\"],\"articleSection\":[\"EasyEquities Writers' Festival\",\"INK Feeskoerant 2026\",\"Fringe\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/onderhoud-pieter-krog\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/onderhoud-pieter-krog\\\/\",\"url\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-feeskoerant-2026\\\/onderhoud-pieter-krog\\\/\",\"name\":\"Onderhoud: Pieter Krog - 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