{"id":64744,"date":"2024-09-25T18:57:58","date_gmt":"2024-09-25T16:57:58","guid":{"rendered":"https:\/\/woordfees.co.za\/uncategorized\/speelgoed-van-glas-eg-tennessee-in-eg-nico-styl\/"},"modified":"2024-09-27T13:10:58","modified_gmt":"2024-09-27T11:10:58","slug":"speelgoed-van-glas-eg-tennessee-in-eg-nico-styl","status":"publish","type":"post","link":"https:\/\/woordfees.co.za\/en\/ink-festival-newspaper-2024\/speelgoed-van-glas-eg-tennessee-in-eg-nico-styl\/","title":{"rendered":"Speelgoed van glas: Eg Tennessee in eg Nico-styl"},"content":{"rendered":"\t\t
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THEATER<\/h6>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Speelgoed van glas: Eg Tennessee in eg Nico-styl<\/span><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Produksie: Speelgoed van glas<\/strong>
Foto\u2019s: Astrid Jamois (foto van Carla Smith); Alfred Eisenstaedt (foto van Tennessee Williams); Ander foto’s verskaf<\/strong><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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In dieselfde week dat die tweede reeks van Nico Scheepers<\/strong><\/span> se gewilde televisie-drama N\u00earens, Noord-Kaap<\/em> begin, praat Marina Griebenow<\/strong><\/span> met hom oor sy jongste teaterproduksie, die immergroen Tennessee Williams-drama The Glass Menagerie<\/em>. Di\u00e9 Williams-meesterstuk debuteer vanjaar met \u2019n skitterende rolverdeling as Speelgoed van glas<\/em> by die Woordfees. Nico is nie net die vertaler en regisseur nie, maar hy is ook verantwoordelik vir die ontwerp van die stel, beligting, klank en kostuums. <\/h5>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Reeds \u2019n dekade gelede met Wentel<\/em>, Nico se eerste professionele produksie, het \u2019n mens geweet hi\u00e9r is \u2019n jongman met \u2019n verbeelding so groot soos die oseaan, talent tot die mag van uiterstes en \u2019n intellek wat weier om aan bande gel\u00ea te word.<\/p>\n

Anna-Mart van der Merwe, aktrise extraordinaire<\/em>, het in Wentel<\/em> gespeel. Sy praat met groot deernis daarvan. \u201cN\u00e0 10 jaar is dit vir my \u2019n voorreg (en \u2019n spesiale samekoms) om weer vir Nico as regisseur te mag ervaar,\u201d vertel sy. \u201cWentel<\/em> was \u2019n gedagte-stroom van kreatiwiteit, storie vertel en towery met ligte en musiek. Ek het t\u00f3\u00e9 al geweet di\u00e9 jongman met sy towerfluit gaan nog baie stories vertel en lang rye mense sal hom volg, betower deur die wonderw\u00earelde wat hy skep.\u201d <\/p>\n

Anna-Mart weet dit waarskynlik nie, maar sy het die lot van Speelgoed van glas<\/em> in haar hande gehou. \u201cEk wou Speelgoed van glas<\/em> lankal gedoen het, maar ek sou dit nie aangepak het sonder Anna-Mart nie. Hoe dan nou anders? Dis Anna-Mart van der Merwe,\u201d s\u00ea Nico met \u2019n fermheid wat geen te\u00ebspraak duld nie. \u201cEk het heel eerste \u2013 voor enigiets anders gebeur het \u2013 vir haar die teks gestuur en gevra of sy dit wil doen, want as sy \u2018nee\u2019 ges\u00ea het, sou ek dit nie gedoen nie. Ek dink Amanda Wingfield is een van die heel beste karakters wat al ooit vir \u2019n vrou geskryf is.\u201d <\/p>\n

Voor ons oor die rolverdeling en ander aspekte van die stuk praat, kom die kwessie van die vertaling ter sprake. Daaroor het Nico \u2019n baie besliste uitgangspunt. \u201cEk het baie hard gewerk om die dialoog in die Suid-Afrikaanse mond te plaas. Dit moes s\u00f3 outentiek en eg Afrikaans klink dat jy nooit sou kon raai dat dit oorspronklik \u2019n Amerikaanse toneelstuk was wat al in 1945 in die suide van Amerika gedebuteer het nie. <\/p>\n

\u201cDie verplasing is ook nie sommer lukraak nie. Dit vind plaas in die Wes-Kaap, moontlik in \u2019n voorstad van Kaapstad, maar ons is nie spesifiek nie. Daar is wel verwysings in die teks. Dit speel af in die laat jare negentig. Dis so \u2019n interessante era om aan te pak. Dit sal wel alles sin maak sodra jy die stuk kyk. <\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Ek dink Amanda Wingfield is een van die heel beste karakters wat al ooit vir \u2019n vrou geskryf is.<\/p>\n

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\u201cDie moeilikste aspek van die vertaling was om te probeer om die stuk \u2019n bietjie korter te maak. Dis Tennessee Williams \u2013 sy toneelstukke is perfek! Boonop is die karakters so uniek in hierdie stuk, dalk nog meer as in sy ander werk, omdat dit so na aan die been sny van sy eie ervarings. Dis dalk waarom hy hierdie vrou, dogter en seun so mooi kon omskryf. Hy ken hulle beter as enige van sy ander karakters. Daar is aspekte van sy eie ma in Amanda, aspekte van sy suster in Laura en hy is die hoofkarakter en verteller, Tom. As jy skryf oor mense wat s\u00f3 na aan jou is \u2013 al gebeur daar fiktiewe goed in die stuk \u2013 kan jy nie anders nie as om hulle so lewendig te maak dat hulle selfs al op die bladsy vibreer. <\/p>\n

\u201cMet vier akteurs soos Anna-Mart, Ben Albertyn (Tom), Carla Smith (Laura) en Mark Elderkin (Jim) in die skoene van die ongelooflike, volronde karakters wat Williams geskep het, is dit bykans onmoontlik om die hart van die stuk te verloor. Jy kan nie regtig verkeerd gaan met so \u2019n rolverdeling nie. Dis \u2019n ongelooflike voorreg om met hierdie mense te kan werk. <\/p>\n

\u201cAs ons di\u00e9 stuk in Afrikaans gedoen het, maar dit speel in 1945 in Amerika af, dan lieg ons. Ek weet dis teater, maar dis \u2019n tipe leuen wat ek nie noodwendig wil sien of m\u00e1\u00e1k nie. Ek verplaas dit eerder en maak dit universeel vir ons mense, want dis ons mense wat daarna gaan kyk. Hulle moet vergeet hulle kyk na \u2019n Tennessee Williams-drama. Hulle moet kyk na Amanda, Tom, Laura en Jim se verhaal. D\u00eds waarop mense moet fokus; nie op die grootsheid of klassieke aard van die drama nie. Daarom die verplasing in tyd en geografie.\u201d<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Wat dink sy akteurs van die vertaling en verplasing? \u201cMet Speelgoed van glas<\/em> vat Nico \u2019n klassieke werk en trek dit deur na Suid-Afrika in die jare negentig, \u2019n tyd waarin hy grootgeword het,\u201d s\u00ea Anna-Mart. \u201cDis dapper, want puriste bevraagteken gereeld die verwerking van geliefde klassieke werke. Maar wie nie waag nie, wen nie en dis juis so kenmerkend van Nico se werk: Nuwe of bestaande stories gaan deur sy unieke, uiters sensitiewe brein, o\u00eb, ore, hele wese en kom magies en ryklik geborduur aan die anderkant uit,\u201d vertel Anna-Mart. <\/p>\n

Mark Elderkin het al heelwat pryse verower vir sy vertolking van klassieke karakters, veral in Shakespeare. Hy glo ook Nico slaan die spyker op sy kop. \u201cIn translating Tennessee Williams and placing it in South Africa, Nico manages to capture fully the mood and essence of it. You can imagine this family living in South Africa in the nineties; he did not sacrifice any of the \u2018meat\u2019 to make it South African. Personally I think it reads true as a translation of the original, which is not easy to do. Come to think of it, I actually don\u2019t know how he does it. He has a wise, old-person brain in a 30-something\u2019s body.\u201d <\/p>\n

Sy laaste opmerking sluit aan by Carla Smith se opsomming van Nico as regisseur. \u201cNico se grootste gawe is dat hy terselfdertyd \u2019n sesjarige seuntjie en \u2019n 70-jarige tannie is – hy wil speel met almal en alles, maar hy weet ook baie beslis waarvan hy nie hou nie,\u201d s\u00ea sy. <\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Nuwe of bestaande stories gaan deur sy unieke, uiters sensitiewe brein, o\u00eb, ore, hele wese en kom magies en ryklik geborduur aan die anderkant uit.<\/em><\/h4>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Nico se bewondering vir sy akteurs borrel gereeld oor, iets wat diegene wat hul werk ken hom beslis nie kwalik sal neem nie.<\/p>\n

\u201cEk kan nie wag dat die hele land sien wat Anna-Mart met Amanda doen nie,\u201d spog hy. \u201cDaar was ook niemand anders as Carla in my kop om Laura te speel nie. Carla is besig om \u2019n ongelooflike fondasie te bou vir haar loopbaan in die teater, onder meer met die rolle wat sy kies. Hoe sy as aktrise groei, is regtig net wonderlik om te aanskou. Daar is \u2019n vreesloosheid in haar waarop ek baie jaloers is. Presies dieselfde geld vir Ben. <\/p>\n

“Dis so heerlik om hierdie twee saam op die verhoog te sien. Carla en Ben vertrou mekaar tot aan die uiteindes van die aarde en hulle, saam met Anna-Mart, moet \u2019n hegte gesin skep te midde van die rou en brutaal eerlike manier waarop dit op die verhoog plaasvind. Hulle nooi die gehoor na \u2019n huis waar dit nie altyd so lekker is om te wees nie. <\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u201cEk is so bly Mark het ingestem om die rol van Jim te speel. Dit was van die begin af my voorneme om Jim \u2019n Engelse karakter te hou, wat daarvan \u2019n eg Suid-Afrikaanse verhaal sou maak en \u2019n baie eiesoortige dinamiek na die laaste bedryf sou bring. Om so met taal te kon speel, was ook \u2019n voorreg.\u201d<\/p>\n

Die toegeneentheid wat sy akteurs vir hom het, l\u00ea net onder die vel. \u201cHy werk sag en sensitief met sy spelers,\u201d s\u00ea Anna-Mart, \u201cmaar hy kan ook vasvat as dit moet. Tog skep hy altyd \u2019n veilige ruimte vir die akteurs om te soek en te ontdek.\u201d <\/p>\n

Haar woorde word deur Ben en Carla beaam. \u201cHy skep \u2019n w\u00eareld waarbinne sy akteurs kan leef,\u201d verduidelik Ben. <\/p>\n

\u201cHy het \u2019n unieke gawe om geleenthede vir karakterbou op die repetisievloer raak te sien. Sy o\u00eb en hart is wawyd oop vir interessante moontlikhede en dit maak daardie ruimte veilig en vurig. Hy lei spelers om verder en wyer te soek in \u2019n daadwerklike poging om geskrewe karakters herkenbaar mens te maak. Sy talent om boonop di\u00e9 mense dan soos familie te laat voel, is onge\u00ebwenaard,\u201d meen Carla.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Ben verklap die bron van een van Nico se grootste invloede, iets wat onteenseglik \u2019n magiese aspek bring na alles wat hy doen. \u201cEk en Nico het dikwels saam Japanese animasie gekyk. Dis iets wat Nico baie na aan die hart l\u00ea en \u2019n mens kan voel hoe die beelde en teksture van byvoorbeeld Studio Ghibli-films in sy werk uiting vind. Ek sien dit in sy saggeaardheid as regisseur, sy beeldende manier met ruimte en liggame en klank omgaan, sy \u2018lightness of touch\u2019, asook sy klem op stiltes. Met akteurs sal hy, eerder as om tegniese notas te gee, ‘n gebaar voorstel of vir hulle \u2019n nuwe rekwisiet in die hand stop wat die karakter in \u2019n ander rigting stuur of anders inkleur.\u201d <\/p>\n

Mark se verduideliking is prakties van aard: \u201cNico\u2019s attention to detail is incredible. For example, he\u2019ll be thinking about the colour and texture of the carpet and how it goes with a certain lamp and what effect it will have on a particular spot on the stage if you move you fingers through that light. He\u2019s watching the acting and everything else at the same time, but he doesn\u2019t sacrifice anything. It\u2019s not that he isn\u2019t paying attention to what you are doing. He is watching it as a whole. <\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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As jy skryf oor mense wat so na aan jou is \u2013 al gebeur daar fiktiewe goed in die stuk \u2013 kan jy nie anders nie as om hulle s\u00f3 lewendig te maak dat hulle selfs al op die bladsy vibreer.<\/em><\/h4>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\u201cI think he\u2019s extremely clever. His mind must be going in a million directions, but he manages to focus it completely, which is enviable. And the team is amazing too. Anna-Mart blows your mind, Carla (whom I had seen as Desdemona in Othello<\/em>) is amazing, and Ben (whom I didn\u2019t know previously) is equally splendid. It\u2019s all very lekker<\/em>, so I hope the play does well!\u201d <\/p>\n

Daar bestaan geen twyfel dat Speelgoed van glas<\/em> vir Nico \u2019n passieprojek is nie. \u201cEk hoop regtig mense kom kyk, met \u2019n oopkop en \u2019n selfoon wat af is, en aanskou wat gebeur as jy vier van ons land se beste akteurs en een van die w\u00eareld se beste tekste saam op die verhoog gooi en dit \u2019n bietjie laat prut. Dit was so \u2019n voorreg om hieraan te kon werk. Die stuk is met liefde aanmekaar gesit, en ek hoop die gehoor ervaar dit so,\u201d groet Nico. <\/p>\n<\/p>\n

Speelgoed van glas<\/a><\/strong>
28 SEPT 18:00 | 30 SEPT 20:30 1 OKT 14:00 | 3 OCT 20:30 | 4 OCT 16:00 5 OCT 20:00 | 6 OCT 15:00
120 min | Rhenish Girls\u2019 High School
R200-R300 | R230-R330 at the door
No u.14<\/p>\n

Teatergesprek: Speelgoed van glas<\/strong><\/a>
2 OCT 13:00
60 min | US Museum-anneks
Free<\/p><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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<\/i> Marina Griebenow<\/p>\n","protected":false},"author":3799,"featured_media":64645,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[400,516],"tags":[517],"class_list":["post-64744","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-theatre","category-ink-festival-newspaper-2024","tag-ink-festival-newspaper-2024"],"yoast_head":"\nSpeelgoed van glas: Eg Tennessee in eg Nico-styl - Toyota Stellenbosch Woordfees<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/woordfees.co.za\/en\/ink-festival-newspaper-2024\/speelgoed-van-glas-eg-tennessee-in-eg-nico-styl\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Speelgoed van glas: Eg Tennessee in eg Nico-styl - 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