{"id":65032,"date":"2024-09-28T16:09:33","date_gmt":"2024-09-28T14:09:33","guid":{"rendered":"https:\/\/woordfees.co.za\/uncategorized\/twee-musiekstyle-trou-met-blinkertjies\/"},"modified":"2024-09-29T10:25:23","modified_gmt":"2024-09-29T08:25:23","slug":"twee-musiekstyle-trou-met-blinkertjies","status":"publish","type":"post","link":"https:\/\/woordfees.co.za\/en\/ink-festival-newspaper-2024\/twee-musiekstyle-trou-met-blinkertjies\/","title":{"rendered":"Twee musiekstyle trou, met blinkertjies!"},"content":{"rendered":"\t\t
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CLASSICAL MUSIC<\/h6>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Nina laat klassieke musiek en jazz bedmaats word<\/span><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Produksie: Bejazzle! <\/strong>
Foto\u2019s: Verskaf<\/strong><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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In haar vertoning op vanjaar se fees gaan Nina Schumann \u2019n kleurryke mengelmoes van twee musiekstyle in een opwindende konsert aanbied. Sy vertel vir JOHANN NELL<\/span> jazz en klassiek is beslis nie vyande nie. <\/h5>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Nina Schumann mag klavier speel, want sy k\u00e1n.<\/span><\/p>\n

Nina, \u2019n professor aan die Universiteit Stellenbosch (US) se Konservatorium, vertel dat sy onder andere by Ikeys (Universiteit van Kaapstad, UK) geswot het, waar die musiekdepartement \u2019n sterk gevestigde jazz- en klassiekemusiek-afdeling het. Sy was \u2019n \u201cgroupie\u201d, want sy het graag saam met die kunstenaars beweeg waar hulle ook al opgetree het. <\/span><\/p>\n

Onlangs, tydens \u2019n Unisa-klavierkompetisie wat uit twee afdelings bestaan het, nl. jazz en klassiek, het haar kop en hart vir die eerste keer begin wonder of mens hierdie twee musiekstyle kan vermeng. Maar hoe? En dis glad nie so uiteenlopend as wat mens sou dink nie. Jazz en klassiek is beslis nie vyande nie. <\/span><\/p>\n

In <\/span>Bejazzle! <\/span><\/i> gaan Nina \u2019n kleurryke mengelmoes van albei hierdie style in een opwindende konsert aanbied. Noem hulle maar bedmaats. Sy gaan note en klanke bejazzle met ornamentjies, ritmes en ander skitterdinge wat dwarsdeur die musiek soos versiersuiker oor \u2019n fancy tert gestrooi word. <\/span><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Aanvanklik was studente in klassieke musiek nogals nuuskierig oor jazzmusiek. Hulle het soos skaam kinders na bottels lekkergoed op \u2019n winkel se toonbank geloer. <\/em><\/h4>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\u201cIs daar \u2019n definisie vir jazz,\u201d wil ek weet. <\/span><\/p>\n

\u201cKyk,\u201d antwoord sy, \u201cjazz is \u2019n musiekstyl wat tegniese bemeestering verg. Tradisionele jazz soos mense dit vandag hoor, is meestal improvisasies met wisselende ritmes en harmonie\u00eb. \u2019n Jazzstuk kan lank aanhou, want die kunstenaars speel improvisasies van die oorspronklike jazzklanke. En wanneer die musikante besluit dis nou die einde, dan gaan hulle terug na die oorspronklike melodie en eindig daar. <\/span><\/p>\n

\u201cBy die US het die konservatorium maar eers onlangs begin om jazz formeel te onderrig, nadat dit vroe\u00ebr nie aangebied is nie. En die studente is mal daaroor! Aanvanklik was studente in klassieke musiek nogals nuuskierig oor jazzmusiek. Hulle het soos skaam kinders na bottels lekkergoed op \u2019n winkel se toonbank geloer. Dan vra hulle hulself af: \u2018Mag ek, mag ek nie? Kan ek, kan ek nie?\u2019 <\/span><\/p>\n

\u201cLaat ek jou vertel, studente in formele klassieke opleiding was onseker of hulle jazz m\u00e1g speel. En nie net d\u00edt nie, maar ook: H\u00f3\u00e9 speel mens jazz? Vandag is dit totaal \u2019n ander storie.\u201d<\/span><\/p>\n

Nina vertel opgewonde oor \u2019n wonderlike geleentheid vroe\u00ebr hierdie jaar. Tydens 2024 se jaarlikse uitruilkonsert <\/span>Clazz<\/span><\/i> tussen die US en UK (twee klavierafdelings: jazz en klassiek) het deelnemende studente uitgeskrewe stukke jazz gespeel. Dit was \u2019n dawerende sukses. Klassieke pianiste het hulself gate uit geniet, en tydens die Stellenboschkonsert het \u2019n enorme aantal jazzstudente en ander luisteraars gekom om die kunstenaars te ondersteun. Dit was \u2019n jazzfees soos min. <\/span><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Bejazzle! is so uiteenlopend as wat kan kom, maar alles pas perfek bymekaar. <\/em><\/h4>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\u201cMy konsert is kompak,\u201d verduidelik Nina, \u201cwant ek improviseer nie. En die verskeidenheid wat ek aanbied, is groot en wyd. With <\/span>Bejazzle!<\/span><\/i> speel ek die musiek soos dit daar op die musiekblad uitgeskryf is.\u201d <\/span> <\/p>\n

\u201cNou hoe kom jazz en klassieke musiek bymekaar? Indien ooit\u201d? wil ek weet. <\/span><\/p>\n

\u201cJazz fokus op die sync van ritme, terwyl veral sekere periodes van klassieke musiek, soos die Barok-tydperk, ook verder \u2019n sterk inslag met harmonie\u00eb maak.\u201d <\/span><\/p>\n

\u201cIs dit fisiek uitdagend?\u201d<\/span><\/p>\n

\u201cO ja,\u201d knik Nina. \u201cDit het groot uitdagings. Ek is gediagnoseer met Parkinson se siekte, maar op \u2019n manier maak die speel van jazz dit vir my gemakliker. Die akkoorde en ritmes in jazz word met \u2018closed hands\u2019 gespeel, wat beteken ek hoef nie my vingers so wyd te strek as met klassieke musiek nie. En omdat daar min strekking in die hande is, speel ek makliker. Die ritmes kom normaal, want dit pols deur jou lyf, en ek voel regtig minder simptome van Parkinsonisme. Maar kom luister na Pachelbel se \u2018Kanon\u2019,\u201d lag Nina. \u201cHierdie stuk vra vir behoorlik akrobatiese handewerktoertjies!\u201d <\/span><\/p>\n

\u201cWaarna kan die gehoor nog uitsien?\u201d<\/span><\/p>\n

\u201cEk begin met Gershwin se <\/span>Rhapsody in Blue<\/span><\/i>.
\nDis \u2019n m\u00f3\u00e9t,\u201d bevestig Nina. <\/span><\/p>\n

\u201cEk wou ook Bach speel,\u201d antwoord sy peinsend, \u201cmaar hoe meer die program ontwikkel het, hoe meer het die musiekstukke hulle eie loop geneem. Ek trek hier \u2019n direkte lyn tussen sekere klassieke stukke en jazz-nommers. <\/span><\/p>\n

\u201cTweede op die program is Liszt se Liebestraum no. 2. Dit begin in die klassieke styl, maar in die middel begin dit swing. En dan kom ek terug na die klassieke styl en eindig daar.\u201d<\/span><\/p>\n

\u201cHierna volg \u2019n oorgang waar ek musiek in \u2019n mengelmoes bymekaar sit. Een van die komponiste wat sigself kom aanmeld het om in my program te verskyn, is Hiromi. Dit moet net absoluut in my konsert gehoor word!\u201d<\/span><\/p>\n

Konsertgangers kan verder uitsien na Bill Evans se \u201dPeace Piece\u201d. Nina speel ook \u2019n werk van die konservatorium se eie jazzdosent Ramon Alexander. Een van haar studente, Cornel Engelbrecht, het dit verwerk. Op die program is ook Chick Corea se \u201dSpain\u201d. <\/span><\/p>\n

\u201c<\/span>Bejazzle!<\/span><\/i> is so uiteenlopend as wat kan kom, maar alles pas perfek bymekaar,\u201d s\u00ea Nina toe ons groet.<\/span><\/p>\n

Ek stap weg van \u2019n lekker gesels met Nina. Nou weet ek: Hierdie program bevat jazz, ineengevleg soos \u2019n tradisionele koeksister, met klassieke stukke. Twee tradisies ontmoet mekaar in die Endler by die US. Maar dis geen geheime affair nie. Dis \u2019n openlike flirtasie vir almal om te aanskou en te beluister. <\/span><\/p>\n<\/p>\n

Bejazzle!<\/a><\/strong>
4 OKT 16:00<\/span>
50 min | Standard Bank Endler<\/span>
R150-R210 | R180-R240 by die deur<\/span><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

<\/i> Johann Nell<\/p>\n","protected":false},"author":3799,"featured_media":64913,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[511,516],"tags":[517],"class_list":["post-65032","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-classical-music","category-ink-festival-newspaper-2024","tag-ink-festival-newspaper-2024"],"yoast_head":"\nTwee musiekstyle trou, met blinkertjies! - Toyota Stellenbosch Woordfees<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/woordfees.co.za\/en\/ink-festival-newspaper-2024\/twee-musiekstyle-trou-met-blinkertjies\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Twee musiekstyle trou, met blinkertjies! 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