{"id":65576,"date":"2024-09-29T16:04:17","date_gmt":"2024-09-29T14:04:17","guid":{"rendered":"https:\/\/woordfees.co.za\/uncategorized\/sonic-place-2024-waar-musiek-en-argitektuur-byeenkom\/"},"modified":"2024-09-30T21:22:11","modified_gmt":"2024-09-30T19:22:11","slug":"sonic-place-2024-waar-musiek-en-argitektuur-byeenkom","status":"publish","type":"post","link":"https:\/\/woordfees.co.za\/en\/ink-festival-newspaper-2024\/sonic-place-2024-waar-musiek-en-argitektuur-byeenkom\/","title":{"rendered":"Sonic Place 20:24: Waar musiek en argitektuur byeenkom"},"content":{"rendered":"\t\t
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CLASSICAL MUSIC<\/h6>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Musiek van huis tot huis <\/span><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Produksie: Sonic Place 20:24<\/strong>
Skrywer: Johann Nell<\/strong>
Foto\u2019s: Verskaf<\/strong><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Esther Marie Pauw se breinkind om klanke en ruimtes bymekaar te bring vind neerslag in <\/span>Sonic Place 20:24<\/span><\/i>.
\nIn di\u00e9 nuutgeskepte produksie kom uiteenlopende musiekgenres en argitektoniese ruimtes op \u2019n verrassende manier byeen.
\nMoet geen tradisionele huiskonsert verwag waar jy \u2019n uitnodiging ontvang om regop in iemand se binnekamer te sit en luister na uitvoerende kunstenaars nie.
\nNee, op hierdie roetes deur die strate van Mostertsdrift en Karindal \u2013 met herboude en herontwerpte woonhuise \u2013 word jy ingetrek deur die skeppingswerk van argitekte soos <\/span>Wilhelm<\/span> Lochner, Sam Pellissier, Piet Dekker en Hein Visser.<\/span><\/p>\n

In elke konsert volg gehoorlede \u2019n roete waar twee huise besoek word wat loopafstand van mekaar is. In elke huis word dan \u2019n kort konsert van 24 minute aangebied. Deur die loop van die dag is daar drie roetes (met ses konserte). Gehoorlede kies een van die roetes (\u00f3f almal, as jy wil), volgens die styl en tyd wat jou pas. As bonus gaan van die argitekte en huiseienaars, asook die klankontwerpers J\u00fcrgen von Wechman, Dawid de Villiers en Jacques van Zyl beskikbaar wees om saam met konsertgangers te kuier. Dit is jou geleentheid om meer te leer oor die argitektoniese styl en ontwerp van die huis. <\/span><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Jacques van Zyl se \u201cinstrument\u201d wat hy beskryf as \u201celektroniese neurale netwerke\u201d. (Foto verskaf) <\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Africa Open Improvising trio (Roete 3): lnr Garth Erasmus, Pierre-Henri Wicomb en Esther Marie Pauw (Foto: Aryan Kaganof)<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Die drie roetes lyk soos volg:<\/span><\/p>\n

Op <\/span>Roete 1<\/b> hoor jy \u2019n klassieke ensemble. Mari\u00ebtte Schumann (viool en altviool), Nathan Huysamen (klarinet) en Theresa van der Merwe (klavier) vorm die <\/span>Milhaud en Bruch Trio.<\/b> Hulle speel onder meer \u2019n Max Bruch-kamermusiekwerk op \u2019n pragtige vleuelklavier waar die klanke deur \u2019n perfekte argitektoniese ruimte verhelder word.<\/span><\/p>\n

Hierna stap gehoorlede oor na \u2019n eertydse grasdakhuis. Maar moet geen bekende of tradisionele jazznommers hier verwag nie. <\/span>The Real Wicomb Trio<\/b> gaan die gehoor trakteer op nuutgeskepte voetestamp-jazz en ritmiese klanke. Hier staan \u2019n pragtige klein vleuelklavier in \u2019n groot oop ruimte met baie sitplek om tafels waar gehoorlede kan kuier. Voor die klavier is Pierre-Henri Wicomb, met John Pringle op perkussie, en hulle begelei die kontrabasspeler Johan Smit. <\/span><\/p>\n

Op <\/span>Roete 2<\/b> wag \u2019n skeut klassieke musiek op konsertgangers. In hierdie huis in Meerlustlaan (ontwerp deur argitek Sam Pellissier) staan Louresa Heuer se eie klavier. Esther Marie Pauw (fluit) en Olive Sandilands (klavier) noem hulleself die <\/span>Dancing Duo.<\/b> Hulle speel danse van Fran\u00e7ois-Andr\u00e9 Danican Philidor en Fr\u00e9d\u00e9ric Chopin. Ander werke sluit in dansmusiek van Suid-Amerika en twee geliefde stukke uit die Romantiese tydperk van Edward Elgar en Felix Mendelssohn. <\/span><\/p>\n

Huis nommer twee in Zwaanswyk is ontwerp deur Piet Dekker. In hierdie konsert word \u2019n nuwe ouditiewe w\u00eareld ontsluit wanneer drie ongewone klanke saamgesnoer word om \u2019n unieke en ge\u00efmproviseerde gehoorbeeld te skep. Die <\/span>Africa Open Improvising Trio<\/b> bestaan uit Carina Venter (tjello), Garth Erasmus (saxoofoon) en Jacques van Zyl, wat sy \u201cinstrument\u201d beskryf as \u201celektroniese neurale netwerke\u201d. Dit is \u2019n tuisgeboude samevoeging van elektriese drade, gekoppel aan rekenaars in Tupperwarehouers. Kom luister waarom hy bekend staan as die \u201cnoise musician\u201d. Konsertgangers wat van saxofoonmusiek hou, sal aangenaam verras wees deur \u201cnuwe\u201d klanke wat Garth, \u2019n outodidaktiese musikant, optower. <\/span><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Jacques van Zyl beskry sy \u201cinstrument\u201d as \u201celektroniese neurale netwerke\u201d. Dit is \u2019n tuisgeboude samevoeging van elektriese drade, gekoppel aan rekenaars in Tupperwarehouers. <\/em><\/h4>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Om 17:00 is <\/span>Roete 3<\/b> aan die beurt. Gehoorlede wat hierdie twee kort konserte bywoon, gaan op iets nuuts getrakteer word, naamlik Fusion. <\/span>Wilde Als<\/b> bestaan uit Cristellle van der Merwe (djembetrom \u2013 fyn klanke wat tussen die knie\u00eb uitgeklop word), Tertius van der Merwe (akoestiese kitaar) en Leonore Bredekamp (baskitaar). Die huis in Jannaschstraat is die eiendom van twee van die kunstenaars. Konsertgangers kan uitsien na \u201ceasy listening\u201d-musiek. <\/span><\/p>\n

In die laaste konsert van di\u00e9 roete in Van der Stelstraat (argitek Hein Visser) is die <\/span>Africa Open Improvising Trio<\/b> weer aan die beurt, maar di\u00e9 slag bespeel Garth Erasmus die ghorrah, kriolofoon en mcinci, terwyl Esther Marie op basfluit is en Pierre-Henri Wicomb voor die sintetiseerder. Hulle speel vrye improvisasies wat vra dat \u2019n mens fyn luister na die verskillende klanke. Die ghorraboog van Garth lyk soos \u2019n San-jagboog met \u2019n kalbas. Die klank wat hieruit kom, dra \u2019n sterk element van inheemse Afrikaklanke. In die Khoi-tradisie \u201conthou\u201d die boog verhale en rituele van vernuwing. Verder speel Garth op \u2019n mcinci-fluit, wat soet botoonklanke optower. \u2019n Kriolofoon, verduidelik Garth, is \u2019n eie skepping van \u2019n saxofoonmondstuk met \u2019n bamboesonderstuk wat \u2019n sterk en pragtige Oosterse klank, amper ietwat klaend, voortbring. <\/span><\/p>\n

Pierre-Henri neem klanke op, verwerk en verbou dit, en bring dit op \u2019n nuwe manier voort op die sintetiseerder. Hy het al wonderlike sukses behaal as filmmusiekkunstenaar \u2013 \u2019n voorbeeld hiervan is Jaco Bouwer se fliek <\/span>GAIA<\/span><\/i> waarin hy hoendervleismusiek skep.<\/span><\/p>\n

Hou Sondag 6 Oktober oop om hierdie wonderlike nuwe eksperimentele aanbiedings van <\/span>SONIC PLACE 20:24<\/span><\/i> by te woon. Gehoorlede kan kaartjies koop vir enige van die drie roetes. Maar moenie laat slaap nie; kaartjies is beperk tot \u2019n aantal sit- en staanplekke. Elke lid van die gehoor ontvang \u2019n glas wyn of druiwesap. Straatparkering is beskikbaar. Roetes en tye word hieronder aangedui. <\/span><\/p>\n<\/p>\n

Sonic Place 20:24<\/b><\/a><\/p>\n

6 Oktober 14:00<\/span>
Roete 1: Rowanstraat 5 en Rowanstraat 46<\/b>
11:00 KLASSIEK (Milhaud Bruch Trio) (24 minute)<\/span>
12:00 JAZZ (The Real Wicomb Trio) (24 minute)<\/span>
Roete 2: Meerlustlaan 5 en Zwaanswyk 1<\/b>
14:00 KLASSIEK (Dancing Duo) (24 minute)<\/span>
15:00 Africa Open Improvising Trio (24 minute)<\/span>
Roete 3: Jannaschstraat 18 en Van der Stelstraat 59<\/b>
17:00 FUSION (Wilde Als) (24 minute)<\/span>
18:00 Africa Open Improvising Trio (24 minute)<\/span>
R220 R250 by die deur<\/span><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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<\/i> Johann Nell<\/p>\n","protected":false},"author":3799,"featured_media":65136,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[511,516],"tags":[517],"class_list":["post-65576","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-classical-music","category-ink-festival-newspaper-2024","tag-ink-festival-newspaper-2024"],"yoast_head":"\nSonic Place 20:24: Waar musiek en argitektuur byeenkom - Toyota Stellenbosch Woordfees<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/woordfees.co.za\/en\/ink-festival-newspaper-2024\/sonic-place-2024-waar-musiek-en-argitektuur-byeenkom\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sonic Place 20:24: Waar musiek en argitektuur byeenkom - 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