{"id":65675,"date":"2024-10-01T08:48:50","date_gmt":"2024-10-01T06:48:50","guid":{"rendered":"https:\/\/woordfees.co.za\/uncategorized\/resensie-kruispad-onder-die-ys-wag-diep-waters\/"},"modified":"2024-10-03T12:21:19","modified_gmt":"2024-10-03T10:21:19","slug":"resensie-kruispad-onder-die-ys-wag-diep-waters","status":"publish","type":"post","link":"https:\/\/woordfees.co.za\/en\/ink-festival-newspaper-2024\/resensie-kruispad-onder-die-ys-wag-diep-waters\/","title":{"rendered":"Resensie: ‘Kruispad’ – Onder die ys wag diep waters\u2026"},"content":{"rendered":"\t\t
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THEATER<\/h6>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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By die kruispad van die liefde <\/span> <\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Produksie: Kruispad of die legende van die goue vis<\/strong><\/span>
Skrywer: Herman Wasserman <\/strong><\/span>
Foto\u2019s: Nardus Engelbrecht<\/strong><\/span><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Het alles \u2013 selfs die liefde \u2013 \u2019n prysetiket? Dit is die diep filosofiese vraag wat l\u00ea aan die hart van hierdie toneelstuk, geskryf deur die Estlandse dramaturg Jaan T\u00e4tte en in Afrikaans op die planke gebring deur die veteraanregisseur Marthinus Basson. <\/p>\n

\u2019n Jong paartjie, Roland en Laura (Carla Smith en Edwin van der Walt), klop een wintersnag aan by die huis van \u2019n eksentrieke alleenloper, Oswald (Eben Genis), nadat hulle ryloopplanne skeefgeloop het en hulle \u2019n oornagplek soek teen die koue. Uit die staanspoor is dinge duidelik nie heeltemal pluis nie. Oswald se gedrag raak al hoe vreemder, en die grense tussen werklikheid en fantasie, hede en verlede, feit en fiksie begin so glibberig raak soos die toegesneeude paaie buite die hut in die woud. <\/span><\/p>\n

Oswald toon dadelik \u2019n buitengewoon sterk belangstelling in Laura, en hoewel Roland waarskynlik nie ongewoond is daaraan dat ander mans sy geliefde aantreklik vind nie (hy erken immers self in \u2019n terloopse onbewaakte oomblik dat sy oog ook so nou en dan dwaal), neem hierdie aandag gou \u2019n wending wat Roland dwing om die krag van sy eie oortuiging en die diepte van sy lojaliteit grondig te ondersoek. Oswald maak naamlik \u2019n aanbod aan die jong paartjie wat hulle voor \u2019n kruispad te staan bring en hulle noop om te besluit watter rigting die res van hulle lewe gaan inslaan. <\/span><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Namate hulle wik en weeg oor die verreikende besluit, begin die fyn krakies in hulle verhouding na vore kom en begin dit duidelik raak presies hoe dun die wand tussen liefde en verraad eintlik is.<\/span><\/p>\n

Hierdie gegewe mag dalk klink na die resep vir \u2019n gewroeg, maar danksy die dinamiese interaksie tussen die spelers \u2013 \u2019n teken van Basson se meesterlike regie \u2013 bly die aanslag lig en selfs komies (maar moenie \u2019n skreeusnaakse ervaring verwag oor die genre-beskrywing \u201ckomedie\u201d nie). Basson se vertaling is soepel genoeg om die stuk in Afrikaans te laat tuis kom, met slegs die sporadiese verwysings na die sneeu of die padtekens in Esties wat jou aan die teks se oorsprong herinner. <\/span><\/p>\n

Die teks \u201cwerk\u201d gewoon op \u2019n letterlike vlak as \u2019n tipe moraliteitskomedie, maar danksy die terloopse meta-dramatiese opmerkings deur Oswald (byvoorbeeld sy verwysings na \u201cdie eerste bedryf\u201d of die gehoor wat Laura nie behoorlik sal kan sien as sy op die grond gaan l\u00ea nie), word die \u201cderde muur\u201d van die verhoog nou en dan verwyder om die gehoor meer direk te betrek en hulle daaraan te herinner dat die keuses wat die karakters maak, dalk nie \u2019n hele halfrond verwyder is van hulle eie alledaagse bestaan nie.<\/span><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Die grense tussen werklikheid en fantasie, hede en verlede, feit en fiksie begin so glibberig raak soos die toegesneeude paaie buite die hut.<\/em><\/h4>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Dis veral wanneer die verhaal \u2019n onverwagse wending maak teen die einde \u2013 met Beer Adriaanse se verskyning as \u2019n koel skobbejak \u2013 dat die stuk nader aan \u2019n sprokie as \u2019n komedie begin beweeg.<\/span><\/p>\n

In die openingsvertoning het die akteurs dalk nog nie heeltemal tuis gevoel in hulle karakters nie \u2013 die spel is nog nie heeltemal ingeleef genoeg om die volle trefwydte te weerspie\u00ebl van die implikasies wat die karakters se besluite inhou nie \u2013 maar dit sal wel ontwikkel soos die ensemble meer saamspeel. Daar is oorgenoeg talent en energie bymekaar op die verhoog om daarvoor te sorg. <\/span><\/p>\n

Kruispad <\/span><\/i>verhul sy diepgang goed onder die seepgladde komiese oppervlak en is dus vir \u2019n bre\u00eb gehoor toeganklik. Maar onder die dun ys wag daar diep water. <\/span><\/p>\n<\/p>\n

Kruispad of die legende van die goue vis<\/i><\/b>
1 Okt 18:00, 3 Okt 09:30 12:30, 4 Okt 10:00<\/span>
105 min | Rhenish Girls\u2019 High School<\/span>
R200-300 | R230-330 by die deur<\/span><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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<\/i> Herman Wasserman<\/p>\n","protected":false},"author":3799,"featured_media":66068,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[400,516],"tags":[517],"class_list":["post-65675","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-theatre","category-ink-festival-newspaper-2024","tag-ink-festival-newspaper-2024"],"yoast_head":"\nResensie: 'Kruispad' - Onder die ys wag diep waters\u2026 - Toyota Stellenbosch Woordfees<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/woordfees.co.za\/en\/ink-festival-newspaper-2024\/resensie-kruispad-onder-die-ys-wag-diep-waters\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Resensie: 'Kruispad' - 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