{"id":66263,"date":"2024-10-02T17:54:27","date_gmt":"2024-10-02T15:54:27","guid":{"rendered":"https:\/\/woordfees.co.za\/uncategorized\/resensie-koos-kombuis-meer-as-net-nostalgie\/"},"modified":"2024-10-03T07:43:18","modified_gmt":"2024-10-03T05:43:18","slug":"resensie-koos-kombuis-meer-as-net-nostalgie","status":"publish","type":"post","link":"https:\/\/woordfees.co.za\/en\/ink-festival-newspaper-2024\/resensie-koos-kombuis-meer-as-net-nostalgie\/","title":{"rendered":"Resensie: Koos Kombuis… meer as net nostalgie"},"content":{"rendered":"\t\t
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TOYOTA MUSIC FESTIVAL<\/h6>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Die bittersoet van onthou <\/span> <\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Produksie: Koos Kombuis en vyande<\/strong><\/span>
Skrywer: Ilza Roggeband<\/strong><\/span>
Foto\u2019s: Pierre Rommelaere <\/strong><\/span> <\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Geen harde woorde het geval nie. Geen kitare is in die maak van hierdie konsert gebreek nie. Alle vriende is o\u00ebnskynlik op goeie voet. Is dit selfs moontlik dat hier en daar nie kan onthou word waaroor die baklei(e) gegaan het nie? <\/p>\n

Moenie jouself in \u2019n storie inskryf nie, is jare gelede vir my as jong joernalis ges\u00ea. Maar hier kan dit nie anders nie \u2013 en dit is maar net een van die vele stories wat ek het om te vertel. <\/span><\/p>\n

Dis September 2003, <\/span>Huisgenoot<\/span><\/i> Skouspel by Sun City. Anton Goosen word vereer vir sy lewensbydrae tot Afrikaanse musiek. Met reg. Maar daar is wrywing en onmin. Anton en Koos Kombuis, wat ook op die konsert is, sit nie om dieselfde vuur nie; \u2019n krapperigheid wat al jare kom. Anton is kwaad vir Lucas Maree, onmin wat kom uit die dae toe hulle albei lede van Die Kommissie van Ondersoek was. <\/span><\/p>\n

Valiant Swart is ook daar, maar Valiant is Valiant en oorrompel almal met sy glimlag. Gian Groen probeer die vrede bewaar. En tussendeur is daar die Steve Hofmeyr-kwessie. Ag, aarde. Moan onder meer omdat daar nie \u2019n spie\u00ebl in sy kleedkamer is nie, \u2019n kleedkamer waar hy op sy eie was om hom en sy destydse bestuurder, Louis van Wyk, van die ander weg te hou <\/span><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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In \u2019n stadium het Mnr. X (hierdie is nie nou die tyd om nuwe wonde oop te krap nie, daarom die naamloosheid) ges\u00ea die enigste verskil tussen Mnr. Y en Mnr. Z is dat Mnr. Z darem so nou en dan stort. <\/span><\/p>\n

Die geredekawel het lank aangehou. Ek is nie seker waar die vredesvure eerste begin brand het nie, maar dankie tog dit het wel gebeur, en Koos en sy \u201cvyande\u201d kon weer op een verhoog byeenkom. <\/span><\/p>\n

Behalwe vir Koos, Anton en Valiant was Gert Vlok Nel ook daar. In die orkes was Anton L\u2019Amour, Chris Vermaak, Willem M\u00f6ller en Schalk Joubert (wat ook die konsert bymekaargesit het) op verskeie kitare, Kevin Gibson op tromme, Jannie \u201cHannepoot\u201d van Tonder op tromboon, Janine Neethling op klavier, klawerbord en akkordion, Dagga-Dirk Uys op perkussie, Nicole Holm en Liela Groenewald op agtergrondsang en, as spesiale gaskunstenaar, Liza Joubert, einste Liza van \u201cLisa se klavier\u201d. (Ja, die een is met \u2019n Z en die ander met \u2019n S.) <\/span><\/p>\n

\u2019n Stewige span.<\/span><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u2018Lirieke is alles,\u2019 het Koos ges\u00ea, \u2018note is fokkol.\u2019<\/em><\/h4>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Die konsert begin met Koos se \u201cTravel in staail\u201d, met almal op die verhoog. Dan praat \u2019n stem oor die klankstelsel. Lloyd Ross van Shifty Records stap op die verhoog en vertel hoe hy en Koos bymekaar uitgekom het en Shifty die album <\/span>Niemandsland <\/span><\/i>uitgegee het.<\/span><\/p>\n

\u201cHe really played kak guitar and his voice wasn\u2019t great,\u201d onthou Lloyd van die begindae. Maar dit was alles oor die woorde. \u201cLirieke is alles,\u201d het Koos ges\u00ea, \u201cnote is fokkol.\u201d <\/span><\/p>\n

Oor die volgende 90 minute is die gehoor, grotendeels in puffers en gemaklike skoene, op \u2019n nostalgiese reis geneem van Koos se musiek, maar ook solo\u2019s en duette van Anton, Valiant en Gert. Of dit wat Gert probeer doen het. Geklee in swart met \u2019n skouersak skuins oor sy lyf het hy opgestap met \u2019n stuk papier, minstens A3-grootte, met woorde daarop. Groot genoeg geskryf dat ek vermoed die mense in die eerste ry sou kon saamsing. Gert het die woorde geflompel \u2013 wat is die kombinasie tussen fluister en mompel? \u2013 en die res op die verhoog het bygebly, al was daar hier en daar \u2019n diep frons. Gert het klaar gesing, die papier opgevou, dit vir Koos gegee en van die verhoog af gestap. Dit was die laaste wat ons van hom gesien het. <\/span><\/p>\n

Die res van die deelnemers het duidelik hulle deelname geniet. Anton L\u2019Amour was vir die eerste keer in vier jaar \u2013 en bykans drie jaar n\u00e1 die dood van Theuns Jordaan, vir wie hy amper eksklusief gespeel het \u2013 weer op die verhoog. Jannie blaas daai tromboon sekuur, soos altyd. Nicole se stem is hemels, en hoe lekker is dit om weer vir Janine terug te h\u00ea in Suid-Afrika! <\/span><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Een van die vele hoogtepunte was \u201cLisa se klavier\u201d deur Liza en Koos \u2013 dit is verstommend dat dit die eerste keer is wat dit gebeur. Mag dit weer so wees. <\/span><\/p>\n

Dagga-Dirk was in \u2019n swart hemp en broek, maar die uitrusting opgekikker met \u2019n maroen hoed, \u2019n string blomme om sy nek wat lyk of dit uit Crazy Store kom, en \u2019n gehekelde wit tjalie om sy skouers. Wanneer hy die cowbell so met \u2019n stokkie gebliksem het, kon \u2019n mens nie anders nie as om te dink aan die Will Ferrell-skit in 2000 op <\/span>Saturday Night Live<\/span><\/i>.
\nDis nou die een waar Will die cowbell entoesiasties slaan op \u201c(Don\u2019t Fear) The Reaper\u201d van Blue \u00d6yster Cult, maar \u2019n mens wil nie die woord \u201creaper\u201d gebruik en die noodlot tart nie. <\/span><\/p>\n

Met Kris Kristofferson se dood verlede week is daar nou net een van The Highwaymen oor \u2013 die 91-jarige Willie Nelson. Johnny Cash en Waylon Jennings was hopelik daar om vir Kris by die hemelse Grand Ole Opry te ontvang. <\/span><\/p>\n

Time waits for no man. Ons musiekhelde van destyds raak oud. \u00cds oud. Koos het sy liedjie \u201cDie alle ou tannie blues\u201d se lirieke aangepas tot \u201cEk love alle ou tannies\u201d want, s\u00ea hy, hy is \u2019n ou omie. Maar die ooms kan nog rock \u2013 d\u00eds wat tel. <\/span><\/p>\n

Regs van my het \u2019n gryskopman gesit. Ek skat in die sewentig. Toe die laaste note van die toegif, \u201cAlmal wil \u2019n huisie by die see h\u00ea\u201d, uitsterf en die gehoor op hulle voete kom (ek sal nou nie die woord spring gebruik nie…) en die sangers en musikante toejuig, leun hy oor na my toe en s\u00ea: \u201cDis Africana. Hierdie is Africana.\u201d <\/span><\/p>\n

Koos Kombuis en vyande<\/b><\/a>
4 OKT 20:00<\/span>
80 minute | HMS Bloemhof-sentrum<\/span>
R180-R260 | R210-R290 by die deur<\/span>
OB<\/span><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

<\/i> Ilza Roggeband<\/p>\n","protected":false},"author":3799,"featured_media":66199,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[445,516],"tags":[517],"class_list":["post-66263","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-toyota-music-festival","category-ink-festival-newspaper-2024","tag-ink-festival-newspaper-2024"],"yoast_head":"\nResensie: Koos Kombuis... meer as net nostalgie - Toyota Stellenbosch Woordfees<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/woordfees.co.za\/en\/ink-festival-newspaper-2024\/resensie-koos-kombuis-meer-as-net-nostalgie\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Resensie: Koos Kombuis... meer as net nostalgie - 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