{"id":66280,"date":"2024-10-02T16:40:20","date_gmt":"2024-10-02T14:40:20","guid":{"rendered":"https:\/\/woordfees.co.za\/uncategorized\/gesprek-jan-rabie-en-marjorie-wallace-skrywersbeurs\/"},"modified":"2024-10-03T08:05:33","modified_gmt":"2024-10-03T06:05:33","slug":"gesprek-jan-rabie-en-marjorie-wallace-skrywersbeurs","status":"publish","type":"post","link":"https:\/\/woordfees.co.za\/en\/ink-festival-newspaper-2024\/gesprek-jan-rabie-en-marjorie-wallace-skrywersbeurs\/","title":{"rendered":"Gesprek: Jan Rabie en Marjorie Wallace-skrywersbeurs"},"content":{"rendered":"\t\t
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EasyEquities SKRYWERSPROGRAM<\/h6>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Die beurs wat boeke (help) baar <\/span> <\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Produksie: <\/span>Beurswenners besin <\/b>
Skrywer: <\/span>Johan van Zyl<\/b>
Fotograaf: <\/span>Natalie Gabriels<\/b><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Die gesogte Jan Rabie en Marjorie Wallace-skrywersbeurs \u2013 die grootste prys vir die aanmoediging van skeppende skrywers in Suid-Afrika \u2013 is in 2017 toegeken aan Nathan Trantraal<\/b><\/span> en einde verlede jaar aan Lynthia Julius<\/b><\/span>. Die twee bekroonde skrywers het voor \u2019n godskandelike klein gehoor met Bibi Slippers<\/b><\/span> gesels oor wat die beurs alles moontlik maak (en die druk wat daarmee saamkom). <\/h5>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Toe Nathan Trantraal in 2017 sy aansoek ingedien het vir die Jan Rabie en Marjorie Wallace-skrywersbeurs om sy grafiese roman <\/span>Die man wattie kinnes vang<\/span><\/i> (2024) te voltooi, was hy oor een ding seker: \u201cEk was nie <\/span>willing<\/span><\/i> om \u2019n <\/span>day job<\/span><\/i> te kry nie, want skryf is al wat ek wil doen\u2026 om <\/span>art<\/span><\/i> te <\/span>create<\/span><\/i> is <\/span>genuine <\/span><\/i>een van die laaste <\/span>sacred<\/span><\/i> goed vir my. Dit was \u2019n moerse <\/span>risk<\/span><\/i> om \u2019n lewe rondom prysgeld en beurse te probeer bou \u2013 ek\u2019t altyd so \u2019n <\/span>type of gambler\u2019s mentality<\/span><\/i> gehad \u2013 maar ek het baie hard gewerk aan my <\/span>proposal<\/span><\/i> and <\/span>confident<\/span><\/i> gevoel dat ek die <\/span>bursary<\/span><\/i> sal kry; dit was eintlik <\/span>essential<\/span><\/i>.\u201d<\/span><\/p>\n

Dit het hom meer as ses jaar geneem om di\u00e9 grafiese roman te voltooi wat \u201csoort van\u201d deur die storie van die berugte Stasiemoordenaar ge\u00efnspireer is.<\/span><\/p>\n

\u201cDie <\/span>Station Strangler<\/span><\/i> is verlede jaar onder groot <\/span>protest<\/span><\/i> vrygelaat, maar dit was \u2019n <\/span>dead<\/span><\/i> story<\/span><\/i> toe ek my proposal ingedien het. Maar ek het \u2019n <\/span>personal connection<\/span><\/i> daarmee gehad, want ek was daai tyd in dieselfde <\/span>age group<\/span><\/i> as die <\/span>victims<\/span><\/i> en ons het in daai area gebly ook. Ek wou die <\/span>focus<\/span><\/i> by die kinnes hou, want ek wil nie geld maak uit <\/span>serial killers<\/span><\/i> nie. Met almal wat <\/span>true crime<\/span><\/i> series<\/span><\/i> kyk, is mense so <\/span>desensitised<\/span><\/i> vir moord. Ek wou \u2019n st\u00f3rie maak en ek wou nie dat dit <\/span>contaminate<\/span><\/i> word deur Norman Afzal Simons nie.<\/span><\/p>\n

\u201cAs mense my vra hoekom dit so lank gevat het, s\u00ea ek vir hulle ek was besig met my eie <\/span>poetry<\/span><\/i>-bundel toe ek die nuus gekry het en ek wou daai <\/span>poems<\/span><\/i> eers afrond. Daar het <\/span>any case<\/span><\/i> baie meer uit die <\/span>bursary<\/span><\/i> gekom as net my <\/span>graphic novel<\/span><\/i>; dit was alles <\/span>part of a larger <\/span><\/i>project wat in \u2019n <\/span>way<\/span><\/i> die hele taal verryk het: Daai daai tyd was die groot <\/span>explosion<\/span><\/i> in Kaaps, so ek het baie <\/span>time<\/span><\/i> ge-<\/span>spend<\/span><\/i> op die <\/span>development<\/span><\/i> van \u2019n <\/span>roadmap<\/span><\/i> vir die Kaaps <\/span>creative writing course<\/span><\/i> by Rhodes. Daar was \u2019n klomp ander <\/span>side quests<\/span><\/i> ook \u2013 freedom is a terrible thing! Ek\u2019t <\/span>for example<\/span><\/i> gehelp met die <\/span>editing<\/span><\/i> van Ryan [Pedro] se <\/span> Pienk ceramic-hondjies<\/span><\/i> (2020) en Ashwin [Arendse] se bundel, <\/span> Swatland<\/span><\/i> (2021), en ook <\/span>Kompoun<\/span><\/i> (2021) vir Ronelda ge-<\/span>edit<\/span><\/i>.\u201d<\/span><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Verder is grafiese romans \u2019n baie tydrowende proses, het Nathan verduidelik. \u201cEk het \u2019n <\/span>clear idea<\/span><\/i> gehad van wat ek wou doen, maar aan die begin is jou <\/span>scope<\/span><\/i> altyd te groot, en soos jy skryf, word die <\/span>scope<\/span><\/i> al hoe kleiner. Ronelda het gehelp om vir my \u2019n <\/span>outline<\/span><\/i> te <\/span>create<\/span><\/i> om dit makliker te maak.<\/span><\/p>\n

\u201cEk het altyd saam met my broer Andr\u00e9 gewerk, ek was eintlik altyd maar net die <\/span>pencil artist<\/span><\/i>, so ek moes leer om al die <\/span>jobs<\/span><\/i> te doen wat Andr\u00e9 altyd gedoen het \u2013 die <\/span>colouring<\/span><\/i> en die <\/span>inking<\/span><\/i> en so.\u201d<\/span><\/p>\n

Hy en Ronelda, aan wie die beurs in 2016 toegeken is om haar debuutroman, <\/span>Kompoun<\/span><\/i>, te voltooi, was terselfdertyd \u201cklaar\u201d met die Kaap en het baie van die prysgeld gebruik om vir hulle trek na Makhanda in die Oos-Kaap te betaal.<\/span><\/p>\n

\u201cAs jy maar nog altyd skryf en gewoond is om te <\/span>exist<\/span><\/i> onder die <\/span>pressure<\/span><\/i> om nie geld te het nie, dan is geld nie \u2019n <\/span>burden<\/span><\/i> nie, want geld beteken niks. Ek <\/span>compromise<\/span><\/i> nooit die <\/span>quality<\/span><\/i> van my werk, so die <\/span>pressure<\/span><\/i> wat ek op myself sit is die grootste\u2026 ek gee my lewe vir my <\/span>art<\/span><\/i>.\u201d<\/span><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Die beurs is \u2019n \u2018se\u00ebn of \u2019n se\u00ebning, soos my ma sou s\u00ea\u2019, maar dit het aanvanklik baie druk op haar geplaas.<\/em><\/h4>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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LYNTHIA JULIUS, wie se tweede digbundel, Kinderl\u00ea,<\/i> in Februarie verskyn het, het haar wenvoorstel vir haar eerste roman oor \u2019n Nama-medisyneman van die Richtersveld, voorlopig getitel Outa Willem Dik-aantrek<\/span><\/i>, ingedien toe sy in Pretoria gekuier het by haar eerste meisiekjeent, Aria (nou ses maande oud), se pa, die advokaat Eugene Muller. <\/span><\/p>\n

\u201cEk is \u2019n Namakwalander met Nama-bloed in my are en het verskriklik <\/span>homesick<\/span><\/i> gevoel daar in Gauteng, ver van my grond en my mense af.\u201d<\/span><\/p>\n

In \u2019n koerantonderhoud vroe\u00ebr vanjaar het Lynthia vertel sy het op \u2019n keer \u2019n kortverhaal geskryf oor \u2019n vrou wat \u2019n beurs ontvang maar baie eensaam is. \u201cEn toe kry ek die Jan Rabie en Marjorie Wallace-skryfbeurs, en vir \u2019n tyd kort daarna het ek verskriklik eensaam gevoel en gedink: Oe, jou woorde is \u2019n gevaar, jy moenie goed uitspreek nie.\u201d <\/span><\/p>\n

Die beurs is \u2019n \u201cse\u00ebn of \u2019n se\u00ebning, soos my ma sou s\u00ea\u201d, maar dit het aanvanklik baie druk op haar geplaas. \u201cDruk maak soms die kreatiwiteit dood\u2026 daar is soveel ander mense wat aansoek gedoen en dit ook verdien het, maar hulle het vir jou gekies, so jy kan nie teleurstel nie.\u201d <\/span><\/p>\n

Maar sy het intussen geleer om die proses te vertrou en sy hou buitendien so baie daarvan om dom te voel. \u201cVan die roman weet ek niks, maar ek wou meer leer daarvan, so met die beursgeld kon ek teruggaan Namakwaland toe om navorsing te doen en meer te leer oor die geskiedenis van die vroe\u00eb 1900\u2019s en die taal en die plante wat gesond maak en die kopermyne. Maar jy raak kw\u00e1\u00e1d, man,want in Springbok se museum is daar nie eens een foto van \u2019n Nama nie! <\/span><\/p>\n

\u201cEk het saam met my pa op Bitterpoephol [die bruin gemeenskap se spotnaam vir \u2019n wit boer] se plaas rondgery om die plek te soek waar Outa Willem Dik-aantrek bly. En toe sien ek doer staan \u2019n kokerboom en ek s\u00ea vir my pa by d\u00e1\u00e1i kokerboom gaan hy bly. En toe ons by die kokerboom uitklim, ontdek ek die fondasie van \u2019n huis.\u201d <\/span><\/p>


<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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<\/i> Johan van Zyl <\/p>\n","protected":false},"author":3799,"featured_media":66156,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[431,516],"tags":[517],"class_list":["post-66280","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-easyequities-writers-festival-news","category-ink-festival-newspaper-2024","tag-ink-festival-newspaper-2024"],"yoast_head":"\nGesprek: Jan Rabie en Marjorie Wallace-skrywersbeurs - Toyota Stellenbosch Woordfees<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/woordfees.co.za\/en\/ink-festival-newspaper-2024\/gesprek-jan-rabie-en-marjorie-wallace-skrywersbeurs\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Gesprek: Jan Rabie en Marjorie Wallace-skrywersbeurs - 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