{"id":66539,"date":"2024-10-03T20:10:41","date_gmt":"2024-10-03T18:10:41","guid":{"rendered":"https:\/\/woordfees.co.za\/uncategorized\/resensie-speelgoed-n-kleinood-wat-ons-lank-gaan-koester\/"},"modified":"2024-10-03T23:00:21","modified_gmt":"2024-10-03T21:00:21","slug":"resensie-speelgoed-n-kleinood-wat-ons-lank-gaan-koester","status":"publish","type":"post","link":"https:\/\/woordfees.co.za\/en\/ink-festival-newspaper-2024\/resensie-speelgoed-n-kleinood-wat-ons-lank-gaan-koester\/","title":{"rendered":"Resensie: ‘Speelgoed’ \u2019n kleinood wat ons lank gaan koester"},"content":{"rendered":"\t\t
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THEATER<\/h6>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Anna-Mart in murg en siel \u2018Speelgoed\u2019 se matriarg <\/span> <\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Produksie: <\/span>Speelgoed van glas<\/b>
Skrywer: <\/span>Marina Griebenow <\/b>
Foto\u2019s: <\/span>Nardus Engelbrecht<\/b><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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David Kaplan, \u2019n w\u00eareldklas-kenner van die werk van Tennessee Williams, s\u00ea die volgende oor die magiese krag van Williams se dramas: \u201cDit is \u2019n towerspel. Ek het al w\u00eareldwyd die regie van sy dramas behartig. Sodra die eerste woorde val, gebeur daar iets. \u2019n Towerspel word uitgespreek, en daarin l\u00ea die krag van Williams as \u2019n dramaturg.\u201d <\/p>\n

Ek wil my verstout om dieselfde te s\u00ea omtrent ons eie Nico Scheepers, maar dit selfs bre\u00ebr trek, want hy bepaal hom nie slegs tot woorde nie. With <\/span>Speelgoed van glas<\/span><\/i>, \u2019n Afrikaanse weergawe van Williams se beroemde drama <\/span>The Glass Menagerie, <\/span><\/i>het hy self die vertaling gedoen, asook die ontwerp en die regie.<\/span><\/p>\n

Sedert die debuut van sy eerste professionele toneelstuk genaamd <\/span>Wentel<\/span><\/i> het hierdie jong man, toe nog net 27 jaar oud, die verbeelding aangegryp met sy magiese omgang met woorde, karakters, situasies, onderwerpe, bemeestering van genres en mediums, en so meer. Dit was \u2019n vreugde oor die jare om te sien hoe gemaklik die kleed van volwassenheid \u2013 in sy lewe en sy werk \u2013 op hom kom rus het, sonder dat hy sy kinderlike verwondering ooit prysgegee het. <\/span><\/p>\n

Baie van Scheepers se werk dra \u2019n ondertoon van hartseer. \u2019n Mens vermoed dis ook wat hom tot Williams aangetrokke laat voel \u2013 die binnebewe, soos dit genoem word. <\/span><\/p>\n

Vir die produksie wat hier by die Woordfees debuteer, het hy <\/span>Speelgoed van glas <\/span><\/i> verplaas na Suid-Afrika van die jare negentig en die woorde in sy karakters se monde geplaas in \u2019n gemaklike Afrikaans wat geensins mank gaan aan digterlikheid nie. Jy besef eintlik eers hoe knap sy vertaling is as jy weer die Engels gaan lees en sien dat hy die stuk bloot \u2019n bietjie korter gemaak het. Vir geen oomblik as jy kyk en luister na <\/span>Speelgoed van glas<\/span><\/i> sal jy dink dis \u2019n toneelstuk wat in 1945 in Amerika afspeel nie. Tog is dit wesenlik en volkome Williams in karakter. <\/span><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Die gebeure gaan oor \u2019n gesin met \u2019n afwesige pa. Amanda Wingfield (Anna-Mart van der Merwe) doen haar bes om haar gesin bymekaar te hou en die skyn voor te hou dat dit beter gaan as wat dit doen, maar in die loop van die toneelstuk aanskou ons die pogings van haar kinders, Laura (Carla Smith) en Tom (Ben Albertyn) om aan hul situasie en hul ma se greep te ontsnap. <\/span><\/p>\n

Tom is ook die verteller en waarskynlik op Williams self gegrond. Dis bekend dat <\/span>Speelgoed van glas<\/span><\/i> die lot van Williams se eie gesin uitbeeld, nie tot op die letter nie, maar in karakter en gees. Benewens Williams se onteenseglike skryfvernuf, is dit moontlik ook \u2019n rede waarom dit oor die jare so universeel aanklank gevind het, veral sy ma se baasspelerige manier en sy suster se probleme met haar geestesgesondheid. Scheepers gebruik di\u00e9 einste punte met sy vernuftige verplasing en vertaling. <\/span><\/p>\n

Speelgoed van glas <\/span><\/i>is \u2019n geweldig intieme drama, maar hoe hou jy dit intiem in \u2019n kasarm van \u2019n skoolsaal wat nie \u2019n proscenium-verhoog het nie? \u2019n Mens het selfs by tye gewonder of dit nie beter sou gewees het om di\u00e9 belangwekkende werk in die Adam Small-teater te akkommodeer nie. Blykbaar was laasgenoemde nie beskikbaar nie weens die rook wat in <\/span>Speelgoed van glas<\/span><\/i> gebruik word. Die re\u00ebls laat dit nie toe nie. <\/span><\/p>\n

Scheepers laat hom egter nie onderkry nie en ontwerp sy stel om voorsiening te maak vir sy begeerte om die gehoor te laat voel hulle is deel van die gebeure. Die rostrum wat as die hoofspeeloppervlak dien, word effe na vore gebring en van die gehoorlede \u201cagter\u201d die verhoog geplaas. Hulle is so naby dat hulle die spelers omtrent kan hoor asemhaal en die sweet op hul voorkoppe kan sien p\u00earel. <\/span><\/p>\n

Di\u00e9 plasing het met die eerste twee opvoerings hier by die fees nie gewerk nie, want weens klankprobleme kon hulle nie altyd die spelers hoor nie, al het hulle mikrofone gebruik. Veral in die geval van Ben Albertyn was dit hinderlik, juis omdat hy die verteller is. Die klank van die televisie wat kort-kort aan is, het die probleem verger. Dis egter uitgesorteer teen die derde opvoering. Mense wat van toe af daar was en \u201cagter\u201d die verhoog gesit het, het geswymel oor die genot daarvan om so naby aan die spelers en die aksie te wees. <\/span><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Speelgoed van glas, soos Laura se delikate en kosbare glasdiertjies, is \u2019n kleinood wat \u2019n mens nog vir \u2019n lang tyd gaan koester en bewaar.<\/em><\/h4>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Scheepers is \u2019n man wat hom kan toespits op die fynste besonderheid van \u2019n stuk waarmee hy besig is. Diegene wat die televisiereeks <\/span>N\u00earens, Noord-Kaap<\/span><\/i> kyk, sal kan getuig daarvan. Sy intieme kennis van die jare negentig (sy grootwordjare) vind uiting in die rekwisiete wat gebruik word en die meubels in die Wingfields se huis, waaronder die kinderprogramme soos <\/span>Pinocchio<\/span><\/i> waarheen Laura dikwels ontvlug van ongemaklike situasies.<\/span><\/p>\n

Die twee jonger spelers, Smith en Albertyn, oortuig heeltemal in die rolle wat hulle vertolk en hulle is goed gekies, maar dis die twee ouer spelers, Van der Merwe as Amanda en Mark Elderkin as Jim, wat jou oopmond laat sit weens hul talent. <\/span><\/p>\n

Van der Merwe is in murg en been en siel die matriarg Amanda, een van die mees substantiewe en moeilike rolle wat nog vir \u2019n vrou geskryf is. Sy veg met alles in haar vir die behoud van haar gesin, maar so nou en dan kom die swaarheid van die lewe by haar nesskop. En jy verstaan haar. <\/span><\/p>\n

Elderkin het al heelwat pryse ontvang vir sy uitstekende vertolking van \u2019n verskeidenheid karakters, waaronder Malvolio in <\/span>Twelfth Night<\/span><\/i>, Bottom in <\/span>A Midsummer Night\u2019s Dream<\/span><\/i> en onlangs die eksentrieke Keiser in <\/span>Amadeus<\/span><\/i>.
\nHy vertel agterna hoe hy daarna gesmag het om vir \u2019n verandering net \u2019n doodgewone goeie ou te speel, en toe bel Scheepers hom vir die rol van Jim.
\n\u2019n Beter keuse kon daar nie wees nie.
\nJim se interaksie en empatie met Laura maak die hart week en die twee spelers het werklik \u2019n besondere rapport. <\/span><\/p>\n

Ek is een wat dikwels kla oor die wonderlike werk wat \u2019n mens by die feeste sien wat dan nie altyd hul pad na die hoofstroomverho\u00eb vind nie. Dit is dus geweldig verblydend om te hoor dat sowel <\/span>Speelgoed van glas<\/span><\/i> as <\/span>Hedda Gabler<\/span><\/i>, twee van my hoogtepunte by die fees deur twee van my gunsteling-regisseurs, elk \u2019n speelvak by die Baxter-teater in Kaapstad gaan h\u00ea. Ons is dank verskuldig aan die Baxter vir hul erkenning aan di\u00e9 twee produksies en hoop die mense sal bereid wees om in hul karre te klim en dit op \u2019n \u201cregte\u201d verhoog te gaan ondersteun. <\/span><\/p>\n

Selfs met die paar probleme wat die produksie met die openingsaand beleef het, was dit duidelik dat <\/span>Speelgoed van glas<\/span><\/i>, soos Laura se delikate en kosbare glasdiertjies, \u2019n kleinood is wat \u2019n mens nog vir \u2019n lang tyd gaan koester en bewaar. Ek sien uit daarna om dit in Kaapstad weer te gaan kyk. <\/span><\/p>\n<\/p>\n

Speelgoed van glas<\/b><\/a>
4 OKT 16:00 | 5 OKT 20:00 | 6 OKT 15:00<\/span>
120 min | Rhenish Girls\u2019 High School<\/span>
R200-R300 <\/span> <\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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<\/i> Marina Griebenow<\/p>\n","protected":false},"author":3799,"featured_media":66492,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[400,516],"tags":[517],"class_list":["post-66539","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-theatre","category-ink-festival-newspaper-2024","tag-ink-festival-newspaper-2024"],"yoast_head":"\nResensie: 'Speelgoed' \u2019n kleinood wat ons lank gaan koester - Toyota Stellenbosch Woordfees<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/woordfees.co.za\/en\/ink-festival-newspaper-2024\/resensie-speelgoed-n-kleinood-wat-ons-lank-gaan-koester\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Resensie: 'Speelgoed' \u2019n kleinood wat ons lank gaan koester - 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