{"id":66574,"date":"2024-10-03T13:49:04","date_gmt":"2024-10-03T11:49:04","guid":{"rendered":"https:\/\/woordfees.co.za\/uncategorized\/resensie-jana-cilliers-oor-die-hoeke-van-die-lewe-en-die-dood\/"},"modified":"2024-10-16T12:52:45","modified_gmt":"2024-10-16T10:52:45","slug":"resensie-jana-cilliers-oor-die-hoeke-van-die-lewe-en-die-dood","status":"publish","type":"post","link":"https:\/\/woordfees.co.za\/en\/ink-festival-newspaper-2024\/resensie-jana-cilliers-oor-die-hoeke-van-die-lewe-en-die-dood\/","title":{"rendered":"Resensie: Jana Cilliers oor die hoeke van die lewe en die dood"},"content":{"rendered":"\t\t
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THEATER<\/h6>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\u2019n Intieme gesprek oor tyd heen <\/span> <\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Produksie: Veelhoek<\/strong><\/span>
Skrywer: Nadine Petrick<\/strong><\/span>
Foto\u2019s: Verskaf <\/strong><\/span> <\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Jana Cilliers doen wat sy bitterlik selde doen \u2013 sy praat oor haarself. Haar eie lewe en emosies. Sy maak haar hart oop en vertel vir die wye w\u00eareld presies hoe sy gevoel het n\u00e1 haar man, Bill, se skielike afsterwe. Sy bied grepies aan van haar tyd as kind in die hospitaal toe sy polio gehad het, \u2019n gegewe wat \u2019n mens waarskynlik nooit in \u2019n Sarie<\/span><\/i> -artikel sou lees nie. Sy bied \u2019n intieme blik op hoe sy voel oor die lewe, maar ook oor die groot onafwendbare: die dood. <\/span><\/p>\n

Veelhoek<\/span><\/i> is die naam van \u2019n debuutbundel wat die bloedjong digter daarvan nooit in sy hande sou vashou nie. \u2019n Motorongeluk knip sy lewe en talent kort. Jana Cilliers onthou di\u00e9 \u201cenigmatiese skimfiguur\u201d net vaagweg. Daardie digter, Barnard Gilliland, was haar neef. <\/span><\/p>\n

Die gelyknamige toneelstuk, Cilliers se debuut as dramaturg, is \u2019n intens persoonlike gesprek tussen neef en niggie. \u2019n Vraag \u00e9n \u2019n antwoord. Die neef, vertolk deur Ludwig Binge, is steeds vasgevang in die vroe\u00eb jare sestig en wroegend oor sy beste vriend se dood. Die niggie, Jana, in die hede, met haar blik op die verlede en peinsend oor krisismomente in haar lewe en haar eie verganklikheid. <\/span><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Gilliland se praatvers \u201cSkipbreukelinge\u201d, wat ge\u00efnsipireer is deur die Gilgamesj-epos en hoe hy sy beste vriend se selfdood probeer verstaan, het Jana van kleins af geboei: \u201c[\u2018en] waar ek my voet sit, is water\u2019, \u2019n refrein wat my net nie wou los nie\u201d, skryf sy. Uit di\u00e9 oogpunt bekyk sy nie net hoe vervlietend tyd is nie \u2013 as jy klein is het jy geen benul hoe lank drie weke in afsondering in \u2019n hospitaal kan wees nie \u2013 maar ook die verskillende hoeke waaruit sy die dood van nabye geliefdes ervaar en verwerk het. Haar ma se heengaan was sag; sy was reg om te gaan. Oor Bill se dood s\u00ea sy: \u201cMy hel is in hierdie winter.\u201d <\/span><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Cilliers se debuut as dramaturg is \u2019n intens persoonlike gesprek.<\/em><\/h4>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Vir iemand wat haarself nie roem as skrywer nie, is di\u00e9 teks besonder sterk. Dit sluit naatloos aan by Gilliland se epiese vers, en met die vaardigheid en briljansie van Marthinus Basson as regisseur word die gesprek tussen hede en verlede lewendig; dit bly nie bloot \u2019n gedagtereis nie. Voeg daarby David Wolfswinkel se ekonomies-treffende musiek en jy kry \u2019n incredible stuk teater. Dit roer ook op al die regte plekke \u2013 die gehoor was deurgaans tjoepstil, iets wat \u2019n mens nooit by \u2019n feesproduksie as \u2019n gegewe kan aanvaar nie. <\/span><\/p>\n

Iewers nader aan die einde van die stuk wonder Cilliers presies wat dit dan is wat sy haar lewe lank van haar neef soek; hoekom hy so aanhou om met haar kop te smokkel? Sy was dan net 10 jaar oud toe hy dood is. In \u201cVeelhoek\u201d kom sy waarskynlik so naby aan \u2019n antwoord op haar eie vraag as wat sy ooit sal kan. <\/span><\/p>\n<\/p>\n

Veelhoek<\/b><\/a>
4 OKT 15:00, 5 OKT 17:00, 6 OKT 14:00<\/span>
60 min | Adam Small-laboratorium<\/span>
R190 | R220 by die deur<\/span><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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<\/i> Nadine Petrick<\/p>\n","protected":false},"author":3799,"featured_media":66417,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[400,516],"tags":[517],"class_list":["post-66574","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-theatre","category-ink-festival-newspaper-2024","tag-ink-festival-newspaper-2024"],"yoast_head":"\nResensie: Jana Cilliers oor die hoeke van die lewe en die dood - Toyota Stellenbosch Woordfees<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/woordfees.co.za\/en\/ink-festival-newspaper-2024\/resensie-jana-cilliers-oor-die-hoeke-van-die-lewe-en-die-dood\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Resensie: Jana Cilliers oor die hoeke van die lewe en die dood - 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