{"id":66610,"date":"2024-10-01T17:40:37","date_gmt":"2024-10-01T15:40:37","guid":{"rendered":"https:\/\/woordfees.co.za\/uncategorized\/resensie-randfigure-uit-n-ryk-verbeelding-se-wenresep\/"},"modified":"2024-10-05T10:53:38","modified_gmt":"2024-10-05T08:53:38","slug":"resensie-randfigure-uit-n-ryk-verbeelding-se-wenresep","status":"publish","type":"post","link":"https:\/\/woordfees.co.za\/en\/ink-festival-newspaper-2024\/resensie-randfigure-uit-n-ryk-verbeelding-se-wenresep\/","title":{"rendered":"Resensie: Randfigure uit \u2019n ryk verbeelding se wenresep"},"content":{"rendered":"\t\t
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THEATER<\/h6>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Gehoor verkneukel hulle in wenresep-trilogie<\/span><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Produksie: <\/span>\u2019n Lewe in die dag van \u2019n vrugtevlieg, ensomeer: Die ongewerwelde-trilogie<\/b>
Skrywer: <\/span>Marina Griebenow <\/b>
Foto\u2019s: <\/span>Nardus Engelbrecht<\/b><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Nadat ek sowat 40 jaar gelede in Kaapstad aangeland het, het ek gou een van die bekendste s\u00eagoed geleer: \u201cSoppie koppie!\u201d Provinsialisme is toe nog ernstig opgeneem en nasionalisme was \u2019n perd van \u2019n ander kleur. Die uitdrukking was \u2019n goedige gespot met die Transvaalse pappas wat vakansietye oral met hul kleintjies op die skouers rondgeloop en probeer keer het dat die bloedjies hul koppe stamp. <\/p>\n

Toe ek gistermiddag by die Adam Small-teater uitloop nadat ek heerlik gelag en selfs \u2019n traan gepink het saam met die akteurs Wessel Pretorius en David Viviers, hoor ek \u2019n man aan sy vrou s\u00ea: \u201cPasop, moenie val nie!\u201d Ek besef toe ek hoor daardie woorde baie meer dikwels deesdae as \u201csoppie koppie\u201d. Die eendeweer van die afgelope dae het natuurlik daartoe bygedra dat geen trappe veilig is nie, maar hier by die Woordfees loop die gryskoppe los rond en loop-en-val is vir ons aan die verkeerde kant van sestig nie net die naam van \u2019n bekende atleet nie. <\/span><\/p>\n

Desondanks die oorvloed aan gryskoppe, is die meeste gehoorlede by <\/span>\u2019n Dag in die lewe van \u2019n vrugtevlieg, ensomeer: Die ongewerwelde-trilogie <\/span><\/i> darem aan die beste kant van 40. Hulle en die gryskoppe het egter die produksie ewe veel geniet en luidkeels van hulle laat hoor. Pretorius se teks wemel van verwysings na dinge en gebeure, maar gelukkig bly die gryskoppe by. Di\u00e9 trilogie volg op Pretorius en Viviers se ewe prettige (tragi)komedie <\/span>Klara Maas se hart is gebreek, ensomeer: Die vloeistof-trilogie. <\/span><\/i>As spelgenote is hulle met \u2019n Fleur du Cap-teaterprys bekroon vir die Engelstalige weergawe van <\/span>Klara Maas<\/span><\/i>.<\/span><\/p>\n

Net terloops, is daar \u2019n rede waarom Adam Small se naam nie buite op die gebou staan nie? \u201cAsking for a friend,\u201d soos die Engelse s\u00ea. <\/span><\/p>\n

Soos in <\/span>Klara Maas<\/span><\/i>, word in die jongste werk weer drie stories oor drie onwaarskynlike helde vertel, naamlik \u2019n kunssinnige vrugtevlieg genaamd Musca, \u2019n Duitse mot wat haar vlinder wil hou as Isolde pleks van haar doopnaam, Brunhilde, en \u2019n bedrukte re\u00ebnspinnekop, Andries n\u00e1 die Re\u00ebn. In <\/span>Klara Maas<\/span><\/i> was die helde \u2019n traandruppel, \u2019n bloeddruppel en \u2019n spermsel.<\/span><\/p>\n

Jy skrik jou amper \u2019n papie (met verskoning aan die gewerweldes) as die luidsprekers skielik kliphard bruis met \u201cO fortuna\u201d uit Carmina Burana van Carl Orff. \u201cO, hier kom moeilikheid,\u201d verkneukel die gehoor hulle by voorbaat. Pretorius se musiekkeuses as regisseur is deurgaans prikkelend, amusant en altyd nommerpas. <\/span><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Tussen die twee van hulle speel Pretorius en Viviers al die rolle, heelwat daarvan nogal fisiek veeleisend, maar albei van hulle is gelukkig goed onderl\u00ea in die fisieke teater. Die moeilikste deel van die ongewerwelde trilogie is seker om tred te hou met die magdom rekwisiete wat gebruik word en waar jy hulle op \u2019n bepaalde tydstip moet kry. <\/span><\/p>\n

Dis met die einste rekwisiete dat die toneelstuk van jou vereis om jou verbeelding op turbo in te stel. Twee ou houtrakette is Ou Musca (die vrugtevlieg) se vlerke wat Viviers so floutjies waai terwyl Musca sy dilemma uiteensit, \u2019n tutu om Pretorius se nek gedrapeer verander hom in \u2019n groen angelier, en nog baie meer. Die rekwisiet wat egter die meeste reaksie uitgelok het, was die klopdansskoene van Viviers as Andries die depressiewe re\u00ebnspinnekop. Dit word bewimpel met twee eetlepels wat met rekkies om sy skoene gebind word. Dis al moeilik genoeg om \u2019n ritme te klop met regte klopdansskoene, wat nog te s\u00ea met di\u00e9 kontr\u00eapsie. Pretorius se antwoord toe ek daarna uitvra: \u201cDit het lank gevat, maar hy kan mos enigiets baasraak.\u201d Almal het maar net bewonderend die kop geskud. <\/span><\/p>\n

Bogenoemde gebruik van optelgoed, naamlik om suggestie in die dialoog te verduidelik of versterk of om doelbewus die humor daarvan uit te buit, herinner sterk aan die reeks Raiders-toneelstukke wat langer as twee dekades elke jaar by die Grahamstad-fees aangebied is deur die teaterveteraan Nicholas Ellenbogen en watter armsalige akteur op daardie tydstip ook al sy slagoffer oftewel medewerker was. My gunsteling-truuk was toe die karakter verduidelik hoe baie krokodille daar in die Nylrivier is wat hulle moet oorsteek. Twee geel kindergrootte Crocs kom te voorskyn en plegtig op die blou lap geplaas wat die rivier voorstel. Die gehoor het gebulder van die lag. Covid (en Nicholas se ho\u00eb ouderdom) het \u2019n einde aan daardie produksies gebring, maar hulle was bykans \u2019n instelling op daardie fees. <\/span><\/p>\n

Pretorius en Viviers se werk verskil in \u2019n paar belangrike opsigte van die Raiders-reeks. Pretorius se teks is lankal formeel vasgel\u00ea teen die tyd dat die stuk open en word nie ge\u00efmproviseer soos hulle dit opvoer nie. Dit verhoed natuurlik nie \u2019n verdwaalde ad lib of \u2019n akteur wat onverwags begin lag nie, maar dit gebeur minimaal en sorg vir \u2019n goed ingeoefende en afgeronde produk. Die ander aspek wat verskil, is dat daar in die trilogie\u00eb genadiglik geen gehoordeelname is nie. Glo my, dis die beste manier om enige banaliteit te vermy! Minder lawwe onderbrekings versterk natuurlik ook die verhaallyn. <\/span><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Tussen die twee van hulle speel Pretorius en Viviers al die rolle, heelwat daarvan nogal fisiek veeleisend, maar albei van hulle is gelukkig goed onderl\u00ea in die fisieke teater.<\/em><\/h4>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Verder spits Pretorius hom deur die metaforiese karakters toe op die randfigure in die samelewing en wek doelbewus empatie vir hul lot in die lewe. Sy werk is dus in die algemeen meer diepsinnig hoewel nog steeds skreeusnaaks. <\/span><\/p>\n

Pretorius se liefde vir rolprente straal deur alles, waaronder <\/span>Casablanca<\/span><\/i> in Musca se storie, Isolde wat haar verbeel sy is Garbo in die tweede storie genaamd <\/span>Because the Night<\/span><\/i>, en Andries wat wil dans soos Gene Kelly in <\/span>Singing in the Rain<\/span><\/i>.<\/span><\/p>\n

Mens het sowel Pretorius as Viviers leer ken as ernstige oftewel klassieke akteurs. Daardie grondslag gaan nie verlore nie, maar word juis benut in die lawwigheid van komedie waar \u2019n vlymskerp intellek, uitmuntende tydsberekening en \u2019n bietjie geluk sukses waarborg. Albei steun op uitdrukkingsvolle stemme, \u2019n sterk verhoogteenwoordigheid en \u2019n intieme band met die gehoor. <\/span><\/p>\n

Ek het <\/span>Klara Maas<\/span><\/i> ongeveer drie keer gesien. Ek sal dieselfde doen met <\/span>\u2019n Dag in die lewe van \u2019n vrugtevlieg, ensomeer: Die ongewerwelde-trilogie <\/span><\/i>om weer vir Musca, Isolde en Andries te beleef. Dan is daar nog Bella Bouwer van Secunda, Dino, die Magic Lantern op Wakkerfontein, Ph-fanie, Meisie van Tonder, Drikus Duisendpoot, klopdanslesse by Miss Kruier, en nog talle ander karakters wat jou hart sal laat verteder en jou beslis met \u2019n glimlag op jou gesig huis toe sal vergesel. <\/span><\/p>\n

Te oordeel aan die gehoor se reaksie gister, is die trilogie\u00eb van Pretorius en Viviers \u2019n ware wenresep en die twee van hulle supersterre. Hulle kan maar by die Woordfees \u2019n instelling raak. Daar is vanjaar nog twee opvoerings. Gaan gee jouself vir 75 minute oor aan die geil verbeelding en ongebreidelde talent van Pretorius en Viviers. <\/span><\/p>\n<\/p>\n

\u2019n Lewe in die dag van \u2019n vrugtevlieg, ensomeer: Die ongewerwelde-trilogie<\/a><\/strong>
3 OKT 20:30 | 6 OKT 10:00<\/span>
75 min | Adam Small-laboratorium<\/span>
R190 | R220 by die deur<\/span>
Geen o.13 (T)<\/span><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

<\/i> Marina Griebenow<\/p>\n","protected":false},"author":3799,"featured_media":66916,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[400,516],"tags":[517],"class_list":["post-66610","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-theatre","category-ink-festival-newspaper-2024","tag-ink-festival-newspaper-2024"],"yoast_head":"\nResensie: Randfigure uit \u2019n ryk verbeelding se wenresep - Toyota Stellenbosch Woordfees<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/woordfees.co.za\/en\/ink-festival-newspaper-2024\/resensie-randfigure-uit-n-ryk-verbeelding-se-wenresep\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Resensie: Randfigure uit \u2019n ryk verbeelding se wenresep - 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