{"id":66869,"date":"2024-10-04T15:15:17","date_gmt":"2024-10-04T13:15:17","guid":{"rendered":"https:\/\/woordfees.co.za\/uncategorized\/resensie-alles-kom-tot-niks\/"},"modified":"2024-10-16T12:51:10","modified_gmt":"2024-10-16T10:51:10","slug":"resensie-alles-kom-tot-niks","status":"publish","type":"post","link":"https:\/\/woordfees.co.za\/en\/ink-festival-newspaper-2024\/resensie-alles-kom-tot-niks\/","title":{"rendered":"Resensie: Alles kom tot niks"},"content":{"rendered":"\t\t
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THEATER<\/h6>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Die antwoord\u2026 die dood <\/span> <\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Produksie: <\/span>Die stoele<\/b>
Skrywer: <\/span>Willem Bester<\/b>
Foto\u2019s: <\/span>Llewellyn de Wet <\/b> <\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u2019n Ou man en vrou sit en wag in hulle vuurtoring op gaste wat sal arriveer. Die geleentheid is die openbaarmaking van die ou man se lewensfilosofie, iets waaraan hy al dekades lank slyp. Die gaste kom van heinde en ver \u2013 selfs die president is op pad. Die ou man sal egter nie self aan die woord wees nie: Hy het \u2019n spreker gere\u00ebl om namens hom te praat. <\/span><\/p>\n

Vir al die gaste is daar natuurlik sitplek nodig. Al hoe meer stoele word ingedra en -gesleep\u2026 al kan die gehoor die gaste glad nie sien nie. Hoewel die ou man (Chris van Niekerk) en vrou (Antoinette Kellermann) die heeltyd m\u00e9t mekaar praat, praat hulle ook verby mekaar. Een storie blyk \u2019n daaglikse ritueel te wees, en verder is daar teenstrydige gesprekke, onder meer oor of hulle kinders het. Die ou vrou figureer ook gelyk as moeder en as eggenoot. Wanneer die groot oomblik van die openbaring aanbreek, blyk daar net een uitweg te wees: Uit by die venster\u2026 na hulle dood. Die spreker kom einde ten laaste aan die beurt, maar di\u00e9 kan geen verstaanbare woord uiter nie, en \u2019n gekrabbel teen die muur s\u00ea nog minder. <\/span><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Die groot afwagting het gekom tot niks.<\/span><\/p>\n

Dit is merkwaardig dat sowat 90 minute van bykans niks so kan boei en fassineer. Maar absurditeit is immers die essensie van Eug\u00e8ne Ionesco se meesterstuk <\/span>Die stoele<\/span><\/i>.
\nAl soek ons daarna, is die lewe sonder betekenis, wil hy s\u00ea, net soos Camus, Sartre en Beckett.
\nAlles is illusie en kom uiteindelik tot niks.
\nMaar anders as Camus, wat in <\/span>Le mythe de Sisyphe<\/span><\/i> rebellie teen die absurde oorweeg, volstaan Ionesco hier met die dood as ooglopende antwoord.<\/span><\/p>\n

Dit klink na die resep vir \u2019n depressiewe teaterervaring, maar in Marthinus Basson se bekwame hande l\u00ea die humor naby aan die oppervlak, gretig om deur te bars. Dit was van meet af aan duidelik waarom di\u00e9 produksie, \u2019n vertaling deur Nerina Ferreira, vroe\u00ebr vanjaar met die louere weggestap het as beste produksie by die KKNK. <\/span><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Daar is soms die soort fisieke spel wat veel jonger mense sou laat les ops\u00ea. Dit is ouskooltegnieke op hulle beste, dinge soos goeie projeksie, fyn tydsberekening en natuurlike ruimtebegrip. <\/em><\/h4>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Van Niekerk en Kellermann is ook bekroon, as beste hoofspelers. Hulle is fenomenaal in hulle instelling op en interaksie met mekaar en speel deur die omvang en uiterstes van primale emosies. Kellermann verander in \u2019n handomdraai van amper hulpbehoewende eggenoot in \u2019n moederkarakter of koket, en Van Niekerk krimp n\u00e1 grootgebaar-grootpraat ineen, soos \u2019n kind wat seergekry het. Daar is soms die soort fisieke spel wat veel jonger mense sou laat les ops\u00ea. Dit is ouskooltegnieke op hulle beste, dinge soos goeie projeksie, fyn tydsberekening en natuurlike ruimtebegrip. <\/span><\/p>\n

Die rol van Basson se stel in die sukses is onmiskenbaar. Hoewel aanvanklik amper vervalle en toiingrig, raak dit later glimmend onder Nicolaas de Jongh se eenvoudig dog meesterlike beligting, die tekstuur in die hout soos iets wat jy in \u2019n Frank Lloyd Wright-woning sal aantref. Met net twee akteurs en \u2019n klomp stoele op die verhoog is die geroesemoes van die onsigbare gaste tasbaar. <\/span><\/p>\n

As \u2019n mens ondanks die humor en vernuf op die verhoog n\u00e1 die tyd ietwat afgerem voel, is dit omdat dit alte maklik is om die mense in jou lewe in die stuk te sien wat op die een of ander manier vasgehaak het. Daar is tog iets universeels aan die sprake van onvervulde talent en verloopte lewens. <\/span><\/p>\n<\/p>\n

Die stoele<\/b><\/a>
4 OKT 20:00, 5 OKT 13:00, 6 OKT 19:00<\/span>
90 min | Rhenish Girls\u2019 High School<\/span>
R200-R300 | R230-R330 by die deur<\/span>
Geen o.10 <\/span> <\/p><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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<\/i> Willem Bester<\/p>\n","protected":false},"author":3799,"featured_media":66724,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[400,516],"tags":[517],"class_list":["post-66869","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-theatre","category-ink-festival-newspaper-2024","tag-ink-festival-newspaper-2024"],"yoast_head":"\nResensie: Alles kom tot niks - Toyota Stellenbosch Woordfees<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/woordfees.co.za\/en\/ink-festival-newspaper-2024\/resensie-alles-kom-tot-niks\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Resensie: Alles kom tot niks - 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