{"id":66876,"date":"2024-10-04T20:26:03","date_gmt":"2024-10-04T18:26:03","guid":{"rendered":"https:\/\/woordfees.co.za\/uncategorized\/rubriek-my-poespas-van-n-dag\/"},"modified":"2024-10-04T21:22:21","modified_gmt":"2024-10-04T19:22:21","slug":"rubriek-my-poespas-van-n-dag","status":"publish","type":"post","link":"https:\/\/woordfees.co.za\/en\/ink-festival-newspaper-2024\/rubriek-my-poespas-van-n-dag\/","title":{"rendered":"Rubriek: \u2018My poespas van \u2019n dag\u2019"},"content":{"rendered":"\t\t
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OPINIE<\/h6>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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As die dag ander planne het\u2026 <\/span> <\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Foto\u2019s: <\/span>Nardus Engelbrecht, AB Jantjies, Natalie Gabriels <\/b><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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As jy vir \u2019n feespublikasie skryf, soos <\/span>Ilza Roggeband<\/b> al baie jare doen, moet jy beplan. Minute, soms selfs sekondes, kan \u2019n verskil maak. Maar soms kan die beste beplanning in \u2019n omslagtige gedoente verander.
\u2019n Ware poespas.<\/span><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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poes\u00b7pas<\/b> s.nw.<\/i> [versamelnaam] (weinig gebruik)<\/i>
snaakse mengelmoes; omslagtige gedoente; deurmekaarspul; hutspot <\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Donderdagoggend is ek vroeg op. Ek gaan sit en werk in my pajamas in die kombuis by die huis wat ek met drie ander INK-joernaliste deel. Ek wil my werk klaarkry, want om 10:00 moet ek Hedda Gabler<\/i> gaan kyk. <\/p>\n

Net om te verduidelik: As jy vir \u2019n feespublikasie skryf, is daar \u2019n indeling, amper \u2019n hi\u00ebrargie. Marina doen die groot dramas; Herschelle is goed met die jong stemme; van politiek en diskoers kan jy vir Jo-Ann min vertel; boeke en toneel is Johan se ding; klassieke musiek is Wayne, Naud\u00e9 en Willem se terrein; en Nadine ken haar storie wanneer dit by kontempor\u00eare musiek kom. Maar dit s\u00ea nie enigeen van ons kan ni\u00e9 oor enigiets anders skryf nie. Ons wil natuurlik graag sien wat in die ander genres aangaan. <\/span><\/p>\n

Dus, om \u2019n lang storie kort te maak: Hoewel ek nie oor <\/span>Hedda Gabler<\/span><\/i>, <\/span>Speelgoed van glas<\/span><\/i> of <\/span>\u2019n Begin<\/span><\/i> gaan skryf nie, gaan ek alles in my vermo\u00eb doen om dit te siene te kry. By die laaste twee kon ek uitkom; nou is dit nog net <\/span>Hedda<\/span><\/i> \u2013 en dan is dit duim vashou dat <\/span>Kruispad of die legende van die goue vis<\/span><\/i> en <\/span>Albatros <\/span><\/i>in die toekoms op die planke is.<\/span><\/p>\n

Terug by Donderdagoggend: Om 08:22 kry ek \u2019n WhatsApp van \u2019n vriend wat elders woon, maar vir \u2019n paar dae by die Woordfees is. Dis sy laaste dag by die fees. <\/span><\/p>\n

\u201cIs jy nog iewers?\u201d vra hy. <\/span><\/p>\n

\u201cN\u00e1 12:00. Hoe laat ry jy?\u201d vra ek.<\/span><\/p>\n

\u201cHalfelf is ek weg,\u201d s\u00ea hy.<\/span><\/p>\n

\u201cTot ons mekaar weer sien. Kom volgende keer langer,\u201d antwoord ek.<\/span><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Ek probeer nog smeek, maar besef ek is besig om daai mens te word vir wie ek min ooghare het \u2013 die een wat laat is en dan almal in die teater se aandag aftrek<\/em><\/h4>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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EK STORT en trek aan. Teen 09:40 is ek en Johan, met wie ek die huis in Paradyskloof deel en wat soggens \u2019n lift saam met my kry, op die dorp. Ek moet nog \u2019n kaartjie vir <\/span>Hedda<\/span><\/i> kry, maar besluit ek gaan nie by Erfurthuis koop nie; ek vat sommer dadelik \u2019n Woordfeesbussie Renish toe en koop dit daar by die deur.<\/span><\/p>\n

By Renish is dit stil, maar ek ploeg moedig voort. \u201cTannie is by die verkeerde venue. <\/span>Hedda<\/span><\/i> is by die Adam Small,\u201d s\u00ea die vriendelike jong vrou by die deur.<\/span><\/p>\n

Poespas.<\/span><\/p>\n

Ek stap uit, sien \u2019n Woordfeesbussie van Bloemhof se kant kom en wuif. Klim in en vra of hy my vinnig by die Adam Small kan kry. Ek is laat, minute laat. Ek probeer nog smeek, maar besef ek is besig om daai mens te word vir wie ek min ooghare het \u2013 die een wat laat is en dan almal in die teater se aandag aftrek net omdat hulle nie beter beplan het nie. <\/span><\/p>\n

Daar is \u2019n gesprek van die Taalkommsissie oor Afrikaans in die Seminaarkamer by die Adam Small en ek stap op. Sit lank genoeg om verskeie waarhede en mooi goed oor Afrikaans te hoor. <\/span><\/p>\n

\u201cVari\u00ebteite in Afrikaans is nie afwykings nie.\u201d<\/span><\/p>\n

\u201cOns kry navrae oor hoeveel woorde daar in Afrikaans is, en die kort antwoord is ons weet nie. Neem byvoorbeeld \u2018woord\u2019. Sit \u2018fees\u2019 daarby en dit word \u2018woordfees\u2019. Ons in nou in \u2019n lokaal; dus is dit \u2018woord + fees + lokaal\u2019. En so kan ons aan en aangaan.\u201d<\/span><\/p>\n

\u201cIn die woorde van George Weideman: Net omdat woorde nie in woordeboeke is nie, beteken dit nie dat hulle nie bestaan nie.\u201d<\/span><\/p>\n

\u201cIn die Overberg is ons nie hartseer nie; ons is huilerig.\u201d<\/span><\/p>\n

\u201cEen van die nuutskeppings wat ons gekry het, is \u2018hondtrovert\u2019, met ander woorde iemand wat eerder by hulle honde as ander mense wil wees.\u201d<\/span><\/p>\n

Hoe mooi.<\/span><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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SKUINS VOOR 11:00 verskoon ek my saggies en haas my na Oude Leeskamer vir \u2019n gesprek oor kunsversameling, aangebied deur Strauss Co. Google Maps is op my foon en ek suiker af Dorpstraat toe. Iewers moet ek links, maar ek regs en kom eers later my fout agter. Ek gaan sit seker so 11:10 op \u2019n stoel in die agterste ry. <\/span><\/p>\n

Poespas.<\/span><\/p>\n

Die kunsgesprek is fassinerend en ek is bly ek het deurgedruk. Die aanbieders, Karel Nel, kurator van die Norval-stigting, en Hayden Proud, kurator van historiese versamelings by die Iziko Suid-Afrikaanse Museum in Kaapstad, vertel onder meer van die enorme inlvoed wat mense soos Linda Goodman, Esm\u00e9 Berman en Nell Erasmus op die Suid-Afrikaanse kunslandskap gehad het. Die Peter Stuyvesant-versameling wat iewers verlore gegaan het as gevolg van een maatskappy wat deur \u2019n ander oorgeneem is. Hoe \u2019n Pierneef in 1971 vir die enorme bedrag van R8 000 verkoop is en \u2019n Irma Stern vir R3 200. (Stern se Children Reading the Koran<\/em> is in 2023 vir R22,3 miljoen verkoop, en Pierneef se \u201cHo\u00ebveldlandskap\u201d op \u2019n veiling, ook in 2023, vir R8 miljoen…) <\/span><\/p>\n

N\u00e1 die tyd gaan kyk ek na die uitstalling op die grondvloer van werk wat op 12 November op \u2019n regstreekse aanlyn veiling in Johannesburg verkoop gaan word. <\/span><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Daar is \u2019n Picasso, \u2019n Tretchikoff, verskeie Kentridges, \u2019n Anton van Wouw-beeld en \u2019n fabelagtige hoenderhaan deur Neil Rodger.<\/span><\/p>\n

My dagprogram is weer op dreef. Tweeuur die middag klok ek in vir Ian Roberts wat praat oor sy biografie. Ek laat my boek teken en lyk soos \u2019n skaam tienermeisie wat die eerste keer vir Sloet ontmoet. Vroegaand drink ek \u2019n glas wyn saam met \u2019n vriendin en haar man en vertel van my vele hoogtepunte die afgelope paar dae. <\/span><\/p>\n

Later stuur die vriend \u2019n boodskap: \u201cEk het na Frieda van Heever geluister op Spotify. Lanklaas iets so goed en mooi in Afrikaans gehoor. Dankie.\u201d <\/span><\/p>\n

\u2019n Mens kan dalk beplan so goed jy kan, maar soms het \u2019n dag ander planne. Selfs in \u2019n poespas, \u2019n omslagtige gedoente, \u2019n deurmekaarspul, kan jy leer en beleef. <\/span><\/p>\n

En nog \u2019n dissipel werf vir Frieda.<\/span><\/p>\n

Ns. Ek gaan vanaand om 20:00 <\/span>Hedda<\/span><\/i> kyk. Ek sal sorg dat ek betyds daar is. <\/span><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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<\/i> Ilza Roggeband<\/p>\n","protected":false},"author":3799,"featured_media":66819,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[516,518],"tags":[517],"class_list":["post-66876","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ink-festival-newspaper-2024","category-opinie-en","tag-ink-festival-newspaper-2024"],"yoast_head":"\nRubriek: \u2018My poespas van \u2019n dag\u2019 - Toyota Stellenbosch Woordfees<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/woordfees.co.za\/en\/ink-festival-newspaper-2024\/rubriek-my-poespas-van-n-dag\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Rubriek: \u2018My poespas van \u2019n dag\u2019 - 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