{"id":67316,"date":"2024-10-06T20:05:39","date_gmt":"2024-10-06T18:05:39","guid":{"rendered":"https:\/\/woordfees.co.za\/uncategorized\/resensie-die-dans-van-geregtigheid\/"},"modified":"2024-10-06T22:22:53","modified_gmt":"2024-10-06T20:22:53","slug":"resensie-die-dans-van-geregtigheid","status":"publish","type":"post","link":"https:\/\/woordfees.co.za\/en\/ink-festival-newspaper-2024\/resensie-die-dans-van-geregtigheid\/","title":{"rendered":"Resensie: Die dans van geregtigheid"},"content":{"rendered":"\t\t
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DANCE<\/h6>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Gregory Maqoma is gem\u00e1\u00e1k van beweeg <\/span> <\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Produksie: <\/span>Exit\/Exist<\/b>
<\/span>Skrywer: <\/span>Nadine Petrick<\/b>
<\/span>Foto\u2019s: <\/span>Nardus Engelbrecht<\/b><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Gregory Maqoma is nie \u2019n danser nie. Hy is \u2019n gevoel; \u2019n hele reeks emosies. Hy neem besit van die teater en almal daarin wat, soos in \u2019n beswyming, na hom sit en kyk. As hy van Hameln was, het daar sweerlik n\u00e1 die vertoning \u2019n groot gros mense in Victoriastraat agter hom aangestreep. Hy is gem\u00e1\u00e1k van beweeg. <\/p>\n

Hy s\u00ea self: \u201cBinne die grense van kulturele en familieverwagtinge het ek die transformerende krag van beweging ontdek. Dans het my taal geword, \u2019n rebellie teen norme wat uitdrukking wou beperk. Soweto het \u2019n plek geword waar elke stap wat ek geneem het, die veerkragtigheid van \u2019n gemeenskap weerspie\u00ebl wat deur die kompleksiteite van identiteit en tradisie navigeer.\u201d <\/span><\/p>\n

In die aangrypende <\/span>Exit\/Exist<\/span><\/i> vertel die 50-jarige Gregory die verhaal van een van sy voorouers, Jongumsobomvu Maqoma, wat in die laat 1700\u2019s gebore is. Di\u00e9 vername hoofman word onomwonde as een van die grootste helde in die Xhosa-geskiedenis beskou. Nie net was hy een van Afrika se grootste weerstandsleiers gedurende die koloniale tydperk nie, maar hy was \u2019n uitsonderlike krygsman en, \u2019n rariteit, \u2019n voorstander van vroueregte. Hy het in die 19de eeu drie van die nege Grensoorlo\u00eb tussen koloniste van die Kaapkolonie en die Xhosastamme aan die Oosgrens gelei nadat van die gebiede in die Rharhabe-koninkryk se jurisdiksie met geweld beset is. Maqoma is uiteindelik in hegtenis geneem en na Robbeneiland verban toe hy Xhosa-grond van die Britse koloniseerders terugge\u00ebis het. Hy is in 1873 op die eiland oorlede. <\/span><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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In \u2019n onlangse onderhoud met Diane de Beer vir INK<\/a> reken Maqoma, wat binnekort uittree, dat hierdie werk sy loopbaan tot groter hoogtes geneem het en ook baie deure vir hom en ander mense geopen het. Daarbenewens word belangrike kwessies in die emotiewe stuk aangeraak: \u201cDit is \u2019n werk wat steeds die vrae rakende grond, gedwonge verskuiwing en die uitwissing van geskiedenis versterk. Om hierdie werk na Stellenbosch te bring, waar die omstredenheid oor Stellenbosch se grondbesit en ekonomie gekoppel is aan bre\u00ebr kwessies van grondherverdeling, welvaart-ongelykheid en historiese bevoorregting in Suid-Afrika, sal hopelik \u2019n gesonde gesprek oor historiese ongeregtighede aanwakker.\u201d <\/p>\n

Die klankbaan van die vertoning word regstreeks agter \u2019n groot deursigtige skerm uitgevoer. Die ongelooflike Giuliano Modarelli op kitaar word ondersteun deur vier kragtige stemme \u2013 Tobela Mpela, Sizwe Nhlapo, Xolisile Bongwana en Lubabalo Velebayi. Voeg hierby \u2019n kreatiewe gebruik van eenvoudige visuele komponente soos sand wat uit die dak lek en olie wat hy oor homself uitstort \u2013 en wat hom skoon anders laat lyk \u2013 en jy sit uiteindelik met \u2019n vertoning wat jou geheel en al asemloos laat. Kragtig, roerend, Maqoma. <\/span><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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<\/i> Nadine Petrick <\/p>\n","protected":false},"author":3799,"featured_media":67275,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[444,516],"tags":[517],"class_list":["post-67316","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-dance-news","category-ink-festival-newspaper-2024","tag-ink-festival-newspaper-2024"],"yoast_head":"\nResensie: Die dans van geregtigheid - Toyota Stellenbosch Woordfees<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/woordfees.co.za\/en\/ink-festival-newspaper-2024\/resensie-die-dans-van-geregtigheid\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Resensie: Die dans van geregtigheid - 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