{"id":82478,"date":"2025-10-12T19:47:43","date_gmt":"2025-10-12T17:47:43","guid":{"rendered":"https:\/\/woordfees.co.za\/uncategorized\/resensie-met-meer-as-die-maan-gepla\/"},"modified":"2025-10-13T13:28:24","modified_gmt":"2025-10-13T11:28:24","slug":"resensie-met-meer-as-die-maan-gepla","status":"publish","type":"post","link":"https:\/\/woordfees.co.za\/en\/ink-festival-newspaper-2025\/resensie-met-meer-as-die-maan-gepla\/","title":{"rendered":"Resensie: Met meer as die maan gepla"},"content":{"rendered":"\t\t
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SPIER TONEEL<\/h6>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Met meer as die maan gepla<\/span><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Produksie: The Moon Looks Delicious From Here<\/strong>
Deur: Naud\u00e9 van der Merwe<\/strong>
Foto\u2019s: Golda Simmers and Carl Collison<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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In die bekroonde eenmanvertoning The Moon Looks Delicious From Here neem die akteur en skrywer Aldo Brincat jou op \u2019n emosionele en fisieke reis van Noord-Afrika na Mauritius en eindelik die Suid-Afrikaanse ooskus. Jy\u2019s nooit seker waarheen ons op pad is nie, maar die rit is uiters bevredigend. <\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\u2019n Le\u00eb verhoog sonder \u2019n stel beteken een van twee dinge: Geen van die betrokkenes het \u2019n oorspronklike idee gehad oor wat hier moet gebeur nie en ons kan amdram<\/em> uit die onderste rakke verwag; of jy kan jou gereed maak vir iets wat jou onverwags rondom minuut 40 aan die strot gaan gryp op die beste moontlike manier. In hierdie eenmanvertoning was dit gelukkig opsie twee. <\/p>

Dis die tweede keer dat ek di\u00e9 produksie sien (dit was al reg oor Suid-Afrika op die planke) en met hierdie herbesoek is dit asof die impak eksponensieel vergroot het.<\/p>

Di\u00e9 grootliks outobiografiese aanbieding deur die akteur en skrywer Aldo Brincat neem jou op \u2019n emosionele en fisieke reis van Noord-Afrika na Mauritius en eindelik die Suid-Afrikaanse ooskus. Jy\u2019s nooit seker waarheen ons op pad is nie, maar die rit is uiters bevredigend. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Dis \u2019n immigrantestorie wat afspeel teen die onstuimige apartheidsjare van die 70\u2019s en 80\u2019s. Dit laat jou opnuut besef dat enigiemand wat sosio-politieke nostalgie vir hierdie tydperk het, behoorlik waansinnig is. <\/span><\/h4>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Die openingstoneel vang jou dadelik: Aldo se ouers se ontmoeting. Sy pa, Mario, is van Malta en het in Egipte grootgeword, en sy ma, Marie, kom van Mauritius. Die Tweede W\u00eareldoorlog en Mauritius se onafhanklikheidswording sit nog vlak in almal hier se geheue. Albei beland (onafhanklik van mekaar) in die 1960\u2019s in Durban en hulle families maak Suid-Afrika hulle nuwe tuiste. Dis \u2019n immigrantestorie wat afspeel teen die onstuimige apartheidsjare van die 70\u2019s en 80\u2019s. Dit laat jou opnuut besef dat enigiemand wat sosio-politieke nostalgie vir hierdie tydperk het, behoorlik waansinnig is. <\/p>

Om ons weer en weer en w\u00e9\u00e9r te konfronteer met feite wat ongemaklik sit en dade wat dalk onvergeeflik is, is tog sekerlik een van die redes waarom mense kuns maak.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Die toneelspel is uitstekend, die aksentwerk onverbeterlik \u2013 dit help natuurlik as jy jou eie ouers se aksente kan naboots \u2013 en Brincat kry dit reg om met die kleinste aanpassings verskeie karakters uit te beeld. Sy vertelling, en Sjaka September se regie, is so gestroop van enige tierlantyntjies dat jy nie anders kan nie as om Aldo en al die ander karakters \u2013 sy pa, sy ma, en veral sy vriend Wayne \u2013 se emosies in jou bors te voel druk. <\/p>

Jong Aldo wil \u2019n kulkunstenaar word en gebruik deurgaans Chinese skakelringe om as kind, tiener, en eindelik volwassene truuks te doen. Die o\u00ebverblindery-truuk is dalk \u2019n voor die hand liggende metafoor vir alles wat in die land gebeur, vir wat in Aldo se kop (en broek) aangaan, maar dit slaag nietemin. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Die toneelspel is uitstekend, die aksentwerk onverbeterlik \u2013 dit help natuurlik as jy jou eie ouers se aksente kan naboots \u2013 en Brincat kry dit reg om met die kleinste aanpassings verskeie karakters uit te beeld.<\/span><\/h4>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Uiteindelik is dit ook \u2019n eerlike blik op die Suid-Afrikaanse samelewing deur die o\u00eb van \u2019n groep mense wat entoesiasties en positief oor die lewe in hierdie land wil wees, en smag om openhartig met hulle nuwe land en die mense hier om te gaan, maar die fascisme van die tyd kortwiek elke tree in \u2019n hoopvolle rigting.<\/p>

En tog is hier hoop. Dis moeilik om presies te probeer vaspen waar dit l\u00ea, maar dit sit duidelik daar, dalk in die maan? <\/p>

\u2019n Mens verstaan heeltemal waarom hierdie stuk pryse by die Nasionale Kunstefees in Makhanda en die Bitesize Theatre Festival in Londen gewen het. Dit is definitief die kaartjieprys werd. <\/p>

<\/p>

The Moon Looks Delicious From Here<\/a><\/p>

15 OKT 16:00 | 17 OKT 12:30<\/p>

HMS Bloemhof Skoolsaal<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

<\/i>Naud\u00e9 van der Merwe<\/p>\n","protected":false},"author":3799,"featured_media":82302,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[612,613],"tags":[541],"class_list":["post-82478","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ink-festival-newspaper-2025","category-spier-theatre","tag-woordfees-2025-en"],"yoast_head":"\nResensie: Met meer as die maan gepla - Toyota Stellenbosch Woordfees<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/woordfees.co.za\/en\/ink-festival-newspaper-2025\/resensie-met-meer-as-die-maan-gepla\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Resensie: Met meer as die maan gepla - 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