{"id":82495,"date":"2025-10-12T10:37:50","date_gmt":"2025-10-12T08:37:50","guid":{"rendered":"https:\/\/woordfees.co.za\/uncategorized\/tarmac-roek-tong\/"},"modified":"2025-10-16T01:11:20","modified_gmt":"2025-10-15T23:11:20","slug":"tarmac-roek-tong","status":"publish","type":"post","link":"https:\/\/woordfees.co.za\/en\/classical-music\/tarmac-roek-tong\/","title":{"rendered":"‘Block Party’: Tarmac. Roek. Tong."},"content":{"rendered":"\t\t
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EASYEQUITIES SKRYWERSFEES: DIGKUNS<\/h6>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Tarmac. Roek. Tong. <\/span><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Produksie: Prins: \u2019n Block party<\/strong>
Deur: Chase Rhys<\/strong>
Foto\u2019s: Chase Rhys<\/strong><\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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True party-mense wiet: Die beste deel vannie aan issie actually die headliner offie VIP-area nie. Issie parking lot. \u2019n Car-bar. \u2019n Vinnage hotbox. \u2019n Vrystuk. \u2019n Skinne-stuk. Die veskil tussen \u201cwe inside\u201d en \u201cwe outside\u201d. Dai\u2019s waarie ware conversations gebeu. Confessions. Breakups. Makeups. Groepterapie met \u2019n soundtrack. <\/p>

Soe of course is Prins<\/em>, Ryan Pedro se twiede digbundel, oek in \u2019n parking lot gevier. Is donke. \u00d4s loep deu \u2019n nou alley by Erfurthuis waarie gewone po\u00ebsie-re\u00ebls, sagte stemme, glasies wat kliek en finger snaps verryl w\u00f4d vi kisse, beanbags, \u2019n galleyblik en bier wat yt \u2019n kar se boot bedien w\u00f4d. Die crowd? Gemeng. Softboys, akademici, cousins, queer kids, ou vrinne. <\/p>

In sy opening speech sit Ryan by \u2019n kis en praat oorie mic: \u201cHierdie is \u2019n baie unorthodox manier om poetry te experience, maa ek dink Prins<\/em> vra vi niks annes nie. Is \u2019n boek wat noorag is om te exist in sukke spaces, makeshift spaces. Die boek is obviously geskryf met \u2019n baie spesifieke community in mind. As ek ytkyk oorie parking lot, is \u2019n baie diverse group. Soe is oek \u2019n boek wat community bring, wat kinship soek, in strange en unusual places.\u201d <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Die gedigte wat hy voorgelees het, was generous en sk\u00eap. No overexplaining. Niks van \u201cnet om (virrie wit mense) te contextualise\u2026\u201d nie. Hy\u2019t vertrou ammel sallit vang. Ryan se skryf transcend die mohogany podium-polish van poetry-voorlesings. Syne is tarmac. Roek. Tong. Hy lees deu sirens en anne sagte heckling van straatgelyde. Die gedigte voel verdien. Niks is precious nie. Alles maak saak. <\/p>

Een vannie highlights vannie aan was toe hy \u201cDiamond Boy\u201d lees, \u2019n glinsterende stuk mettie lyn:<\/p>

alles wat ek aan vat moet golden wies
Soe, nee, nog niks poetry geskryf oor slavery nie
of whatever anders die literary plantation se wiele grease nie<\/em><\/p>

Die parking lot-formaat wassie net slim nie. It was polities. Po\u00ebties. Stevlyn Vermeulen, sy uitgewer by Kwela Boeke, het it perfek opgesom: \u201cThis parking lot idea is like an extension (embodiment) of Ryan\u2019s collection. Gritty and real: there\u2019s nothing pretentious about it. There\u2019s this idea that poetry is reserved for only the intellectuals. A space like a parking lot in the middle of Stellenbosch gives poetry the opportunity to be seen as accessible. How else do you change the literary plantation?\u201d <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Ryan se debuut, Pienk ceramic-hondjies<\/em> (2020), hettie Ingrid Jonker-prys \u00e9n die UJ-debuutprys gewen. Prins<\/em>, uitgegie deu Kwela in 2025, is \u2019n ondersoek na manlikheid en seunwies beide die breekbare ennie brutaal.<\/p>

Sy eeste boek het opgekyk narie pa. The man. The myth. Hierdie een kyk af. En s\u00ea die waarheid met gedigte wat k\u00f4 as jy die myth begin audit. \u00d4s vullie gaps met \u00f4sse eie pa\u2019s, uncles, boys wat geleerit hoe om hulle skouers te square lank voo hulle geleerit hoe om \u201cjammer\u201d te s\u00ea. <\/p>

Wat Ryan Pedro gedoen het, was punk. En clever. Hy\u2019t \u00f4ssie gevra om in \u2019n kame te k\u00f4 sit en stilbly nie. Hy\u2019t die poems gebring na presies waa \u00f4s klaa gestaanit, buite, langsie vuur, innie donke, op soek na \u00f4sse father-figures, of biesig om te try ni\u00e9 soes hulle te wiesie. <\/p>

<\/em><\/p>

Prins: \u2019n Block party<\/a>
11 Okt. 20:00
Erfurthuis<\/em> <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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<\/i>Chase Rhys<\/p>\n","protected":false},"author":3799,"featured_media":81941,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[431,511],"tags":[541],"class_list":["post-82495","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-easyequities-writers-festival-news","category-classical-music","tag-woordfees-2025-en"],"yoast_head":"\n'Block Party': Tarmac. Roek. 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