{"id":82501,"date":"2025-10-12T10:10:16","date_gmt":"2025-10-12T08:10:16","guid":{"rendered":"https:\/\/woordfees.co.za\/uncategorized\/resensie-as-n-du-plessis-betrokke-raak-by-bach\/"},"modified":"2025-10-13T13:33:11","modified_gmt":"2025-10-13T11:33:11","slug":"resensie-as-n-du-plessis-betrokke-raak-by-bach","status":"publish","type":"post","link":"https:\/\/woordfees.co.za\/en\/ink-festival-newspaper-2025\/resensie-as-n-du-plessis-betrokke-raak-by-bach\/","title":{"rendered":"Resensie: As \u2019n Du Plessis betrokke raak by Bach…"},"content":{"rendered":"\t\t
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CLASSICAL MUSIC<\/h6>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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As \u2019n Du Plessis betrokke raak by Bach... <\/span><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Produksie: Bach to Bolling<\/strong>
Deur: Wayne Muller<\/strong>
Foto\u2019s: Verskaf<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Die Charl du Plessis-trio se jongste program is presies wat jy van hulle verwag: bekende klassieke musiek met \u2019n jazz-kinkel… en daarby \u2019n virtuose verrassing.<\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\u2019n Mens kry sommer \u2019n lekkerkry-tinteling as jy sien die Charl du Plessis-trio maak weer \u2019n draai by die Woordfees. Hulle opgejazzde klassieke musiek is altyd skerp en laat jou in jou sitplek bons. <\/p>

Bach to Bolling<\/em>, die trio se jongste program, is presies wat jy van hulle verwag: bekende klassieke musiek met \u2019n jazz-kinkel… en daarby \u2019n virtuose verrassing.<\/p>

Du Plessis, van agter die klavier aan die stuur van die trio, spot met die gehoor dat Bach se musiek soos \u2019n gedig is waarby jy niks kan voeg nie \u2013 iets byna volmaak en volledig \u2013 n\u00e9t totdat \u2019n Du Plessis betrokke raak… Want dan kry jy Bach vermeng met \u2019n paar eg Suid-Afrikaanse deuntjies, en op die koop toe ook ons volkslied daarby ingeweef. <\/p>

Dit is dan ook so met die bekende Bach-stuk wat ons ken as \u201cAir on the G String\u201d, waarmee die konsert Saterdagaand begin het. Di\u00e9 gewilde wysie kry nuwe lewe in die hande van Du Plessis, Peter Auret (perkussie) en Werner Spies (kontrabas). <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Met Brahms se \u201cWiegelied\u201d het Martens sy tjello laat sing soos \u2019n trosende moederstem. N\u00e1 die opwinding van die suites was dit \u2019n welkome rustigheid. <\/span><\/h4>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Daarna het die tjellis Peter Martens hom by hulle aangesluit vir \u2019n jazzerige weergawe van Bach se Tjellosuite no. 2 \u2013 een van die ses suites wat hy vir solotjello geskryf het, maar in di\u00e9 opvoering uiteraard met die trio instrumentaliste ingeklits.<\/p>

Die eerste beweging het Martens in sy oorspronklike gedaante gespeel, maar dan, wanneer die trio bykom, wys di\u00e9 tjellis \u2019n ander sy van sy spel. Die trio volg hom nougeset, selfs sy asemteue wat elke frase opnuut laat lewe. <\/p>

Met Brahms se \u201cWiegelied\u201d het Martens sy tjello laat sing soos \u2019n trosende moederstem. N\u00e1 die opwinding van die suites was dit \u2019n welkome rustigheid. <\/p>

Maar daardie sussende kalmte moes vinnig plek maak vir Astor Piazzolla se Le Grande Tango<\/em> vir tjello en klavier. Martens het genoem dit is Piazzolla se enigste solowerk vir tjello \u2013 en dis beslis een waarna \u2019n mens meer moet luister. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Tussendeur Piazzolla se vurige tangostyl, goed vasgevang deur die musici, skets die musiek ook \u2019n melancholiese toneel met somber klanke; by tye selfs filmies van aard.<\/p>

Ter afsluiting was Claude Bolling (1930-2020) se Suite vir Tjello en Jazztrio beslis die hoogtepunt. Die vier bewegings wissel van \u2019n Barokstyl tot \u2019n Romantiese inkleding, en eindig dan in \u2019n virtuose finale wat die gehoor in vervoering gehad het. Martens se tegniek met die virtuose passasies is verstommend, maar bowenal het dit groot luistergenot vir die gehoor verskaf. <\/p>

Van Vivaldi tot Beethoven is al deur die Charl du Plessis-trio opgejazz, en met Bach to Bolling<\/em> verdien hulle nog \u2019n sterretjie. \u2019n Mens kan net wonder wat hulle vir die volgende Woordfees gaan optower… <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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<\/i>Wayne Muller<\/p>\n","protected":false},"author":3799,"featured_media":81929,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[511,612],"tags":[541],"class_list":["post-82501","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-classical-music","category-ink-festival-newspaper-2025","tag-woordfees-2025-en"],"yoast_head":"\nResensie: As \u2019n Du Plessis betrokke raak by Bach... - Toyota Stellenbosch Woordfees<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/woordfees.co.za\/en\/ink-festival-newspaper-2025\/resensie-as-n-du-plessis-betrokke-raak-by-bach\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Resensie: As \u2019n Du Plessis betrokke raak by Bach... - 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