{"id":82534,"date":"2025-10-09T21:17:01","date_gmt":"2025-10-09T19:17:01","guid":{"rendered":"https:\/\/woordfees.co.za\/uncategorized\/wessel-kunstenaar-met-n-sak-vol-talente\/"},"modified":"2025-10-13T13:41:12","modified_gmt":"2025-10-13T11:41:12","slug":"wessel-kunstenaar-met-n-sak-vol-talente","status":"publish","type":"post","link":"https:\/\/woordfees.co.za\/en\/ink-festival-newspaper-2025\/wessel-kunstenaar-met-n-sak-vol-talente\/","title":{"rendered":"Wessel\u2026 kunstenaar met \u2019n sak vol talente"},"content":{"rendered":"\t\t
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SPIER TONEEL<\/h6>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Wessel\u2026 kunstenaar met \u2019n sak vol talente<\/span><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Deur: Diane de Beer<\/strong>
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Toe Wessel Pretorius 14 jaar gelede op die toneel verskyn, het \u2019n mens geweet hier is \u2019n kunstenaar wat jou teaterlewe gaan verryk, s\u00ea \n Diane de Beer<\/strong>\n<\/span>. Sy gesels met di\u00e9 formidabele kunstenaar oor sy werk by vanjaar se Toyota Stellenbosch Woordfees. <\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Wessel Pretorius is akteur, skrywer \u00e9n regisseur. Toe hy rondom 2011 tot die bedryf toetree, het hy met die intrapslag opslae gemaak met sy verhoogstuk Ont-<\/em>. Dit was nie net die teks wat \u2019n mens laat stilstaan het nie, maar ook die uitvoering daarvan. Destyds het ek gedink \u2013 en ook met hom daaroor gesels: \u201cEn nou, vorentoe?\u201d Die opwinding was juis dat \u2019n mens geweet het hier is \u2019n kunstenaar wat jou teaterlewe gaan verryk. <\/p>

Dit was inderdaad die geval. Vir vanjaar se Woordfees is Ont-<\/em> weer op die planke, maar Wessel is ook betrokke by twee van my gunstelingproduksies wat ek reeds op vorige feeste raakgeloop het: \u2018KUNS\u2019<\/em> en Die een wat bly. <\/em>Ons wou meer weet. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\u201cKUNS\u201d <\/em>is een van daardie unicorn<\/em>-geleenthede waarna die meeste akteurs smag, \u2019n heerlike, intelligente en hoogs speelbare teks onder leiding van \u2019n meesterlike regisseur, Marthinus Basson.<\/span>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Hy is bitterlik opgewonde om die stuk weer te doen. \u201cMaar dit bly \u2019n uitdaging, omdat die doeltreffendheid daarvan op \u2019n mespunt balanseer. Die dans met die gehoor vloei die lekkerste wanneer hulle glo hierdie drie mans is regtig vriende en hulle hulle gevolglik daarop kan projekteer\u2026 en dan die gevaar van vernietiging aanvoel. Dit is die beste soort uitdaging waarvoor \u2019n speler kan hoop.\u201d <\/p>

Op \u2019n vraag oor die tema van die stuk antwoord hy: \u201c \u2018But is it art?\u2019 is een van daardie plofbare vrae wat eindelose debat kan ontlok tussen kunstenaars en kunsliefhebbers. Yasmina gebruik dit as \u2019n stootskraper om die boublokke van \u2019n vriendskap op te grawe en bloot te l\u00ea. Aan die een kant kan jy jou dus verlekker aan die pretensies en argumente van die karakters (wat natuurlik hemels is om te speel), maar aan die ander kant vat Yasmina die tentatiewe bande tussen vriende s\u00f3 raak dat jy jou skaam vir hoe baie jy met die karakters kan identifiseer.\u201d<\/p>

Hy het reeds as student met die teks kennis gemaak en gespeel, en toe weer so tien jaar gelede, s\u00ea Wessel. \u201cMet elke proses voel ek hoe die teks meer met my eie lewe resoneer. Die alewige soektog na definisies van kuns tersyde; ek sien hoe my angs oor verandering in verhoudings, my rol in mense se lewe en my ego plek-plek raakpunte het met Marc [sy karakter] s\u2019n.\u201d <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u2018Die een wat bly\u2019<\/strong><\/p>

Met Die een wat bly <\/em>is Wessel se aandeel iets heel anders: Hy is gevra om met die teks te help, maar ook om die regie te behartig.<\/p>

\u201cEk en Figure of 8 het plek-plek al probeer saamwerk, maar al die elemente het vir die eerste keer saamgespeel toe Marie (Vogts, vervaardiger), Shaun (Oelf, Figure of 8 Dance Theatre) en Grant (Van Ster, Figure of 8 Dance Theatre) my genader het om hierdie teks oor seuns en moeders te ontwikkel. Ek is \u2019n groot aanhanger \u2013 hoewel nie \u2019n kenner nie \u2013 van dans en van Figure of 8 se werk, en daarom was die geleentheid om saam met hulle \u2019n storie te skep wat my ook na aan die hart l\u00ea, \u2019n geskenk. <\/p>

\u201cDie impetus en idee het gekom van Figure of 8. N\u00e1 vele gesprekke het ons besluit op die temas en raakpunte waarop ons wou fokus. Ek het verskeie onderhoude met die groep gedoen en hulle het persoonlike herinneringe en ander gedagtes met my gedeel. Daarna het ek eenkant gaan sit en die teks geskryf \u2013 en verder in repetisies gevorm en geslyp rondom die spelers se behoeftes. <\/p>

\u201cGrant en Shaun is albei begaafde dansers, choreograwe en teatermakers in eie reg, en daarom was dit heerlik om beelde saam met hulle te skep \u2013 geen versoek is met teenstand begroet nie. Ons was almal nuuskierig en entoesiasties om te sien hoe \u2019n mens met dans en beweging \u2019n semi-tradisionele teks kan uitbeeld. Later het Natalie Fisher haar by ons aangesluit om as \u2019n buite-oog vir die dansers te dien, en haar kennis oor en aanvoeling vir enige fisieke taal was onvervangbaar.\u201d<\/p>

Hy verduidelik binne die dansmilieu is dit \u2019n stuk wat raak aan verlies, aan seksualiteit, aan enkelouerskap en aan verhoudings. \u201cMaar uiteindelik wou ons \u2019n goue koord van liefde span tussen ma\u2019s en hulle seuns.\u201d <\/p>

Oor sy rol as regisseur begin dinge vir hom in plek val. \u201cEk dink ek is stadig maar seker besig om my stem as regisseur of teatermaker te identifiseer en slyp. Dus het hierdie geleentheid op die regte tyd gekom. Om saam met ander dissiplines te skilder het my kreatiwiteit op nuwe maniere ontsluit. Elke keer as ek buite my gemaksone tree en iets aanpak wat \u2019n klein bietjie vreesaanjaend is, voel ek vryer en meer bemagtig.\u201d <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Shaun Oelf, Daneel van der Walt en Grant van Ster in Die een wat bly. Foto: Gys Loubser <\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\u2018ONT-\u2019<\/strong><\/p>

Met Ont-<\/em> by die fees keer Wessel terug na sy eie begin. \u201cEk het jare terug met die stuk gedebuteer by die Woordfees, en daarom is dit baie spesiaal om die stuk weer hier te doen \u2013 di\u00e9 slag met die begaafde Wian Taljaard op die verhoog.\u201d <\/p>

Wessel s\u00ea hy toer vanjaar nog een maal met Faustus in Africa! <\/em>na Gen\u00e8ve en Londen, en daarna gaan hy nie op sy louere rus nie. \u201cEk hoop om volgende jaar nog geleentheid te kry om nuwe werk vir die verhoog te ontwikkel.\u201d <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Wian Taljaard in die produksie Ont-. Foto: Verskaf <\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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*****<\/p>

Wessel by vanjaar se Woordfees<\/strong><\/h4>

<\/strong><\/p>

Spier Toneelfees<\/em><\/strong><\/p>

ONT-<\/strong><\/a><\/p>

16 OKT 20:00 | 18 OKT 09:30 | 19 OKT 16:30<\/p>

75 min | Spier-ouditorium<\/p>

R220 | R250 at the door<\/p>

No u.13 (L)<\/p>

\u2018KUNS\u2019<\/strong><\/a><\/p>

13 OKT 13:00 | 14 OKT 20:30 | 16 OKT 17:00 | 17 OKT 09:30 | 18 OKT 13:30 | 19 OKT 14:30<\/p>

90 min | Adam Small-ouditorium<\/p>

R180-R300 | R210-R330 at the door<\/p>

No u.16 (S)<\/p>

DIE EEN WAT BLY<\/strong><\/a><\/p>

15 OKT 12:00 | 16 OKT 13:00 | 18 OKT 16:00 | 19 OKT 13:00<\/p>

75 min | HMS Bloemhof-skoolsaal<\/p>

R220 | R250 by die deur Geen o.13 (T)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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<\/p>

Film festival<\/strong><\/em><\/p>

A KIND OF MADNESS<\/strong><\/a><\/p>

Writer Wessel Pretorius<\/strong><\/p>

12 OKT 19:00 | 15 OKT 18:30<\/p>

99 min | Neelsie Cinema<\/p>

R60 | R70 by die deur | 16 (T, S, G)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

<\/i>Diane de Beer<\/p>\n","protected":false},"author":3799,"featured_media":81463,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[612,613],"tags":[541],"class_list":["post-82534","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ink-festival-newspaper-2025","category-spier-theatre","tag-woordfees-2025-en"],"yoast_head":"\nWessel\u2026 kunstenaar met \u2019n sak vol talente - Toyota Stellenbosch Woordfees<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/woordfees.co.za\/en\/ink-festival-newspaper-2025\/wessel-kunstenaar-met-n-sak-vol-talente\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Wessel\u2026 kunstenaar met \u2019n sak vol talente - 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