{"id":82959,"date":"2025-10-13T17:52:30","date_gmt":"2025-10-13T15:52:30","guid":{"rendered":"https:\/\/woordfees.co.za\/uncategorized\/resensie-huis-van-sand\/"},"modified":"2025-10-21T12:14:15","modified_gmt":"2025-10-21T10:14:15","slug":"resensie-huis-van-sand","status":"publish","type":"post","link":"https:\/\/woordfees.co.za\/en\/ink-festival-newspaper-2025\/resensie-huis-van-sand\/","title":{"rendered":"Resensie: ‘Huis van sand’"},"content":{"rendered":"\t\t
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SPIER TONEEL<\/h6>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Iemand het \u2019n lappop op die mop weggegooi<\/span><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Produksie: Huis van sand<\/strong>
Deur: Marina Griebenow<\/strong>
Foto\u2019s: Nardus Engelbrecht<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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In Dianne Du Toit Albertze<\/span> se pryswenner-drama, Huis van sand, wil jy as gehoorlid dalk d\u00edt wat voor jou afspeel ignoreer of afmaak as fiksie, maar die feite laat nie met hulle stry nie. Daarom w\u00e9\u00e9t jy die uiteinde gaan tragies wees en deur nog geweld geken word. Geweld baar uiteindelik net meer geweld. <\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Die skrootwerf noem Sandy dit, want sy kom oorspronklik van die Boland af. Maar net buite Springbok ken meeste dit as die mop. Die rusplek van die reste, oorblyfsels en vullis. D\u00edt wat nie meer bestaansreg het nie. <\/p>

Waar die mop aan die buitewyke van die dorp l\u00ea, vind jy dikwels ook die menslike uitskot van die samelewing. Die armes, die verslaafdes, die verworpenes, die geweldenaars, en diegene sonder hoop op uitkoms, al loop die N7 net daar neffentjies verby. <\/p>

D\u00edt is waar die karakters van Dianne Du Toit Albertze se pryswenner-drama, Huis van sand,<\/em> hulleself bevind en \u2019n lewe probeer maak.<\/p>

Sandy (Tinarie van Wyk Loots), die hoofkarakter, was eens \u2019n aspirant-digter en aansienlik van voorkoms, maar nou is sy onherroeplik verslaaf aan Sahawi-sigarette en goedkoop wyn en word gereeld papgeslaan deur haar \u201chalf Nama, half Nomad\u201d soos sy hom noem, Rodney (Jefferson J. Dirks-Korkee), \u2019n trokdrywer met die beginsels en begeertes van \u2019n rondloperbrak.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Haar tomboy-dogter, Babs (Kristen Raath), is op skool geboelie en Omo genoem omdat die armoede aan haar lyf en tot in haar hare sigbaar was. Nou is sy \u2019n onderwyser by daardie einste skool. \u2019n Onderonsie met die skoolseun Romario (ook gespeel deur Jefferson) wat met \u2019n Okapi in sy kous rondloop, dreig om haar loopbaan te kelder nadat hulle bekgeveg fisiek geraak het en deur \u2019n ander skoolkind verfilm is. <\/p>

Sussie, oftewel Valencia (Ren\u00e9 Cloete), is Rodney se \u201choerkjeent\u201d vir wie niemand wil h\u00ea nie en n\u00e1 die soveelste verwerping daag sy uiteindelik by haar pa se plek op. Babs is duidelik oorhoops met Sussie en pak Sussie se karige besittings netjies uit in haar slaapplek in die reeds beknopte en verslonste karavaan, vrolik versier met veelkleurige fairy lights<\/em>. Sussie wil bitter graag \u2019n aktrise wees, maar sy ly aan ongeneeslike verhoogvrees en vergeet altyd haar woorde. Haar lot staan dus ook onafwendbaar in die verhoogligte en die uitwerking van haar verlede geskryf. Die sondes van die vaders… <\/p>

Drie ander karakters maak vlugtig hulle verskyning as weerligafleiers en fasiliteerders van die aksie en word gespeel deur Jefferson en Ren\u00e9. Juffrou Appel is \u2019n laerskoolonderwyseres by wie Babs aanklank en beskerming vind. Sy is die teenpool van mnr. De Kock, \u2019n karikatuuragtige skoolhoof met \u2019n boepmaag en \u2019n das wat te kort is, en wat net aan sy eie bas dink. Diedie is waarskynlik die mees gebalanseerde van al die karakters met \u2019n onblusbare dog donker humorsin en \u2019n laissez-faire-houding teenoor die lewe. Tog is sy die enigste een wat opdaag om te help, al is dit deur \u2019n papsak aan te dra. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Sandy (Tinarie van Wyk Loots), die hoofkarakter, was eens \u2019n aspirant-digter en aansienlik van voorkoms, maar nou is sy onherroeplik verslaaf aan Sahawi-sigarette en goedkoop wyn en word gereeld papgeslaan deur haar \u2018half Nama, half Nomad\u2019 soos sy hom noem, Rodney (Jefferson J. Dirks-Korkee), \u2019n trokdrywer met die beginsels en begeertes van \u2019n rondloperbrak.<\/span><\/h4>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\u201cNes \u2019n kosbare erfstuk word geweld van ma na dogter oorgedra. Een geslag se vrou probeer manlikheid in stand hou… Dan is daar die ander geslag wat die patriargie wil pootjie,\u201d skryf Dianne in haar programnotas vir die Woordfees. Geslagsgeweld, generasie-trauma en die gevolge van armoede en verslawing is hoofsaaklik wat sy in Huis van sand<\/em> ondersoek. Dit word egter gou duidelik dat die las byna altyd net te swaar is. Sodra jy dink daar is \u2019n uitkomkans, tref die noodlot en moed opgee kry weer die oorhand. As gehoorlid wil jy dalk wat voor jou afspeel ignoreer of afmaak as fiksie, maar die feite laat nie met hulle stry nie. Daarom w\u00e9\u00e9t jy die uiteinde gaan tragies wees en deur nog geweld gekenmerk word. Geweld baar uiteindelik net meer geweld. <\/p>

Dianne se teks oorrompel jou. Dis woordryk en digterlik, soms kru en pront, en vol uitdrukkings en taal eie aan die Noord-Kaap, spesifiek die Namakwaland-streek. Dit l\u00ea soos musiek in die monde van die spelers wie se komvandaan in daardie omstreke is en waar hulle karakters dit vra. Sandy aan die ander kant verduidelik dat die Boland ver van Namakwaland is, maar \u201cmy spore het na groener weiveld gaan soek en toe in die Noord-Kaap se vaal vloekveld verdwaal\u201d. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Feitlik elke speler het ook \u2019n monoloog of monolo\u00eb vol diepgang wat aan die gehoor groter insae in sy of haar karakter bied. Feitlik almal van hulle word gekenmerk deur die tema van verspeelde kanse of die oormag van die foute van die verlede. Rodney kon \u2019n Springbokrugbyspeler geword het, Sandy se drome van skryf het sy \u201caan die wind geoffer\u201d, en Sussie met haar verhoogvrees wou so graag \u2019n aktrise gewees het, om maar net enkele voorbeelde te noem. Sommige van die monolo\u00eb is so tragies, dit breek jou hart. <\/p>

Stefan Benade se stel en inkleding is weldeurdag en hy slaag daarin dat dit voel of \u2019n stoflaag van armoede oor alles l\u00ea. Verder is al die ruimtes wat gebruik word reeds op die verhoog, wat dit onnodig maak om fisieke toneelwisselings te doen. Birrie le Roux se kostuums skreeu gepas goedkoop en swak smaak soos net die verkeerde gebruik van tiervel en plakkies kan doen. Juffrou Appel en mnr. De Kock se kostuums laat haar \u2019n bietjie speling toe. Charl-Johan Lingenfelder se musiekkeuses is trefseker vir wat die oomblik vereis. Al hoor ons hier en daar net \u2019n maat of vier van sangers soos Gert Vlok Nel en Koos du Plessis, is dit oorgenoeg om die stemming te beklemtoon. Wolf Britz, die regisseur en beligtingsontwerper, sorg dat alles gebeur wanneer en soos dit moet. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Geslagsgeweld, generasie-trauma en die gevolge van armoede en verslawing is hoofsaaklik wat die dramaturg in Huis van sand ondersoek. Dit word egter gou duidelik dat die las byna altyd net te swaar is. Sodra jy dink daar is \u2019n uitkomkans, tref die noodlot en moed opgee kry weer die oorhand. <\/span><\/h4>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Dianne se teks is \u2019n welverdiende wenner van die Reinet Nagtegaal-teksprys, \u2019n groot prys vir so \u2019n jong dramaturg, wat \u2019n ewe groot verantwoordelikheid meebring. \u2019n Teks se sukses kan egter eers waarlik gemeet word wanneer dit op die planke gebring word en \u2019n gehoor daarin insae kry. Gemeet aan die staande applous reeds met die eerste opvoering by die Woordfees, slaag Huis van sand<\/em> die lakmoestoets met vlie\u00ebnde vaandels. <\/p>

Groot dank is verskuldig aan \u2019n knap ensemble, \u2019n sterk groep kreatiewes en \u2019n regisseur met sy hand stewig op die leisels. Dit is geensins maklike onderwerpe nie, maar danksy di\u00e9 span kan niemand by die ouditorium uitstap en s\u00ea \u201cons het nie geweet nie\u201d. <\/p>

*<\/p>

Huis van sand<\/a><\/p>

15 OKT. 14:00 | 16 OKT. 20:30 | 17 OKT. 09:30<\/p>

kykNet Rhenish Girls\u2019 High<\/p>

Lees ook \u2019n onderhoud met Dianne Du Toit Albertze: Klik hier<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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<\/i>Marina Griebenow<\/p>\n","protected":false},"author":3799,"featured_media":82666,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[612,613],"tags":[541],"class_list":["post-82959","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ink-festival-newspaper-2025","category-spier-theatre","tag-woordfees-2025-en"],"yoast_head":"\nResensie: 'Huis van sand' - Toyota Stellenbosch Woordfees<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/woordfees.co.za\/en\/ink-festival-newspaper-2025\/resensie-huis-van-sand\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Resensie: 'Huis van sand' - 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