{"id":82983,"date":"2025-10-14T13:02:07","date_gmt":"2025-10-14T11:02:07","guid":{"rendered":"https:\/\/woordfees.co.za\/uncategorized\/resensie-nic-met-die-goue-stem-bied-n-terugblik-op-jou-eie-lewe\/"},"modified":"2025-10-15T14:08:58","modified_gmt":"2025-10-15T12:08:58","slug":"resensie-nic-met-die-goue-stem-bied-n-terugblik-op-jou-eie-lewe","status":"publish","type":"post","link":"https:\/\/woordfees.co.za\/en\/ink-festival-newspaper-2025\/resensie-nic-met-die-goue-stem-bied-n-terugblik-op-jou-eie-lewe\/","title":{"rendered":"Resensie: Nic-met-die-goue-stem bied \u2019n terugblik op jou eie lewe"},"content":{"rendered":"\t\t
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SPIER TONEEL<\/h6>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Nic-met-die-goue-stem bied \u2019n terugblik op jou eie lewe<\/span><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Produksie: Nic de Jager: In my eie woorde<\/strong>
Skrywer: Marina Griebenow<\/strong>
Foto: Verskaf<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Nic de Jager, raconteur en radioman met die goue stem, het by twee geleenthede by vanjaar se Woordfees staaltjies en vertellings oor sy besonderse lewe met \u2019n waarderende gehoor gedeel. Dit het by tye gevoel of jy \u2019n terugblik op jou eie lewe kry, skryf Marina Griebenow, want hy is so \u2019n inherente deel van jou herinneringe. <\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Dis seker nie onvanpas om Nic de Jager as \u2019n Renaissance-man te beskryf nie. Hy is immers iemand van vele talente waarvan die helfte ons nog nie vertel is nie \u2013 tot nou. Nic de Jager: In my eie woorde<\/em> is \u2019n poging deur Ingrid Howard, eienaar van die Drostdy-teater in Stellenbosch en regisseur van di\u00e9 woordkunsproduksie, om in Nic se 85ste lewensjaar die sluier so effens te lig op wat hy al alles in sy lewe gedoen en bereik het. <\/p>

Coenie de Villiers is \u2019n bedrewe en hoogs ervare onderhoudvoerder. As regisseur kon Ingrid kwalik iemand beter gekies het om hierdie gesprek te lei. Hy is altyd deeglik voorberei en kan die gesprek bestuur as die persoon met wie hy \u2019n onderhoud voer toegee aan die versoeking om afdraaipaadjies te volg. Met iemand wat so \u2019n vol lewe soos Nic gelei het, gebeur dit maklik. Om Nic te kry om oor die hoogte- en laagtepunte van sy lewe te praat is nie \u2019n maklike taak nie. Soos Coenie herhaaldelik noem, is Nic erg beskeie en praat hy nie graag oor homself nie. Staaltjies en gebeurtenisse, ja, maar nie jakkals prys sy eie stert nie. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Om Nic te kry om oor die hoogte- en laagtepunte van sy lewe te praat is nie \u2019n maklike taak nie. Soos Coenie herhaaldelik noem, is Nic erg beskeie en praat hy nie graag oor homself nie. Staaltjies en gebeurtenisse, ja, maar nie jakkals prys sy eie stert nie. <\/span><\/h4>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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As die huisligte uitdoof, voor die verhoogligte opkom, hoor ons Nic se welluidende baritonstem met \u2019n voorlesing van \u201cRaka\u201d deur N.P. van Wyk Louw. Jy kan omtrent \u2019n speld hoor val. Die meeste mense van my ouderdom \u2013 die ouditorium was gepak met gryskoppe \u2013 sal Nic se stem in ons slaap herken. Hy is immers al sedert die jare sestig \u2019n radioman, rolprent- en televisie-akteur, nuusleser van formaat, kenner van opera en klassieke musiek, resensent en liefhebber van vinnige motors en motorfietse\u2026 te veel om op te noem! <\/p>

Nic begin op die dag van Verwoerd se begrafnis by die Afrikaanse radiodiens van die ou SAUK werk. Net vir die grap gee Coenie vir Nic die oorspronklike teks wat daardie dag uitgesaai is en vra hom om dit voor te lees in die omroepstyl van daardie tyd terwyl die beeldmateriaal van die begrafnis geprojekteer word. Nic is \u2019n platjie en stem natuurlik in. Genade, die gedrae en sonore voordrag is terselfdertyd onthutsend bekend en erg snaaks. <\/p>

Die mees verrassende aspek van die gesprek met Nic is nie net die omvang van sy ervarings en tydverdrywe nie, maar die unieke beeld- en stemopnames wat gebruik word wat die gehoor nooit andersins sou kon sien of hoor nie. Toe ek agterna daaroor uitvra, vertel Coenie Nic het \u2019n tyd gelede \u2019n klomp bokse met sy persoonlike memorabilia by Ingrid afgelaai. Sy het stelselmatig deur die magdom inligting gewerk en (in samewerking met Nic) die program saamgestel. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Op \u2019n vraag oor watter stuk musiek hy sal kies as die laaste waarna hy sal wil luister, kies hy \u2018In Abendrot\u2019 uit Richard Strauss se Vier Letzte Lieder. \u2019n Man met onkreukbare smaak, dink jy by jouself. <\/span><\/h4>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Tog was daar dinge wat duidelik ook vir hom \u2019n verrassing was, soos \u2019n video-opname van die presiese konsert in San Francisco in 1969 toe hy daar na Pavarotti gaan luister het, asook \u2019n opname van die oomblik in \u2019n konsert van Diana Ross in Caesar\u2019s Palace in Las Vegas toe di\u00e9 gewilde sangeres so amper sy naam krater gemaak het. Gelukkig het sy na wat na \u2019n ewigheid gevoel het uiteindelik die knaap langs hom gevra om te sing en Nic is \u2019n ewige verleentheid gered. <\/p>\n

Deur Nic se vertellings onthou jy ook ander bekendes wat deel was van jou eie verwysingsraamwerk. Hy vertel van die keer toe hulle \u2019n begrafnistoneel verfilm het en die regisseur Manie van Rensburg wou h\u00ea dit moet re\u00ebn om die somberheid van die okkasie te beklemtoon. Dulcie van den Bergh het almal gerusgestel. \u201cDit s\u00e1l re\u00ebn,\u201d het sy ges\u00ea. \u201cHoe weet jy?\u201d vra hulle haar. \u201cWant ek het daarvoor gebid,\u201d antwoord sy. En jou werklikwaar, toe hulle by die plek naby Villiersdorp kom waar die toneel verfilm sou word, het die hemele toegetrek en dit het begin re\u00ebn. Toe hulle klaar was, het die lug weer oopgetrek. <\/p>\n

Nic se skatkis van stories is bodemloos. Daar is natuurlik gepraat oor sy ouers en broers, sy oupa se broer en Paul Kruger wat saamgekuier het oor hulle se\u00eblversamelings, sy noue bande met sy alma mater, Paul Roos Gimnasium, waar sy pa die skoolhoof was en later ook sy broer Jock, sy geweldige liefde vir diere en waarom sy een hond se naam Raspoetin was, die stand van die w\u00eareld (O tempora, o mores!), sy lawwe kostuum toe hy Orsino gespeel het in Twaalfde Nag<\/em> met Cobus Rossouw as regisseur, en hoeveel keer hy en Nic Swanepoel in die moeilikheid was oor hulle manewales in hulle radioprogram Nic en Nic<\/em>.<\/p>\n

Die ernstiger aspekte van sy lewe word nie ge\u00efgnoreer nie, soos onder meer sy groot droom om \u2019n argitek te word wat deur die ongevoelige burokrate by Tukkies gefnuik is en die nagevolge van skokterapie wat hy ontvang het by Kruitfontein nadat hy in sy finale jaar sy studies gestaak het. Erns en luim vleg ineen in die lewe van \u2019n besonderse individu. <\/p>\n

Ter afsluiting vra Coenie of Nic dalk enige raad vir jongmense het. Nic erken hy was heeltemal te hard op homself en het te veel van homself gevra. \u201cMoet dit nie doen nie,\u201d maan hy. En op \u2019n vraag oor watter stuk musiek hy sal kies as die laaste waarna hy sal wil luister, kies hy \u201cIn Abendrot\u201d uit Richard Strauss se Vier Letzte Lieder. \u2019n Man met onkreukbare smaak, dink jy by jouself. <\/p>\n

Dit het by tye gevoel of jy \u2019n terugblik op jou eie lewe kry, want hy is so \u2019n inherente deel van jou herinneringe. Ons almal het getuies nodig, selfs al is jy so geliefd soos Nic de Jager. Dit was \u2019n voorreg om een van hulle te kon wees. <\/p>\n

Die gesprek sluit af met Nic wat die gehoor groet met die woorde wat hy gewoonlik aan die einde van sy Sondagprogram op RSG, Nic se goed<\/em>, s\u00ea: \u201cWees lief vir jou naaste. Wees lief vir die diere. Wees lief vir die aarde. Mag die meetsnoere vir jou op lieflike plekke val. Blaas hoog die vlam.\u201d<\/p>\n

*<\/p>\n

Nic de Jager: In my eie woorde<\/a><\/p>\n

13 OKT. 15:00 | 14 OKT. 10:00<\/p>\n

Drostdy Theatre<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

<\/i>Marina Griebenow<\/p>\n","protected":false},"author":3799,"featured_media":82929,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[612,613],"tags":[541],"class_list":["post-82983","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ink-festival-newspaper-2025","category-spier-theatre","tag-woordfees-2025-en"],"yoast_head":"\nResensie: Nic-met-die-goue-stem bied \u2019n terugblik op jou eie lewe - Toyota Stellenbosch Woordfees<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/woordfees.co.za\/en\/ink-festival-newspaper-2025\/resensie-nic-met-die-goue-stem-bied-n-terugblik-op-jou-eie-lewe\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Resensie: Nic-met-die-goue-stem bied \u2019n terugblik op jou eie lewe - 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